Arch of Titus in the context of "Roman architectural revolution"

Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict. The term "looted art" reflects bias, and whether particular art has been taken legally or illegally is often the subject of conflicting laws and subjective interpretations of governments and people; use of the term "looted art" in reference to a particular art object implies that the art was taken illicitly.

Related terms include art theft (the stealing of valuable artifacts, mostly because of commercial reasons), illicit antiquities (covertly traded antiquities or artifacts of archaeological interest, found in illegal or unregulated excavations), provenance (the origin or source of a piece of art), and art repatriation (the process of returning artworks and antiques to their rightful owners).

The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order. In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital.

The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent surviving example of a composite order, the order was probably invented "a little before Augustus's reign, and certainly well-developed before his death, the very time when the Roman version of Corinthian was being established."

Titus Caesar Vespasianus (/ˈtaɪtəs/ TY-təs; 30 December 39 – 13 September 81 AD) was Roman emperor from 79 to 81 AD. A member of the Flavian dynasty, Titus succeeded his father Vespasian upon his death, becoming the first Roman emperor ever to succeed his biological father.

Before becoming emperor, Titus gained renown as a military commander, serving under his father in Judea during the First Jewish–Roman War. The campaign came to a brief halt with the death of emperor Nero in 68 AD, launching Vespasian's bid for the imperial power during the Year of the Four Emperors. When Vespasian was declared Emperor on 1 July 69 AD, Titus was left in charge of ending the Jewish rebellion. In 70 AD, he besieged and captured Jerusalem, and destroyed the city and the Second Temple. For this achievement Titus was awarded a triumph; the Arch of Titus commemorates his victory and still stands today.

In architecture, the capital (from Latin caput 'head') or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based.

The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves.

The Arc de Triomphe de l'Étoile, often simply called the Arc de Triomphe, is one of the most famous monuments in Paris, France. It is located at the western end of the Champs-Élysées, at the centre of Place Charles de Gaulle—formerly known as Place de l'Étoile—named for the star-shaped configuration formed by the convergence of twelve radiating avenues. Paving stones of different colors trace a stellar pattern on the plaza's surface, with its points reaching toward the centre of each avenue. The monument is situated at the intersection of three arrondissements: the 16th (to the south and west), the 17th (to the north), and the 8th (to the east). Commissioned to honor those who fought and died for France during the French Revolutionary and Napoleonic Wars, the Arc bears the names of French victories and generals engraved on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I, marked by an eternal flame commemorating unidentified fallen soldiers.

The central cohesive element of the Axe historique (historic axis, a sequence of monuments and grand thoroughfares on a route running from the courtyard of the Louvre to the Grande Arche de la Défense), the Arc de Triomphe was designed by Jean-François Chalgrin in 1806; its iconographic programme depicts heroically nude warriors and set the tone for public monuments with triumphant patriotic messages. Inspired by the Arch of Titus in Rome, the Arc de Triomphe has an overall height of 49.54 m (162.5 ft), width of 44.82 m (147.0 ft) and depth of 22.21 m (72.9 ft), while its large vault is 29.19 m (95.8 ft) high and 14.62 m (48.0 ft) wide. The smaller transverse vaults are 18.68 m (61.3 ft) high and 8.44 m (27.7 ft) wide.

The Velia — or Velian Hill or Velian Ridge — is a saddle or spur stretching out from the middle of the north side of the Palatine Hill towards the Oppian Hill (itself a spur of the Esquiline Hill) in Rome.

In later times, the Velia was called Summa Sacra Via ("Summit of the Sacra Via") — since that road began there at its highest point — and was marked by the Arch of Titus and Temple of Venus and Roma. (An alternate theory is that the Velia was actually the eastern half of the Palatine).