Adolph Zukor in the context of "Carl Laemmle"

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⭐ Core Definition: Adolph Zukor

Adolph Zukor (/ˈzkər/; Hungarian: Czukor Adolf; January 7, 1873 – June 10, 1976) was a Hungarian-American film producer best known as one of the three founders of Paramount Pictures. He produced one of America's first feature-length films, The Prisoner of Zenda, in 1913.

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👉 Adolph Zukor in the context of Carl Laemmle

Carl Laemmle (born Karl Lämmle; January 17, 1867 – September 24, 1939) was a German-American film producer and the co-founder and, until 1934, owner of Universal Pictures. Laemmle, along with Adolph Zukor, Samuel Goldwyn, Louis B. Mayer, William Fox, and the Warner Brothers (Harry, Albert, Sam, and Jack), was part of the group of Eastern European immigrant Jews that founded the movie industry in Hollywood, California in the first decades of the 20th century. Laemmle produced or worked on more than 400 films.

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Adolph Zukor in the context of Cecil B. DeMille

Cecil Blount DeMille (/ˈsɛsəl dəˈmɪl/; August 12, 1881 – January 21, 1959), often known in popular culture as Mr. DeMille, was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of American cinema and the most commercially successful producer-director in film history, with many films dominating the box office three or four at a time. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants.

Born in Ashfield, Massachusetts and raised in New York City, DeMille began his career as a stage actor in 1900. He later began to write and direct stage plays, a few with his older brother William de Mille, and some with Jesse L. Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was the first full-length feature film shot in Hollywood. Its interracial love story was commercially successful, and the film marked Hollywood as the new home of the U.S. film industry. Based on continued film successes, DeMille founded Famous Players Lasky which was later reverse merged into Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and commercial success; it held the Paramount revenue record for 25 years.

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Adolph Zukor in the context of Paramount Pictures

Paramount Pictures Corporation (corporation name since 1950), commonly known as Paramount Pictures or simply Paramount, is an American film production and distribution company and the flagship namesake subsidiary of Paramount Skydance. Founded on May 8, 1912, it is the sixth-oldest global film studio and the second-oldest in the United States behind Universal Pictures, and it is one of the "Big Five" film studios located within the city limits of Los Angeles.

In 1916, film producer Adolph Zukor put 24 actors and actresses under contract and honored each with a star on the logo. In 1967, the number of stars was reduced to 22 and their hidden meaning was dropped. In 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. The company's headquarters and studios are located at 5555 Melrose Avenue, Hollywood, California.

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Adolph Zukor in the context of Paramount on Parade

Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.

Featured stars included Jean Arthur, Richard Arlen, Clara Bow, Evelyn Brent, Charles "Buddy" Rogers, Jack Oakie, Helen Kane, Maurice Chevalier, Nancy Carroll, George Bancroft, Kay Francis, Richard "Skeets" Gallagher, Gary Cooper, Fay Wray, Lillian Roth and other Paramount stars. The screenplay was written by Joseph L. Mankiewicz, produced by Adolph Zukor and Jesse L. Lasky, with cinematography by Victor Milner and Harry Fischbeck.

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