Bourgeois in the context of Alexandre Millerand

The Frontier Thesis, also known as Turner's Thesis or American frontierism, is the argument by historian Frederick Jackson Turner in 1893 that the settlement and colonization of the rugged American frontier was decisive in forming the culture of American democracy and distinguishing it from European nations. He stressed the process of "winning a wilderness" to extend the frontier line further for U.S. colonization, and the impact this had on pioneer culture and character. Turner's text takes the ideas behind Manifest Destiny and uses them to explain how American culture came to be. The features of this unique American culture included democracy, egalitarianism, uninterest in bourgeois or high culture, and an ever-present potential for violence. "American democracy was born of no theorist's dream; it was not carried in the Susan Constant to Virginia, nor in the Mayflower to Plymouth. It came out of the American forest, and it gained new strength each time it touched a new frontier," wrote Turner.

In this view, the frontier experience established the distinctively American style of liberty contrasted to deferential European mindsets still affected by the expectations of feudalism. It eroded old, dysfunctional customs. Turner's ideal of frontier had no need for standing armies, established churches, aristocrats, or nobles; there was no landed gentry who controlled the land or charged heavy rents and fees. Rather, pioneers went and claimed territory for themselves using only loose organizations, and the toughness of the experience gave them discipline and self-sufficiency that would be handed down over generations, even after the frontier advanced beyond the old boundaries. The Frontier Thesis was first published in a paper entitled "The Significance of the Frontier in American History", delivered to the American Historical Association in 1893 in Chicago. He won wide acclaim among historians and intellectuals. Turner elaborated on the theme in his advanced history lectures and in a series of essays published over the next 25 years, published along with his initial paper as The Frontier in American History.

Jean-Paul Charles Aymard Sartre (/ˈsɑːrtrə/, US also /ˈsɑːrt/; French: [saʁtʁ]; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution."

Sartre had an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the cultural and social assumptions and expectations of their upbringings, which they considered bourgeois, in both lifestyles and thought. The conflict between oppressive, spiritually destructive conformity (mauvaise foi, literally, 'bad faith') and an "authentic" way of "being" became the dominant theme of Sartre's early work, a theme embodied in his principal philosophical work Being and Nothingness (L'Être et le Néant, 1943). Sartre provided an introduction to his philosophy in his work Existentialism Is a Humanism (L'existentialisme est un humanisme, 1946), originally presented as a lecture.

The private sphere is the complement or opposite to the public sphere. The private sphere is a certain sector of societal life in which an individual enjoys a degree of authority and tradition, unhampered by interventions from governmental, economic or other institutions. Examples of the private sphere are high society, religion, sex, family and home.

In public-sphere theory, on the bourgeois model, the private sphere is that domain of one's life in which one works for oneself. In that domain, people work, exchange goods, and maintain their families; it is therefore, in that sense, separate from the rest of society.

Petru Groza (7 December 1884 – 7 January 1958) was a Romanian politician, best known as the first Prime Minister of the Communist Party-dominated government under Soviet occupation during the early stages of the Communist regime in Romania, and later as the President of the Presidium of the Great National Assembly (nominal head of state of Romania) from 1952 until his death in 1958.

Groza emerged as a public figure at the end of World War I as a notable member of the Romanian National Party (PNR), preeminent layman of the Romanian Orthodox Church, and then member of the Directory Council of Transylvania. In 1925–26 he served as Minister of State in the cabinet of Marshal Alexandru Averescu. In 1933, Groza founded a left-wing Agrarian organization known as the Ploughmen's Front (Frontul Plugarilor). The left-wing ideas he supported earned him the nickname The Red Bourgeois.

The culture of Shanghai or Shanghainese culture is based on the Wuyue culture from the nearby Jiangsu and Zhejiang province, with a unique "East Meets West" Haipai culture generated through the influx of Western influences since the mid-19th century. Mass migration from all across China and the rest of the world has made Shanghai a melting pot of different cultures. It was in Shanghai, for example, that the first motor car was driven and (technically) the first train tracks and modern sewers were laid. It was also the intellectual battleground between socialist writers who concentrated on critical realism, which was pioneered by Lu Xun, Mao Dun, Nien Cheng and the famous French novel by André Malraux, Man's Fate, and the more "bourgeois", more romantic and aesthetically inclined writers, such as Shi Zhecun, Shao Xunmei, Ye Lingfeng and Eileen Chang.

In past years, Shanghai has been recognized as a new influence and inspiration for cyberpunk culture. Futuristic buildings such as the Oriental Pearl Tower and the neon-illuminated Yan'an Elevated Road are examples that have boosted Shanghai's cyberpunk image. The city is well known for having a vibrant international flair.

Václav Havel (Czech: [ˈvaːt͡slav ˈɦavɛl] ; 5 October 1936 – 18 December 2011) was a Czech statesman, author, poet, playwright, and dissident. Havel served as the last president of Czechoslovakia from 1989 until 1992, prior to the dissolution of Czechoslovakia on 31 December, before he became the first president of the Czech Republic from 1993 to 2003. He was the first democratically elected president of either country after the fall of communism. As a writer of Czech literature, he is known for his plays, essays and memoirs.

His educational opportunities having been limited by his bourgeois background under the Czechoslovak Socialist Republic, Havel first rose to prominence as a playwright. In works such as The Garden Party and The Memorandum, Havel used an absurdist style to criticize the Communist system. After participating in the Prague Spring and being blacklisted after the Warsaw Pact invasion of Czechoslovakia, he became more politically active and helped found several dissident initiatives, including Charter 77 and the Committee for the Defense of the Unjustly Prosecuted. His political activities brought him under the surveillance of the StB secret police, and he spent several periods as a political prisoner, the longest of his imprisoned terms being nearly four years, between 1979 and 1983.

A skinhead or skin is a member of a subculture that originated among working-class youth in London, England, in the 1960s. It soon spread to other parts of the United Kingdom, with a second working-class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working-class solidarity, skinheads are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide.

The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and working class pride, rejecting both the austerity and conservatism of the 1950s–early 1960s and the more middle class or bourgeois hippie movement and peace and love ethos of the mid to late 1960s. Skinheads were instead drawn towards more working class outsider subcultures, incorporating elements of early working class mod fashion and Jamaican music and fashion, especially from Jamaican rude boys. In the earlier stages of the movement, a considerable overlap existed between early skinhead subculture, mod subculture, and the rude boy subculture found among Jamaican British and Jamaican immigrant youth, as these three groups interacted and fraternized with each other within the same working class and poor neighbourhoods in Britain. As skinheads adopted elements of mod subculture and Jamaican British and Jamaican immigrant rude boy subculture, both first and second generation skins were influenced by the rhythms of Jamaican music genres such as ska, rocksteady, and reggae, as well as sometimes African-American soul and rhythm and blues.

Left communism, or the communist left, describes a range of positions held by the left wing of communism, which criticises the political ideas and practices held by Marxist–Leninists and social democrats. Left communists assert positions which they regard as more authentically Marxist than the views of Marxism–Leninism espoused by the Communist International after its Bolshevization by Joseph Stalin and during its second congress. There have been two primary currents of left communism since World War I, namely the Italian left and the Dutch–German left.

The Italian communist left tends to follow Bordigism (though a smaller Damenite current exists) and considers itself to be Leninist, but denounces Marxism–Leninism as a form of bourgeois opportunism materialized in the Soviet Union under Stalin. The Italian current of left communism was historically represented by the Italian Socialist Party and the Communist Party of Italy but today is embodied in the Internationalist Communist Party of Italy, International Communist Party, and the International Communist Current.

The East End and West End (Bokmål: østkanten og vestkanten, Nynorsk: austkanten og vestkanten) are used as names for the two parts of Oslo, Norway, formed by the economic and socially segregating separation line that has historically passed along the street Uelands gate. The Akerselva river is often seen as a boundary between west and east, but that can be misleading, as there are working-class neighbourhoods on both sides of the river.

The West End was built in the 1840s, and had since the 17th century been a common land area, with the area behind the castle as an exit point. The East End grew around the new industry and along the passageways to the east. Around 1890, the division between east and west was prominent and most districts of the city were marked by class, either by working-class or bourgeois class. This division was reflected in architecture, but also in politics in that the Conservative Party and the Labour Party were, taken together, much more dominant than in other parts of Norway. The dialects have traditionally been quite different, and there has been a sharp distinction line between the sociolects of the two parts of the city, but this has somewhat diminished in the latest decades. Youths who have grown up in one part of the city usually have little experience of the other.

"Macaroni" (formerly spelled "maccaroni") was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an unusually epicene and androgynous manner. The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire.

The macaronis became seen in stereotyped terms in Britain, being seen as a symbol of inappropriate bourgeois excess, effeminacy, and possible homosexuality – which was then legally viewed as sodomy. At the time, homosexuality was frowned upon, and was even punishable by death. Many modern critics view the macaroni as representing a general change in 18th-century British society such as political change, class consciousness, new nationalisms, commodification, and consumer capitalism. The macaroni was the Georgian era precursor to the dandy of the Regency and Victorian eras.

The 1840s (pronounced "eighteen-forties") was the decade that began on January 1, 1840, and ended on December 31, 1849.

The decade was noted in Europe for featuring the largely unsuccessful Revolutions of 1848, also known as the Springtime of Nations. Throughout the continent, bourgeois liberals and working-class radicals engaged in a series of revolts in favor of social reform. In the United Kingdom, this notably manifested itself through the Chartist movement, which sought universal suffrage and parliamentary reform. In France, the February Revolution led to the overthrow of the Orléans dynasty by Louis-Napoleon Bonaparte. In 1848, the publication of the Communist Manifesto by Karl Marx would help lay the groundwork for the global socialist movement. Arguably the first major event of the decade was the signing of the Treaty of Waitangi in the United Tribes (modern-day New Zealand) between Māori rangatira and representatives of the British Crown, which began in February 1840. Due to the differences between the Māori and English versions of the texts, the British claimed Māori had ceded sovereignty and proclaimed a new Colony, leading to more than 25 years of asymmetric armed conflict until the Colony secured substantive control.

Bourgeois liberalization (simplified Chinese: 资产阶级自由化; traditional Chinese: 資產階級自由化; pinyin: zīchǎn jiējí zìyóuhuà) is a term used by the Chinese Communist Party to refer to either the prevalent political orientation of Western representative democracy or mainstream Western popular culture. The late 1980s saw the first major usage of the term when a number of campaigns, such as the Anti-Spiritual Pollution Campaign, against bourgeois liberalism were initiated lasting until the early 1990s. The term is in active use in Chinese politics, with the Communist Party's Constitution stating party objectives include "combat[ing] bourgeois liberalization" in line with the four cardinal principles. According to the Chinese Communist Party, the concept of bourgeois liberalization was first proposed by Deng Xiaoping, the paramount leader of China, in early 1980s.

Deng argued that liberalization would destroy political and economical stability, making it difficult for development to take place. He defined the idea of liberalization as "inherently and completely capitalist", dismissing the existence of liberalization of proletariat or communism, and stated that the idea of liberalization was to try to turn them towards liberalism and capitalism, and thus needed to be strongly opposed on the ground of Realpolitik.

Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, with Ernst von Schuch conducting. Until the premiere, the working title was Ochs auf Lerchenau. (The choice of the name Ochs is not accidental, as "Ochs" means "ox", which describes the Baron's manner.)

The opera has four main characters: the aristocratic Marschallin; her 17-year-old lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs's prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs's Rosenkavalier by presenting a ceremonial silver rose to Sophie. But Octavian and Sophie fall in love on the spot, and soon devise a comic intrigue to extricate Sophie from her engagement, with help from the Marschallin, who then yields Octavian to Sophie. Though a comic opera, the work incorporates weighty themes (particularly through the Marschallin's character arc), including infidelity, aging, sexual predation, and selflessness in love.

Proletkult (Russian: Пролетку́льт, IPA: [prəlʲɪtˈkulʲt]), a portmanteau of the Russian words "proletarskaya kultura" (proletarian culture), was an experimental Soviet artistic institution that arose in conjunction with the Russian Revolution of 1917. This organization, a federation of local cultural societies and avant-garde artists, was most prominent in the visual, literary, and dramatic fields. Proletkult aspired to radically modify existing artistic forms by creating a new, revolutionary working-class aesthetic, which drew its inspiration from the construction of modern industrial society in agrarian Russia.

Although funded by the People's Commissariat for Education of Soviet Russia, the Proletkult organization sought autonomy from state control, a demand which brought it into conflict with the Communist Party hierarchy and the Soviet state bureaucracy. Some top party leaders, such as Lenin, sought to concentrate state funding and retain it from such artistic endeavors. He and others also saw in Proletkult a concentration of bourgeois intellectuals and potential political oppositionists.

Joan Miró i Ferrà (/mɪˈroʊ/ mi-ROH, US also /miːˈroʊ/ mee-ROH; Catalan: [ʒuˈan miˈɾoj fəˈra]; 20 April 1893 – 25 December 1983) was a Catalan painter, sculptor and ceramist from Spain. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma, Mallorca in 1981.

Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.

Nicolas Rolin (French pronunciation: [nikɔla ʁɔlɛ̃]; 1376–1462) was a leading figure in the history of Burgundy and France, becoming chancellor to Philip the Good (Philip III, Duke of Burgundy).

Born into a Bourgeoisie family in Autun, Rolin's first marriage in 1398 was part of a triple marriage of his widowed mother to a bourgeois of Beaune, accompanied by the marriages of her two sons to two daughters of the bridegroom, Perrenet Le Mairet. However all three of these brides were dead within a few years. He next married Marie des Landes, before 1407, a marriage which paved the way for his entry into the bourgeoisie of Paris.