Antonio Canova in the context of "Penitent Magdalene (Canova)"

The Galleria Borghese or Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.

The museum displays one of the most prestigious art collections in the world, with masterpieces by artists such as Caravaggio, Bernini, Canova, Raphael and Titian. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his Boy with a Basket of Fruit, St Jerome Writing, Sick Bacchus and others. Additional paintings of note include Titian's Sacred and Profane Love, Raphael's Entombment of Christ and works by Peter Paul Rubens and Federico Barocci. Considered among the greatest masterpieces of Italian art, some of these works show the evolution of art between the Renaissance, the Baroque and the Neoclassicism, artistic movements born in the Italian peninsula and subsequently spread throughout Europe.

Neoclassical Hellenism is a term introduced primarily during the European Romantic era by Johann Joachim Winckelmann.

The Musei di Strada Nuova in the Italian city of Genoa comprise three museums which together form a single complex, housed in the Palazzo Rosso, the Palazzo Bianco and the Palazzo Tursi, all of which are located along the Via Garibaldi (formerly the Strada Nuova). The Palazzo Tursi is also Genoa's city hall.

The unified collection was founded in 2004 with the decision to create a single visitor route linking all three palaces, all with a single owner. Palazzo Rosso and Palazzo Bianco had already been independent museums since 1874 and 1892 respectively, whilst parts of Palazzo Tursi had been given over to cultural uses since 2004. The route begins with 15th–20th century paintings in the Palazzo Rosso, followed by art produced in Genoa and Liguria by Spanish, Flemish and Italian artists from the 15th century onwards in the Palazzo Bianco, and concludes in the Palazzo Tursi with Antonio Canova's Penitent Magdalene and the ceramic, numismatic and Paganini collections.

In the art world, if an artwork exists in several versions, the one known or believed to be the earliest is called the prime version. Many artworks produced in media such as painting or carved sculpture which create unique objects are in fact repeated by their artists, often several times. It is regarded as a matter of some importance both by art historians and the art market to establish which version has "priority", that is to say was the original work. The presumption usually is that the prime version is the finest, and perhaps the most carefully done, though some later versions can be argued to improve on the originals.

In many periods the later "repetitions" were often produced by the workshop of the master, with varying degrees of supervision and direct attention from him. This was especially the case with official portraits of monarchs and politicians, which in the Early Modern period were often ordered in large numbers of versions from the court artist as diplomatic gifts. "Prime version" is normally only used when there is another version by the same artist, or his workshop. Other versions by other artists are called copies. Sometimes "reduced versions" that are considerably smaller than the prime one are made. Especially in the case of 19th-century repetitions, the term autograph replica is used of repetitions by the original artist.

The Galleria d'Arte Moderna is a modern art museum in Milan, in Lombardy in northern Italy. It is housed in the Villa Reale, at Via Palestro 16, opposite the Giardini Pubblici Indro Montanelli. The collection consists largely of Italian and European works from the eighteenth to the twentieth centuries.

The museum has works by Francesco Filippini, Giuseppe Ferrari, Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Vincent van Gogh, Édouard Manet, Paul Gauguin, Paul Cézanne, Pablo Picasso, Giacomo Balla, Umberto Boccioni, Francesco Hayez, Giovanni Segantini, Giuseppe Pellizza da Volpedo and Antonio Canova, among others. Works have been donated by Milanese families including the Treves, Ponti, Grassi and Vismara.

In Greek mythology, Aglaia, Aglaïa (/əˈɡlaɪə/), or Aglaea (/əˈɡliːə/) (Ancient Greek: Ἀγλαΐα, lit. 'festive radiance') is a goddess, one of the Charites (known as the Graces in Roman mythology). She is the goddess of splendor, brilliance and brightness.

In Greek mythology, Pasithea (Ancient Greek: Πασιθέα), Pasithee or Pasitheia, was one of the Graces and the wife of Hypnos. In the Dionysiaca, the epic poem of Nonnus (fifth century CE), she is one of the three attendant Graces of Aphrodite.

A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone.In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened. It is not actually a machine; its name is derived from the Italian macchinetta di punta.The invention of the tool has been ascribed to both the French sculptor and medallist Nicolas-Marie Gatteaux (1751–1832) and to the British sculptor John Bacon (1740–1799). It was later perfected by Canova. However, similar devices were used in ancient times, when the copying of Greek sculptures for the Roman market was a large industry.

Palamedes (Ancient Greek: Παλαμήδης) was a Euboean prince, son of King Nauplius in Greek mythology. He joined the rest of the Greeks in the expedition against Troy. He was associated with the invention of dice, numbers, and letters.

Lorenzo Bartolini (Prato, 7 January 1777 – Florence, 20 January 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries.

The Pinacoteca Giovanni e Marella Agnelli or Pinacoteca Agnelli is an art gallery in Turin, Italy. It opened in 2002 on the top floor of the Lingotto complex, the headquarters of the Italian auto giant Fiat S.p.A. founded in 1899 by Giovanni Agnelli. As part of the complex, Lo scrigno, a 450 square-metre steel structure designed by Renzo Piano, is raised 34 metres off the test track on the roof of the plant. Its style represents a crystal spaceship, referring back to the original building's futuristic style. Its permanent collection is a selection of paintings and sculptures from Gianni and Marella Agnelli's private collection, such as Pierre-Auguste Renoir's Blonde Bather and Édouard Manet's La Négresse, as well as paintings by Henri Matisse, Canaletto, Giovanni Battista Tiepolo, Antonio Canova, Pablo Picasso, and Amedeo Modigliani. The gallery also puts on temporary modern art exhibitions.

After his death on 24 January 2003, Gianni Agnelli laid in state in the Pinacoteca, where more than 100,000 people paid their respects.