Shao Xunmei (Chinese: 邵洵美; Shanghainese: Zau Sinmay; 1906–1968) was a Chinese poet and publisher. He was a contributing writer for T'ien Hsia Monthly, and also was the owner of Modern Sketch. He originated from Shanghai. Jonathan Hutt wrote in Monstre Sacré: The Decadent World of Sinmay Zau that "For many, Shao was not simply inspired by the Occident but rather was of it" and that his lack of awareness of "the Chinese literary scene" distinguished him from his colleagues. On some occasions he used the name Hao Wen (浩文).
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👉 Shao Xunmei in the context of Culture of Shanghai
The culture of Shanghai or Shanghainese culture is based on the Wuyue culture from the nearby Jiangsu and Zhejiang province, with a unique "East Meets West" Haipai culture generated through the influx of Western influences since the mid-19th century. Mass migration from all across China and the rest of the world has made Shanghai a melting pot of different cultures. It was in Shanghai, for example, that the first motor car was driven and (technically) the first train tracks and modern sewers were laid. It was also the intellectual battleground between socialist writers who concentrated on critical realism, which was pioneered by Lu Xun, Mao Dun, Nien Cheng and the famous French novel by André Malraux, Man's Fate, and the more "bourgeois", more romantic and aesthetically inclined writers, such as Shi Zhecun, Shao Xunmei, Ye Lingfeng and Eileen Chang.
In past years, Shanghai has been recognized as a new influence and inspiration for cyberpunk culture. Futuristic buildings such as the Oriental Pearl Tower and the neon-illuminated Yan'an Elevated Road are examples that have boosted Shanghai's cyberpunk image. The city is well known for having a vibrant international flair.