Gary Cooper in the context of "Paramount on Parade"

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πŸ‘‰ Gary Cooper in the context of Paramount on Parade

Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzingerβ€”all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.

Featured stars included Jean Arthur, Richard Arlen, Clara Bow, Evelyn Brent, Charles "Buddy" Rogers, Jack Oakie, Helen Kane, Maurice Chevalier, Nancy Carroll, George Bancroft, Kay Francis, Richard "Skeets" Gallagher, Gary Cooper, Fay Wray, Lillian Roth and other Paramount stars. The screenplay was written by Joseph L. Mankiewicz, produced by Adolph Zukor and Jesse L. Lasky, with cinematography by Victor Milner and Harry Fischbeck.

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Gary Cooper in the context of Everyman

The everyman is a stock character of fiction. An ordinary and humble character, the everyman is generally a protagonist whose benign conduct fosters the audience's identification with them.

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Gary Cooper in the context of High Noon

High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper and Grace Kelly. The plot, which occurs in real time, centers on a town marshal whose sense of duty is tested when he must decide to either face a gang of killers alone, or leave town with his new wife.

Though mired in controversy at the time of its release due to its political themes, the film was nominated for seven Academy Awards and won four (Actor, Editing, Score and Song) as well as four Golden Globe Awards (Actor, Supporting Actress, Score, and Black and White Cinematography). The award-winning score was written by Ukrainian/Russian-born composer Dimitri Tiomkin.

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