Classical Latin language in the context of "Gaius Cassius Longinus"

Augustus (plural Augusti; /ɔːˈɡʌstəs/ aw-GUST-əs, Classical Latin: [au̯ˈɡʊstʊs]; "majestic", "great" or "venerable") was the main title of the Roman emperors during Antiquity. It was given as both name and title to Gaius Julius Caesar Octavianus (often referred to simply as Augustus) in 27 BC, marking his accession as Rome's first emperor. On his death, it became an official title of his successor, and was so used by all emperors thereafter. The feminine form Augusta was used for Roman empresses and other female members of the imperial family. The masculine and feminine forms originated in the time of the Roman Republic, in connection with things considered divine or sacred in traditional Roman religion. Their use as titles for major and minor Roman deities of the Empire associated the imperial system and family with traditional Roman virtues and the divine will and may be considered a feature of the Roman imperial cult.

In Rome's Greek-speaking provinces, "Augustus" was translated as Sebastos (Σεβαστός), or Hellenised as Augoustos (Αὔγουστος); these titles continued to be used in the Byzantine Empire until the Fall of Constantinople in 1453, although they gradually lost their imperial exclusivity in favour of Basileus and Autokrator.

Venus (/ˈviːnəs/; Classical Latin: [ˈwɛnʊs]) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles.

The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude.

Publius Vergilius Maro (Classical Latin: [ˈpuːbliʊs wɛrˈɡɪliʊs ˈmaroː]; 15 October 70 BC – 21 September 19 BC), usually called Virgil or Vergil (/ˈvɜːrdʒɪl/ VUR-jil) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. Some minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars regard these as spurious, with the possible exception of some short pieces.

Already acclaimed in his lifetime as a classic author, Virgil rapidly replaced Ennius and other earlier authors as a standard school text, and stood as the most popular Latin poet through late antiquity, the Middle Ages, and early modernity, exerting major influence on Western literature. Geoffrey Chaucer assigned Virgil a uniquely prominent position in history in The House of Fame (1374–85), describing him as standing on a pilere / that was of tinned yren clere ("on a pillar that was of bright tin-plated iron"), and in the Divine Comedy, in which Virgil appears as the author's guide through Hell and Purgatory, Dante pays tribute to Virgil with the words tu se' solo colui da cu'io tolsi / lo bello stile che m'ha fatto onore (Inf. I.86–7) ("thou art alone the one from whom I took the beautiful style that has done honour to me"). In the 20th Century, T. S. Eliot famously began a lecture on the subject "What Is a Classic?" by asserting as self-evidently true that "whatever the definition we arrive at, it cannot be one which excludes Virgil – we may say confidently that it must be one which will expressly reckon with him."

Romulus (/ˈrɒmjʊləs/, Classical Latin: [ˈroːmʊɫʊs]) was the legendary founder and first king of Rome. Various traditions attribute the establishment of many of Rome's oldest legal, political, religious, and social institutions to Romulus and his contemporaries. Although many of these traditions incorporate elements of folklore, and it is not clear to what extent a historical figure underlies the mythical Romulus, the events and institutions ascribed to him were central to the myths surrounding Rome's origins and cultural traditions.

In Greco-Roman mythology, Aeneas (/ɪˈniːəs/ in-EE-əs; Classical Latin: [ae̯ˈneːaːs]; from Ancient Greek: Αἰνείας, romanized: Aineías) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.

In Roman mythology, King Numitor (Classical Latin: [ˈnʊmɪtɔr]) of Alba Longa was the maternal grandfather of Rome's founder and first king, Romulus, and his twin brother Remus. He was the son of Procas, descendant of Aeneas the Trojan, and father of the twins' mother, Rhea Silvia, and Lausus.

In 794 BC Procas died and was meant to be succeeded by Numitor. Instead he was overthrown and removed from the kingdom by his brother, Amulius, who had no respect for his father's will or his brother's seniority. Amulius also murdered Numitor's sons, in an effort to remove power from his brother for himself.

Mauretania (/ˌmɒrɪˈteɪniə, ˌmɔːrɪ-/; Classical Latin: [mau̯.reːˈt̪aː.ni.a]) is the Latin name for a region in the ancient Maghreb. It extended from central present-day Algeria to the Atlantic, encompassing northern present-day Morocco, and from the Mediterranean in the north to the Atlas Mountains. Its native inhabitants, of Berber ancestry, were known to the Romans as the Mauri and the Masaesyli.

In 25 BC, the kings of Mauretania became Roman vassals until about 44 AD, when the area was annexed to Rome and divided into two provinces: Mauretania Tingitana and Mauretania Caesariensis. Christianity spread there from the 3rd century onwards. After the Muslim Arabs subdued the region in the 7th century, Islam became the dominant religion.

Vesta (Classical Latin: [ˈwɛs.ta]) is the virgin goddess of the hearth, home, and family in Roman religion. She was rarely depicted in human form, and was more often represented by the fire of her temple in the Forum Romanum. Entry to her temple was permitted only to her priestesses, the Vestal Virgins. Their virginity was deemed essential to Rome's survival; if found guilty of inchastity, they were buried or entombed alive. As Vesta was considered a guardian of the Roman people, her festival, the Vestalia (7–15 June), was regarded as one of the most important Roman holidays. During the Vestalia privileged matrons walked barefoot through the city to the temple, where they presented food-offerings. Such was Vesta's importance to Roman religion that following the rise of Christianity, hers was one of the last non-Christian cults still active, until it was forcibly disbanded by the Christian emperor Theodosius I in AD 391.

The myths depicting Vesta and her priestesses were few; the most notable of them were tales of miraculous impregnation of a virgin priestess by a phallus appearing in the flames of the sacred hearth — the manifestation of the goddess combined with a male supernatural being. In some Roman traditions, Rome's founders Romulus and Remus and the benevolent king Servius Tullius were conceived in this way. Vesta was among the Dii Consentes, twelve of the most honored gods in the Roman pantheon. She was the daughter of Saturn and Ops, and sister of Jupiter, Neptune, Pluto, Juno, and Ceres. Her Greek equivalent is Hestia.

Gaius Petronius Arbiter (/pɪˈtroʊniəs/; Classical Latin: [ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊˈs ar.bɪ.t̪ɛr]; c. 27 – c. 66 AD; sometimes Titus Petronius Niger) was a Roman courtier during the reign of Nero (r. 54–68). He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.