Social alienation in the context of "Emo"

Urban sociology is the sociological study of cities and urban life. One of the field’s oldest sub-disciplines, urban sociology studies and examines the social, historical, political, cultural, economic, and environmental forces that have shaped urban environments.Like most areas of sociology, urban sociologists use statistical analysis, observation, archival research, census data, social theory, interviews, and other methods to study a range of topics, including poverty, racial residential segregation, economic development, migration and demographic trends, gentrification, homelessness, blight and crime, urban decline, and neighborhood changes and revitalization. Urban sociological analysis provides critical insights that shape and guide urban planning and policy-making.

The philosophical foundations of modern urban sociology originate from the work of sociologists such as Karl Marx, Ferdinand Tönnies, Émile Durkheim, Max Weber and Georg Simmel who studied and theorized the economic, social and cultural processes of urbanization and its effects on social alienation, class formation, and the production or destruction of collective and individual identities.

Max Stirner (/ˈstɜːrnər/; German: [ˈʃtɪʁnɐ], 25 October 1806 – 26 June 1856), born Johann Kaspar Schmidt, was a German philosopher, dealing mainly with the Hegelian notion of social alienation and self-consciousness. Stirner is often seen as one of the forerunners of nihilism, existentialism, psychoanalytic theory, postmodernism, individualist anarchism, and egoism.

Born in 1806 in Bayreuth, Bavaria, Stirner's life and work are known largely through a biography by John Henry Mackay. He was orphaned young and raised in West Prussia after his mother's remarriage. Stirner studied at the University of Berlin, where he attended Hegel's lectures. He then moved into teaching and became involved with the Young Hegelians in Berlin. Although he struggled to secure a permanent academic post, Stirner became a fixture in intellectual circles and wrote his most famous work, The Unique and Its Property (German: Der Einzige und sein Eigentum), while supporting himself as a teacher.

A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.

The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and working class pride, rejecting both the austerity and conservatism of the 1950s–early 1960s and the more middle class or bourgeois hippie movement and peace and love ethos of the mid to late 1960s. Skinheads were instead drawn towards more working class outsider subcultures, incorporating elements of early working class mod fashion and Jamaican music and fashion, especially from Jamaican rude boys. In the earlier stages of the movement, a considerable overlap existed between early skinhead subculture, mod subculture, and the rude boy subculture found among Jamaican British and Jamaican immigrant youth, as these three groups interacted and fraternized with each other within the same working class and poor neighbourhoods in Britain. As skinheads adopted elements of mod subculture and Jamaican British and Jamaican immigrant rude boy subculture, both first and second generation skins were influenced by the rhythms of Jamaican music genres such as ska, rocksteady, and reggae, as well as sometimes African-American soul and rhythm and blues.

Workers' self-management, also referred to as labor management and organizational self-management, is a form of organizational management based on self-directed work processes on the part of an organization's workforce. Self-management is a defining characteristic of socialism, with proposals for self-management having appeared many times throughout the history of the socialist movement, advocated variously by democratic, libertarian and market socialists as well as anarchists and communists.

There are many variations of self-management. In some variants, all the worker-members manage the enterprise directly through assemblies while in other forms workers exercise management functions indirectly through the election of specialist managers. Self-management may include worker supervision and oversight of an organization by elected bodies, the election of specialized managers, or self-directed management without any specialized managers as such. The goals of self-management are to improve performance by granting workers greater autonomy in their day-to-day operations, boosting morale, reducing alienation and eliminating exploitation when paired with employee ownership.

Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band members are Thom Yorke (vocals, guitar, keyboards); the brothers Jonny Greenwood (guitar, keyboards, other instruments) and Colin Greenwood (bass); Ed O'Brien (guitar, backing vocals); and Philip Selway (drums). They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.

Radiohead signed to EMI in 1991 and released their debut album, Pablo Honey, in 1993. Their debut single, "Creep", was a worldwide hit, and their popularity and critical standing rose with The Bends in 1995. Their third album, OK Computer (1997), is acclaimed as a landmark record and one of the greatest albums in popular music, with complex production and themes of modern alienation. Their fourth album, Kid A (2000), marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Though Kid A divided listeners, it was later named the best album of the decade by multiple outlets. It was followed by Amnesiac (2001), recorded in the same sessions. Radiohead's final album for EMI, Hail to the Thief (2003), blended rock and electronic music, with lyrics addressing the war on terror.

Mass society is a concept that describes modern society as a monolithic force and yet a disaggregate collection of individuals. The term is often used pejoratively to refer to a society in which bureaucracy and impersonal institutions have replaced some notion of traditional society, leading to social alienation.

In a sense, all societies are mass societies, but the term typically refers to developed countries that possess a mass culture and large-scale social, political and economic institutions which structure daily life for the majority of people. In modern times the term has taken on more importance and broader scope with the advent of mass media and the internet.

Grunge (originally known as the Seattle Sound) is an alternative rock genre and subculture that emerged during the mid-1980s in the U.S. state of Washington, particularly in Seattle and Olympia, and other nearby cities. Grunge fuses elements of punk rock and heavy metal, and features the distorted electric guitar sound used in both genres, as well as bass guitar, drums, and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth, Pixies, and Dinosaur Jr. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social isolation and emotional isolation, addiction, psychological trauma, and a desire for freedom.

The early grunge movement revolved around Seattle's independent record label Sub Pop and the region's underground music scene, with local bands such as Green River, the Melvins, and Mudhoney playing key roles in the genre's development. Sub Pop marketed the style shrewdly, encouraging media outlets to describe the Seattle sound as "grunge"; the style became known as a hybrid of punk and metal. By the early 1990s, its popularity had spread, with similar sounding bands appearing in California, then emerging in other parts of the United States and Australia, building strong followings and signing major record deals. Grunge broke through into the mainstream in the early-to-mid-1990s, led by Nirvana's Nevermind in 1991, and followed by other crossover successes including Pearl Jam's Ten, Soundgarden's Badmotorfinger, and Alice in Chains' Dirt. The success of these bands boosted the popularity of alternative rock, eventually making grunge the most popular form of hard rock music during the 1990s.

Wozzeck (German pronunciation: [ˈvɔtsɛk]) is the first opera by Austrian composer Alban Berg, created between 1914 and 1922 and premiered on 14 December 1925 at the Berlin State Opera. Based on Georg Büchner's play Woyzeck (1836), it depicts a soldier's tragic slide into madness and murder amid militarism and oppression.

Berg's expressionist musical language and innovative approach to musical form heightened the opera's psychological realism. He used atonality and leitmotifs to show individuals' emotional and existential plight under forces of authority. Drawing on tonal and rhythmic idioms from folk and dance music, he linked psychological and social dimensions and exposed social alienation. He also invoked latent themes and topics of fate and nature, reflecting an understanding of humanity as shaped by universal forces.