Chinese Buddhist Canon in the context of "Great Renunciation"

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⭐ Core Definition: Chinese Buddhist Canon

The Chinese Buddhist canon refers to a traditional collection of Chinese language Buddhist texts which are the central canonical works of East Asian Buddhism. The traditional term for the canon is Great Storage of Scriptures (traditional Chinese: 大藏經; simplified Chinese: 大藏经; pinyin: Dàzàngjīng; Japanese: 大蔵経; rōmaji: Daizōkyō; Korean: 대장경; romaja: Daejanggyeong; Vietnamese: Đại tạng kinh). The Chinese canon is a major source of scriptural and spiritual authority for East Asian Buddhism (the Buddhism of China, Korea, Japan and Vietnam). It is also an object of worship and devotion for Asian Buddhists and its reproduction is seen as an act of merit making. The canon has also been called by other names like “Internal Classics” (neidian 内典), “Myriad of Scriptures” (zhongjing 眾經), or “All Scriptures” (yiqiejing 一切經).

The development of the Great Storage of Scriptures was influenced by the Indian Buddhist concept of a Tripitaka, literally meaning "three baskets" (of Sutra, Vinaya, and Abhidharma), a term which referred to the scriptural canons of the various Indian Buddhist schools. However, Chinese Buddhists historically did not have access to a single Tripitaka from one school or collection. Instead, the canon grew over centuries as various Indian texts were translated and new texts composed in China. These various works (4,878 individual texts according to the Chinese scholar He Mei) were later collected into a distinct Chinese canon.

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👉 Chinese Buddhist Canon in the context of Great Renunciation

The Great Renunciation or Great Departure (Sanskrit: mahābhiniṣkramaṇa; Pali: mahābhinikkhamana) is the traditional term for the departure of Gautama Buddha (c. 563c. 483 BCE) from his palace at Kapilavastu to live a life as an ascetic (Sanskrit: śrāmaṇa, Pali: sāmaṇa). It is called the Great Renunciation because it is regarded as a great sacrifice. Most accounts of this event can be found in post-canonical Buddhist texts from several Buddhist traditions, which are the most complete. These are, however, of a more mythological nature than the early texts. They exist in Pāli, Sanskrit and Chinese language.

According to these accounts, at the birth of Prince Siddhārtha Gautama, the Buddha-to-be, brahmin priests predicted that he would either become a world teacher or a world ruler. To prevent his son from turning to religious life, Prince Siddhārtha's father and rāja of the Śākya clan Śuddhodana did not allow him to see death or suffering, and distracted him with luxury. During his childhood, Prince Siddhārtha had a meditative experience, which made him realize the suffering (Sanskrit: duḥkha, Pali: dukkha) inherent in all existence. He grew up and experienced a comfortable youth. But he continued to ponder about religious questions, and when he was 29 years old, he saw for the first time in his life what became known in Buddhism as the four sights: an old man, a sick person and a corpse, as well as an ascetic that inspired him. Shortly after, Prince Siddhārtha woke up at night and saw his female servants lying in unattractive poses, which shocked the prince. Moved by all the things he had experienced, the prince decided to leave the palace behind in the middle of the night against the will of his father, to live the life of an wandering ascetic, leaving behind his just-born son Rāhula and wife Yaśodharā. He traveled to the river Anomiya with his charioteer Chandaka and horse Kaṇṭhaka, and cut off his hair. Leaving his servant and horse behind, he journeyed into the woods and changed into monk's robes. Later, he met King Bimbisāra, who attempted to share his royal power with the former prince, but the now ascetic Gautama refused.

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