Barabar Caves in the context of "Mauryan polish"

A Passage to India is a 1924 novel by English author E. M. Forster set against the backdrop of the British Raj and the Indian independence movement in the 1920s. It was selected as one of the 100 great works of 20th-century English literature by the Modern Library and won the 1924 James Tait Black Memorial Prize for fiction. Time magazine included the novel in its "All Time 100 Novels" list. The novel is based on Forster's experiences in India, deriving the title from Walt Whitman's 1870 poem "Passage to India" in Leaves of Grass.

The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the fictitious Marabar Caves (modelled on the Barabar Caves of Bihar), Adela thinks she finds herself alone with Dr. Aziz in one of the caves (when in fact he is in an entirely different cave; whether the attacker is real or a reaction to the cave is ambiguous), and subsequently panics and flees; it is assumed that Dr. Aziz has attempted to assault her. Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between Indians and the British during the colonial era.

The Kandahar Bilingual Rock Inscription, also known as the Kandahar Edict of Ashoka and less commonly as the Chehel Zina Edict, is an inscription in the Greek and Aramaic languages that dates back to 260 BCE and was carved by the Mauryan emperor Ashoka (r. 268–232 BCE) at Chehel Zina, a mountainous outcrop near Kandahar, Afghanistan. It is among the earliest-known edicts of Ashoka, having been inscribed around the 8th year of his reign (c. 260 BCE), and precedes all of his other inscriptions, including the Minor Rock Edicts and Barabar Caves in India and the Major Rock Edicts. This early inscription was written exclusively in the Greek and Aramaic languages. It was discovered below a 1-metre (3.3 ft) layer of rubble in 1958 during an excavation project around Kandahar, and is designated as KAI 279.

It is sometimes considered to be a part of Ashoka's Minor Rock Edicts (consequently dubbed "Minor Rock Edict No. 4"), in contrast to his Major Rock Edicts, which contain portions or the totality of his edicts from 1–14. The Kandahar Edict of Ashoka is one of two ancient inscriptions in Afghanistan that contain Greek writing, with the other being the Kandahar Greek Inscription, which is written exclusively in the Greek language. Chehel Zina, the mountainous outcrop where the edicts were discovered, makes up the western side of the natural bastion of the ancient Greek city of Alexandria Arachosia as well as the Old City of modern-day Kandahar.

The Lomas Rishi Cave, also called the Grotto of Lomas Rishi, is one of the man-made Barabar Caves in the Barabar and Nagarjuni hills of Jehanabad district in the Indian state of Bihar. This rock-cut cave was carved out as a sanctuary. It was built during the Ashokan period of the Maurya Empire in the 3rd century BC, as part of the sacred architecture of the Ajivikas, an ancient religious and philosophical group of India that competed with Jainism and became extinct over time. Ājīvikas were atheists and rejected ritualism of the Puranic karma Kāṇḍa as well as Buddhist ideas. They were ascetic communities and meditated in the Barabar caves. Still, the Lomas Rishi cave lacks an explicit epigraphical dedication to the Ajivikas, contrary to most other Barabar Caves, and may rather have been built by Ashoka for the Buddhists.

The hut-style facade at the entrance to the cave is the earliest survival of the ogee shaped "chaitya arch" or chandrashala that was to be an important feature of Indian rock-cut architecture and sculptural decoration for centuries. The form was clearly a reproduction in stone of buildings in wood and other vegetable materials.

The Marabar Caves are fictional caves which appear in E. M. Forster's 1924 novel A Passage to India and the film of the same name. The caves are based on the real life Barabar Caves, especially the Lomas Rishi Cave, located in the Jehanabad District of Bihar, India which Forster visited during a trip to India.

The caves serve as an important plot location and motif in the story. Key features of the caves are the glass-smooth walls and a peculiar resonant echo that amplifies sound. The echo makes the sound “ou-boum” and that sound haunts the characters afterwards. Forster chose the caves to set a turning point in the novel, not just for the character Adela, but also for Mrs Moore, Cyril Fielding and Dr. Aziz: the caves mark a turning point in the novel and their lives. The caves are significant because they mark the hollowness in the lives of the four main characters. None of them are getting what they want and are trying to find a balance in life amid expanding chaos.