Cesare Ripa in the context of Self-Portrait as the Allegory of Painting


Cesare Ripa in the context of Self-Portrait as the Allegory of Painting

⭐ Core Definition: Cesare Ripa

Cesare Ripa COSML (c. 1555, Perugia(1622-01-22)January 22, 1622 Rome) was an Italian Renaissance scholar and iconographer.

↓ Menu
HINT:

👉 Cesare Ripa in the context of Self-Portrait as the Allegory of Painting

Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639. It was in the collection of Charles I and was returned to the Royal Collection at the Restoration (1660) and remains there. In 2015 it was put on display in the "Cumberland Gallery" in Hampton Court Palace.

The scene depicts Gentileschi painting herself, who is in turn represented as the “Allegory of Painting” illustrated by Cesare Ripa. It is now in the British Royal Collection.

↓ Explore More Topics
In this Dossier

Cesare Ripa in the context of Italia turrita

Italia turrita (pronounced [iˈtaːlja turˈriːta]; lit.'Turreted Italy') is the national personification or allegory of Italy, in the appearance of a young woman with her head surrounded by a mural crown completed by towers (hence turrita or "with towers" in Italian). It is often accompanied by the Stella d'Italia ('Star of Italy'), which is the oldest national symbol of Italy, since it dates back to the Graeco-Roman tradition, from which the so-called Italia turrita e stellata ('turreted and starry Italy'), and by other additional attributes, the most common of which is the cornucopia. The allegorical representation with the towers, which draws its origins from ancient Rome, is typical of Italian civic heraldry, so much so that the mural crown is also the symbol of the cities of Italy.

Italia turrita, which is one of the national symbols of Italy, has been widely depicted for centuries in the fields of art, politics and literature. Its most classic aspect, which derives from the primordial myth of the Great Mediterranean Mother and which was definitively specified at the turn of the 16th and 17th centuries by Cesare Ripa, wants to symbolically convey the royalty and nobility of Italian cities (thanks to the presence of crown turrita), the abundance of agricultural crops of the Italian peninsula (represented by the cornucopia) and the shining destiny of Italy (symbolized by the Stella d'Italia).

View the full Wikipedia page for Italia turrita
↑ Return to Menu