Norman Kerry in the context of "The Hunchback of Notre Dame (1923 film)"

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👉 Norman Kerry in the context of The Hunchback of Notre Dame (1923 film)

The Hunchback of Notre Dame is a 1923 American drama film starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. Distributed by Universal Pictures, the film was the studio's "Super Jewel" of 1923 and was their most successful silent film, grossing $3.5 million. The film premiered on September 2, 1923, at the Astor Theatre in New York, New York, then went into release on September 6.

The screenplay was written by Perley Poore Sheehan and Edward T. Lowe Jr., based on Victor Hugo's 1831 novel, and is notable for the grand sets that recall 15th century Paris as well as for Chaney's performance and make-up as the tortured hunchback bellringer Quasimodo. This was the seventh film adaptation of the novel. The film elevated Chaney, who was already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, including Chaney's The Phantom of the Opera in 1925. Two classic stills showing Chaney as Quasimodo can be seen on the internet, highlighting the makeup job, as well as the film's program book.

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Norman Kerry in the context of The Phantom of the Opera (1925 film)

The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909–2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The first cut of the film was previewed in Los Angeles on January 26, 1925. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. In 1953, the film entered the public domain in the United States because the film's distributor Universal Pictures did not renew its copyright registration in the 28th year after publication.

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