Graeco-Roman in the context of "Italia turrita"

The Aeneid (/ɪˈniːɪd/ ih-NEE-id; Latin: Aeneis [ae̯ˈneːɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter. The first six of its twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the latter six tell of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

The hero Aeneas was already known to Graeco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Rome, and his description as a personage of no fixed characteristics other than a scrupulous pietas, and fashioned the Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, and legitimised the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy.

The theme of Iberia (Greek: θέμα Ἰβηρίας) was an administrative and military unit (theme) within the Byzantine Empire carved by the Byzantine Emperors out of several Georgian lands in the 11th century. It was formed as a result of Emperor Basil II’s annexation of a portion of the Bagrationi dynasty domains (1000–1021) and later aggrandized at the expense of several Armenian kingdoms acquired by the Byzantines in a piecemeal fashion in the course of the 11th century. The population of the theme—at its largest extent—was multiethnic with a possible Georgian majority, including a sizable Armenian community of Chalcedonic rite to which Byzantines sometimes expanded, as a denominational name, the ethnonym "Iberian", a Graeco-Roman designation of Georgians. The theme ceased to exist in 1074 as a result of the Seljuk invasions.

A national emblem is an emblem that is reserved for use by a nation state or multi-national state as a symbol of that nation. Many nations have a seal or emblem in addition to a national flag.

Other national symbols, such as national birds, trees, flowers, etc., are listed at lists of national symbols.

Western law comprises the legal traditions of Western culture, with roots in Roman law and canon law. As Western culture shares a Graeco-Roman Classical and Renaissance cultural influence, so do its legal systems.

The Stella d'Italia ("Star of Italy"), popularly known as Stellone d'Italia ("Great Star of Italy"), is a five-pointed white star, which has symbolized Italy for many centuries. It is the oldest national symbol of Italy, since it dates back to Graeco-Roman mythology when Venus, associated with the West as an evening star, was adopted to identify the Italian peninsula. From an allegorical point of view, the Stella d'Italia metaphorically represents the shining destiny of Italy.

In the early 16th century it began to be frequently associated with Italia turrita, the national personification of the Italian peninsula. The Stella d'Italia was adopted as part of the emblem of Italy in 1947, where it is superimposed on a steel cogwheel, all surrounded by an oak branch and an olive branch.