Carl Laemmle in the context of "The Hunchback of Notre Dame (1923 film)"

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⭐ Core Definition: Carl Laemmle

Carl Laemmle (born Karl Lämmle; January 17, 1867 – September 24, 1939) was a German-American film producer and the co-founder and, until 1934, owner of Universal Pictures. Laemmle, along with Adolph Zukor, Samuel Goldwyn, Louis B. Mayer, William Fox, and the Warner Brothers (Harry, Albert, Sam, and Jack), was part of the group of Eastern European immigrant Jews that founded the movie industry in Hollywood, California in the first decades of the 20th century. Laemmle produced or worked on more than 400 films.

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👉 Carl Laemmle in the context of The Hunchback of Notre Dame (1923 film)

The Hunchback of Notre Dame is a 1923 American drama film starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. Distributed by Universal Pictures, the film was the studio's "Super Jewel" of 1923 and was their most successful silent film, grossing $3.5 million. The film premiered on September 2, 1923, at the Astor Theatre in New York, New York, then went into release on September 6.

The screenplay was written by Perley Poore Sheehan and Edward T. Lowe Jr., based on Victor Hugo's 1831 novel, and is notable for the grand sets that recall 15th century Paris as well as for Chaney's performance and make-up as the tortured hunchback bellringer Quasimodo. This was the seventh film adaptation of the novel. The film elevated Chaney, who was already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, including Chaney's The Phantom of the Opera in 1925. Two classic stills showing Chaney as Quasimodo can be seen on the internet, highlighting the makeup job, as well as the film's program book.

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Carl Laemmle in the context of Universal Pictures

Universal City Studios LLC, doing business as Universal Pictures (also known as Universal Studios or simply Universal), is an American film production and distribution company headquartered at the Universal Studios complex in Universal City, California. It serves as the flagship studio of Universal Filmed Entertainment Group, the film studio arm of NBCUniversal, which is a subsidiary of Comcast.

Founded on April 30, 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour, Universal is the oldest surviving film studio in the United States and the fifth oldest globally after Gaumont, Pathé, Titanus and Nordisk Film, and is one of the "Big Five" film studios. Woody Woodpecker, a character created by Walter Lantz, serves as the company's mascot.

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Carl Laemmle in the context of The Phantom of the Opera (1925 film)

The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909–2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The first cut of the film was previewed in Los Angeles on January 26, 1925. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. In 1953, the film entered the public domain in the United States because the film's distributor Universal Pictures did not renew its copyright registration in the 28th year after publication.

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Carl Laemmle in the context of Jules Brulatour

Pierre Ernest Jules Brulatour (April 7, 1870 – October 26, 1946) was a pioneering executive figure in American silent cinema. Beginning as American distribution representative for Lumiere Brothers raw film stock in 1907, he joined producer Carl Laemmle in forming the Motion Picture Distributing and Sales Company in 1909, effectively weakening the stronghold of the Motion Picture Patents Company, headed by Thomas Edison, a large trust company that was then monopolizing the American film industry through contracts with hand-picked, established studios. By 1911 Brulatour was president of the Sales Company. He was a founder of the Universal Film Manufacturing Company, later known as Universal Pictures.

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