Canaletto in the context of "Pinacoteca Giovanni e Marella Agnelli"

The history of Rome includes the history of the city of Rome as well as the civilisation of ancient Rome. Roman history has been influential on the modern world, especially in the history of the Catholic Church, and Roman law has influenced many modern legal systems. Roman history can be divided into the following periods:

• Pre-historical and early Rome, covering Rome's earliest inhabitants and the legend of its founding by Romulus
• The period of Etruscan dominance and the regal period, in which, according to tradition, Romulus was the first of seven kings
• The Roman Republic, which commenced in 509 BC when kings were replaced with rule by elected magistrates. The period was marked by vast expansion of Roman territory. During the 5th century BC, Rome gained regional dominance in Latium. With the Punic Wars from 264 to 146 BC, ancient Rome gained dominance over the Western Mediterranean, displacing Carthage as the dominant regional power.
• The Roman Empire followed the Republic, which waned with the rise of Julius Caesar, and by all measures concluded after a period of civil war and the victory of Caesar's adopted son, Octavian, in 27 BC over Mark Antony.
• The Western Roman Empire collapsed in 476 after the city was conquered by the Ostrogothic Kingdom. Consequently, Rome's power declined, and it eventually became part of the Eastern Roman Empire, as the Duchy of Rome, from the 6th to 8th centuries. At this time, the city was reduced to a fraction of its former size, being sacked several times in the 5th to 6th centuries, even temporarily depopulated entirely.
• Medieval Rome is characterised by a break with Constantinople and the formation of the Papal States. The Papacy struggled to retain influence in the emerging Holy Roman Empire, and during the saeculum obscurum, the population of Rome fell to as low as 30,000 inhabitants. Following the East–West Schism and the limited success in the Investiture Controversy, the Papacy did gain considerable influence in the High Middle Ages, but with the Avignon Papacy and the Western Schism, the city of Rome was reduced to irrelevance, its population falling below 20,000. Rome's decline into complete irrelevance during the medieval period, with the associated lack of construction activity, assured the survival of very significant ancient Roman material remains in the centre of the city, some abandoned and others continuing in use.
• The Roman Renaissance occurred in the 15th century, when Rome replaced Florence as the centre of artistic and cultural influence. The Roman Renaissance was cut short abruptly with the devastation of the city in 1527, but the Papacy reasserted itself in the Counter-Reformation, and the city continued to flourish during the early modern period. Rome was annexed by Napoleon and was part of the First French Empire from 1809 to 1814.
• Modern history, the period from the 19th century to the present. Rome came under siege again after the Allied invasion of Italy and was bombed several times. It was declared an open city on 14 August 1943. Rome became the capital of the Italian Republic (established in 1946). With a population of 4.4 million (as of 2015; 2.9 million within city limits), it is the largest city in Italy. It is among the largest urban areas of the European Union and classified as a global city.

An arsenal is a place where arms and ammunition are made, maintained and repaired, stored, or issued, in any combination, whether privately or publicly owned. Arsenal and armoury (British English) or armory (American English) are mostly regarded as synonyms, although subtle differences in usage exist.

A sub-armory is a place of temporary storage or carrying of weapons and ammunition, such as any temporary post or patrol vehicle that is only operational in certain times of the day.

The bucentaur (/bjuːˈsɛntɔːr/ bew-SEN-tor; bucintoro in Italian and Venetian) was the ceremonial barge of the doges of Venice. It was used every year on Ascension Day (Festa della Sensa) up to 1798 to take the doge out to the Adriatic Sea to perform the "Marriage of the Sea" – a ceremony that symbolically wedded Venice to the sea.

Scholars believe there were four major barges, the first significant bucentaur having been built in 1311. The last and most magnificent of the historic bucentaurs made its maiden voyage in 1729 in the reign of Doge Alvise III Sebastiano Mocenigo. Depicted in paintings by Canaletto and Francesco Guardi, the ship was 35 m (115 ft) long and more than 8 metres (26 ft) high. A two-deck floating palace, its main salon had a seating capacity of 90. The doge's throne was in the stern, and the prow bore a figurehead representing Justice with sword and scales. The barge was propelled by 168 oarsmen, and another 40 sailors were required to man it.

Giovanni Battista Tiepolo (/tiˈɛpəloʊ/ tee-EP-ə-loh, Italian: [dʒoˈvanni batˈtista ˈtjɛːpolo, ˈtjeː-]; 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.

Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period.

In British usage, the term townhouse originally referred to the opulent town or city residence (in practice normally in Westminster near the seat of the monarch) of a member of the nobility or gentry, as opposed to their country seat, generally known as a country house or, colloquially, for the larger ones, stately home. The grandest of the London townhouses were stand-alone buildings, comparable to the hôtel particulier, which notably housed the French nobleman in Paris, as well as to the urban domus of the nobiles of Ancient Rome. but many were terraced buildings.

British property developers and estate agents nowadays often use the term "townhouse" for terraced buildings, following the North American usage of the term, to aggrandise modest dwellings and attract buyers who associate the term "terraced house" with the cheap terraced housing built in the Victorian era to accommodate workers. The upmarket Victorian terraced housing, which can be found around many of London's garden squares, seems to be widely forgotten in these circles.

The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Renoir, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.

The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector.

Shepperton is a village in the Spelthorne district, in north Surrey, England, around 15 mi (24 km) south west of central London. The settlement is on the north bank of the River Thames, between the towns of Chertsey and Sunbury-on-Thames. The village is mentioned in a document of 959 AD and in Domesday Book.

In the 19th century, resident writers and poets included Rider Haggard, Thomas Love Peacock, George Meredith, and Percy Bysshe Shelley, who were attracted by the proximity of the River Thames. The river was painted at Walton Bridge in 1754 by Canaletto and in 1805 by Turner. Shepperton Lock and nearby Sunbury Lock were built in the 1810s, to facilitate river navigation.

The Doge on the Bucintoro near the Riva di Sant'Elena (also known as The Departure of the Bucentaur for the Ascension Day Ceremony, and other similar titles) is an oil painting on canvas by the Venetian painter Francesco Guardi. It was painted between 1775 and 1780, and is now in the Louvre in Paris.

This work is one of a series of twelve paintings representing the Solennità dogali (The Doge's Solemnities), in which the artist has faithfully copied the scenes drawn by Giovanni Antonio Canal and engraved by Giambattista Brustolon to commemorate the festivities at the coronation of the Doge Alvise Giovanni Mocenigo in 1763. This has led to some confusion, and the canvases were formerly attributed to Canaletto, though their style was quite unmistakably that of Guardi.

Francesco Lazzaro Guardi (Italian pronunciation: [franˈtʃesko ˈgwardi]; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.

In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on vedute. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture.

Northumberland House is a 1752 landscape painting by the Italian artist Canaletto. Painted during his nine-year stay in Britain he depicts Northumberland House on the Strand by Charing Cross in London close to the location of the later Trafalgar Square. Canaletto was commissioned by the Westminster property's owner Sir Hugh Smithson, then 2nd Earl of Northumberland (later the Duke of Northumberland). Smithson was his most important patron during his time in England. The work shows Northumberland House at the middle of the eighteenth century. On the right of the painting is Hubert Le Sueur's Equestrian statue of Charles I

Northumberland House (also known as Suffolk House when owned by the Earls of Suffolk) was a large Jacobean townhouse in London, so-called because it was, for most of its history, the London residence of the Percy family, who were the Earls and later Dukes of Northumberland and one of England's richest and most prominent aristocratic dynasties for many centuries. It stood at the far western end of the Strand from around 1605 until it was demolished in 1874. In its later years it overlooked Trafalgar Square.