Circus in the context of Unicycles

Circus skills are a group of disciplines that have been performed as entertainment in circus, carnival, sideshow, busking, variety, vaudeville, or music hall shows. Most circus skills are still being performed today. Many are also practiced by non-performers as a hobby.

Circus schools and instructors use various systems of categorization to group circus skills by type. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system (the basis of the Russian Circus School's curriculum) and the Hovey Burgess system.

Community theatre refers to any theatrical performance made in relation to particular communities—its usage includes theatre made by, with, and for a community. It may refer to a production that is made entirely by a community with no outside help, or a collaboration between community members and professional theatre artists, or a performance made entirely by professionals that is addressed to a particular community.

Community theatres range in size from small groups led by single individuals that perform in borrowed spaces to large permanent companies with well-equipped facilities of their own. Many community theatres are successful, non-profit businesses with a large active membership and, often, a full-time staff. Community theatre is often devised and may draw on popular theatrical forms, such as carnival, circus, and parades, as well as performance modes from commercial theatre. This type of theatre is ever-changing and evolving due to the influences of the community; the artistic process can often be heavily affected by the community's socioeconomic circumstances.

A traveling carnival (American English), usually simply called a carnival, travelling funfair or travelling show (British English), is an amusement show that may be made up of amusement rides, food vendors, merchandise vendors, games of chance and skill, thrill acts, and animal acts. A traveling carnival is not set up at a permanent location, like an amusement park or funfair, but is moved from place to place. Its roots are similar to the 19th century circus with both being fitted-up in open fields near or in town and moving to a new location after a period of time. In fact, many carnivals have circuses while others have a clown aesthetic in their decor. Unlike traditional Carnival celebrations, the North American traveling carnival is not tied to a religious observance.

In North America, a sideshow is an extra, secondary production associated with a circus, carnival, fair, or other such attraction. They historically featured human oddity exhibits (so-called “freak shows”), preserved specimens (real or fabricated, such as the Fiji Mermaid), live animal acts, burlesque or strip shows, actually or ostensibly dangerous stunts, or stunts that appear painful like human blockhead.

Most modern sideshows feature fewer to no animal acts, and have a greater focus on trainable feats or consensual body modification rather than exhibiting people with congenital disabilities, either due to changing public opinion or local laws prohibiting the exhibition of disabled people or animals.

Circus schools are institutions that offer professional and sometimes degree-level training in various circus skills such as acrobatics, aerial arts, object manipulation, and other specialized physical skills. The rise of the circus school as a venue for the transmission of traditional circus arts and the formalized research of new acts is a relatively recent phenomenon in the history of the circus.

Veganism is the practice of abstaining from the use of animal products and the consumption of animal source foods, and an associated philosophy that rejects the commodity status of animals. A person who practices veganism is known as a vegan; the word is also used to describe foods and materials that are compatible with veganism.

Ethical veganism excludes all forms of animal use, whether in agriculture for labour or food (e.g., meat, fish and other animal seafood, eggs, honey, and dairy products such as milk or cheese), in clothing and industry (e.g., leather, wool, fur, and some cosmetics), in entertainment (e.g., zoos, exotic pets, and circuses), or in services (e.g., mounted police, working animals, and animal testing). People who follow a vegan diet for the benefits to the environment, their health or for religion are regularly also described as vegans.

Carnival (known as Shrovetide in certain localities) is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras.

Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stock was fully consumed during Shrovetide as to reduce waste. This festival is known for being a time of great indulgence before Lent (which is a time stressing the opposite), with drinking, overeating, and various other activities of indulgence being performed. For example, pancakes, donuts, and other desserts are prepared and eaten for a final time. During Lent, dairy and animal products are eaten less, if at all, and individuals make a Lenten sacrifice, thus giving up a certain object of desire (e.g. sweets), with the money that would go to purchase what was sacrificed being donated at the church as alms for the poor.

Animal training is the act of teaching animals specific responses to specific conditions or stimuli. Training may be for purposes such as companionship, detection, protection, and entertainment. The type of training an animal receives will vary depending on the training method used, and the purpose for training the animal. For example, a seeing eye dog will be trained to achieve a different goal than a wild animal in a circus.

In some countries animal trainer certification bodies exist. They do not share consistent goals or requirements; they do not prevent someone from practicing as an animal trainer nor using the title. Similarly, the United States does not require animal trainers to have any specific certification. An animal trainer should consider the natural behaviors of the animal and aim to modify behaviors through a basic system of reward and punishment.

Fire eating (a.k.a. pyrophagia) is the act of putting a flaming object into the mouth and extinguishing it. A fire eater can be an entertainer, a street performer, part of a sideshow or a circus act but has also been part of spiritual tradition in India.

Acrobatics (from Ancient Greek ἀκροβατέω (akrobatéō) 'walk on tiptoe, strut') is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, gymnastics, and freerunning and to a lesser extent in other athletic activities including ballet, slacklining and diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics.

A trapeze is a short horizontal bar hung by ropes, metal straps, or chains, from a ceiling support. It is an aerial apparatus commonly found in circus performances. Trapeze acts may be static, spinning (rigged from a single point), swinging or flying, and may be performed solo, double, triple or as a group act.

The name of the apparatus reflects the trapezoid shape made by the horizontal bar, ropes and ceiling support.

Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rope walking and slacklining.

A unicycle, also monocycle is a vehicle that touches the ground with only one wheel. The most common variation has a frame with a saddle, and has a pedal-driven direct-drive. A two speed hub is commercially available for faster unicycling. Unicycling is practiced professionally in circuses, by street performers, in festivals, and as a hobby. Unicycles have also been used to create new sports such as unicycle basketball and unicycle hockey. In recent years, unicycles have also been used in mountain unicycling, an activity similar to mountain biking or trials.

Philip Astley (8 January 1742 – 20 October 1814) was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the success of trick-riding displays given by him and his wife Patty Jones in 1768. Astley's first competitor was equestrian Charles Hughes, who had previously worked with Astley. Together with Charles Dibdin, a famous author of pantomimes, Hughes opened a rival amphitheatre in London, which Dibdin called the Royal Circus and Equestrian Philharmonic Academy.

Astley and his wife Patty put on their first public show on Easter Monday, 4 April 1768. extending the equestrian performance with exhibitions of warlike sabre-work and sword-play. The initial performances were done in the open air at Ha'penny (= Halfpenny) Hatch, a field in Lambeth, London, near the present site of Waterloo railway station. The Astleys also performed at other locations in London. Astley performed his stunts in a circular arena, though Astley never used the title of 'circus' for his shows. Astley's 'Ride' (he also called it 'the Circle') was a ring 65 ft (19 metres) in diameter. Later, the size evolved to become standardised at 42 feet (13 metres) which is the size used by circuses ever since. Leasing more permanent premises at Westminster Bridge from 1769, he improved conditions for audiences with a covered stands. The performances themselves, however, were still performed in the open. In 1770 he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between acts. and so initiated the format which we now know as a 'circus' and which has since spread to many countries.

A ringmaster or ringmistress, or sometimes a ringleader, is a significant performer in many circuses. Most often seen in traditional circuses, the ringmaster is a master of ceremonies that introduces the circus acts to the audience. In smaller circuses, the ringmaster is often the owner and artistic director of the circus.

A fit-up is a style of theatre or circus where companies of travelling performers tour towns and villages in the provinces of Ireland, Britain and elsewhere, particularly throughout the 19th century. The term is also theatre slang to describe a stage or tent that can be transported and erected quickly for shows.

A fit-up company would be a travelling company of players which carries its scenery, props and costumes that can be set up in a temporary venue, which might be a large tent, a barn or a village hall. Fit-up companies were particularly prevalent in 19th century Ireland and a study of the performance histories of these has been made by Irish academics. The oldest of these Irish companies included the J. B. Carrickford Company and Tommy Conway/Keegan, who formed the Bohemian Minstrels in the early 19th century.