Anthropomorphic in the context of "Luxo Jr. (character)"

Aesop (/ˈiːsɒp/ EE-sop; Ancient Greek: Αἴσωπος, Aísōpos; c. 620–564 BCE; formerly rendered as Æsop) was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.

Scattered details of Aesop's life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. An ancient literary work called The Aesop Romance tells an episodic, probably highly fictional version of his life, including the traditional description of him as a strikingly ugly slave (δοῦλος) who by his cleverness acquires freedom and becomes an adviser to kings and city-states. Older spellings of his name have included Esop(e) and Isope. Depictions of Aesop in popular culture over the last 2,500 years have included many works of art and his appearance as a character in numerous books, films, plays, and television programs.

Mickey Mouse is a cartoon character co-created in 1928 by Walt Disney and Ub Iwerks. The longtime icon and mascot of the Walt Disney Company, Mickey is an anthropomorphic mouse who typically wears red shorts, large shoes, and white gloves. He is often depicted with a cast of characters including his girlfriend Minnie Mouse, his pet dog Pluto, his best friends Donald Duck and Goofy, and his nemesis Pete.

Mickey was created as a replacement for a prior Disney character, Oswald the Lucky Rabbit. The character was originally to be named "Mortimer Mouse", until Disney's wife, Lillian, suggested "Mickey". Mickey first appeared in two 1928 shorts Plane Crazy and The Gallopin' Gaucho (which were not picked up for distribution) before his public debut in Steamboat Willie (1928). The character went on to appear in over 130 films, mostly shorts as well as features such as Fantasia (1940). Since 1930, Mickey has been featured extensively in comic strips (including the Mickey Mouse comic strip, which ran for 45 years) and comic books (such as Mickey Mouse). The character has also been featured in television series such as The Mickey Mouse Club (1955–1996).

The White Rabbit is a fictional and anthropomorphic character in Lewis Carroll's 1865 book Alice's Adventures in Wonderland. He appears at the very beginning of the book, in chapter one, wearing a waistcoat, and muttering "Oh dear! Oh dear! I shall be too late!" Alice follows him down the rabbit hole into Wonderland. Alice encounters him again when he mistakes her for his housemaid Mary Ann and she becomes trapped in his house after growing too large. The Rabbit shows up again in the last few chapters, as a herald-like servant of the King and Queen of Hearts.

Through the Looking-Glass, and What Alice Found There is a novel published in December 1871 by Lewis Carroll, the pen name of Charles Lutwidge Dodgson, a mathematics lecturer at Christ Church, Oxford. It is the sequel to his Alice's Adventures in Wonderland (1865), in which many of the characters were anthropomorphic playing cards. In this second novel the theme is chess. As in the earlier book, the central figure, Alice, enters a fantastical world, this time by climbing through a large looking-glass (a mirror) into a world that she can see beyond it. There she finds that, just as in a reflection, things are reversed, including logic (for example, running helps one remain stationary, walking away from something brings one towards it, chessmen are alive and nursery-rhyme characters are real).

Among the characters Alice meets are the severe Red Queen, the gentle and flustered White Queen, the quarrelsome twins Tweedledum and Tweedledee, the rude and opinionated Humpty Dumpty, and the kindly but impractical White Knight. Eventually, as in the earlier book, after a succession of strange adventures, Alice wakes and realises she has been dreaming. As in Alice's Adventures in Wonderland, the original illustrations are by John Tenniel.

Göbekli Tepe is an archaeological site from the New Stone Age, in the Turkish part of Upper Mesopotamia. The settlement was inhabited from around 9500 BCE to at least 8000 BCE, during the Pre-Pottery Neolithic. It is known for its circular structures that contain large stone pillars – among the world's oldest known megaliths. Many of these pillars are decorated with anthropomorphic details, clothing, and sculptural reliefs of wild animals, providing archaeologists insights into prehistoric religion and the iconography of the period. The 15 m (50 ft) high, 8 ha (20-acre) tell is covered with ancient domestic structures and other small buildings, quarries, and stone-cut cisterns from the Neolithic, as well as some traces of activity from later periods.

The site was first used at the dawn of the southwest Asian Neolithic period, which marked the appearance of the oldest permanent human settlements anywhere in the world. Prehistorians link this Neolithic Revolution to the advent of agriculture but disagree on whether farming caused people to settle down or vice versa. Göbekli Tepe, a monumental complex built on a rocky mountaintop with no clear evidence of agricultural cultivation, has played a prominent role in this debate.

The right hand of God is a phrase used in the Bible and common speech as a metaphor for the omnipotence of God and as a motif in art. In the Bible, to be at the right side "is to be identified as being in the special place of honor". In "The Sheep and the Goats", one of the parables of Jesus, the sheep and goats are separated with the sheep on the right hand of God and the goats on the left hand.

It is also a placement next to God in Heaven, in the traditional place of honor, mentioned in the New Testament as the place of Christ at Mark 16:19, Luke 22:69, Matthew 22:44 and 26:64, Acts 2:34 and 7:55, 1 Peter 3:22 and elsewhere. These uses reflect use of the phrase in the Old Testament, for example in Psalms 63:8 and 110:1.The implications of this anthropomorphic phrasing have been discussed at length by theologians, including Saint Thomas Aquinas.

Minerva "Minnie" Mouse is an American cartoon character created by the Walt Disney Company. The longtime sweetheart of Mickey Mouse, she is an anthropomorphic mouse with white gloves, a red or pink bow, blue (or pink or red) polka-dotted dress, white bloomers and yellow low-heeled shoes occasionally with ribbons on them.

The comic strip story "Mr. Slicker and the Egg Robbers" (published September 22 – December 26, 1930) introduced her father Marcus Mouse and her unnamed mother, both farmers. The same story featured photographs of Minnie's uncle Milton Mouse with his family and her grandparents Marvel Mouse and Matilda Mouse. Her best-known relatives, however, remain her uncle Mortimer Mouse (Mortimer was almost the name of Mickey) and her twin nieces, Millie and Melody Mouse, though most often a single niece, Melody, appears. In many appearances, Minnie is presented as the girlfriend of Mickey Mouse, best friend of Daisy Duck and a friend to Clarabelle Cow.

The Sandman is a dark fantasy comic book series written by Neil Gaiman and published by DC Comics. Its artists include Sam Kieth, Mike Dringenberg, Jill Thompson, Shawn McManus, Marc Hempel, Bryan Talbot, and Michael Zulli, with lettering by Todd Klein and covers by Dave McKean. The original series ran for 75 issues from January 1989 to March 1996. Beginning with issue No. 47, it was placed under DC's Vertigo imprint, and following Vertigo's retirement in 2020, reprints have been published under DC's Black Label imprint.

The main character of The Sandman is Dream, also known as Morpheus and other names, who is one of the seven Endless. The other Endless are Destiny, Death, Desire, Despair, Delirium (formerly Delight), and Destruction (also known as the Prodigal). The series is famous for Gaiman's trademark use of anthropomorphic personification of various metaphysical entities, while also blending mythology and history in its horror setting within the DC Universe. The Sandman is a story about how Morpheus, the Lord of Dreams, is captured and subsequently learns that sometimes change is inevitable. The Sandman was Vertigo's flagship title, and is available as a series of ten trade paperbacks, a recolored five-volume Absolute hardcover edition with slipcase, a three-volume omnibus edition, a black-and-white Annotated edition; it is also available for digital download.

In Mesopotamian religion, Tiamat (Akkadian: 𒀭𒋾𒀀𒆳 TI.AMAT or 𒀭𒌓𒌈 TAM.TUM, Ancient Greek: Θαλάττη, romanized: Thaláttē) is the primordial sea, mating with Abzû (Apsu), the groundwater, to produce the gods in the Babylonian epic Enûma Elish, which translates as "when on high". She is referred to as a woman, and has - at various points in the epic - a number of anthropomorphic features (such as breasts) and theriomorphic features (such as a tail).

In the Enûma Elish, the Babylonian epic of creation, Tiamat bears the first generation of deities after mingling her waters with those of Apsu, her consort. The gods continue to reproduce, forming a noisy new mass of divine children. Apsu, driven to violence by the noise they make, seeks to destroy them and is killed. Enraged, Tiamat also wars upon those of her own and Apsu's children who killed her consort, bringing forth a series of monsters as weapons. She also takes a new consort, Qingu, and bestows on him the Tablet of Destinies, which represents legitimate divine rulership. She is ultimately defeated and slain by Enki's son, the storm-god Marduk, but not before she conjures forth monsters whose bodies she fills with "poison instead of blood". Marduk dismembers her, and then constructs and structures elements of the cosmos from Tiamat's body.

Humpty Dumpty is a character in an English nursery rhyme, probably originally a riddle, and is typically portrayed as an anthropomorphic egg, though he is not explicitly described as such. The first recorded versions of the rhyme date from late eighteenth-century England and the tune from 1870 in James William Elliott's National Nursery Rhymes and Nursery Songs. Its origins are obscure, and several theories have been advanced to suggest original meanings. The rhyme is listed in the Roud Folk Song Index as No. 13026.

As a figure in nursery culture, the character appears under a variety of near-rhyming names, such as Lille Trille (Danish), Wirgele-Wargele (German), Hümpelken-Pümpelken (German) and Hobberti Bob (Pennsylvania Dutch). As a character and literary allusion, Humpty Dumpty was referred to in several works of literature and popular culture in the nineteenth century. Lewis Carroll in particular made him an animated egg in his 1871 book Through the Looking-Glass, while in the United States the character was popularised by George L. Fox as a clown of that name in the Broadway pantomime musical Humpty Dumpty (1868).

Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. The first extant versions of the cycle date from the second half of the 12th century. The genre was popular throughout the Late Middle Ages, as well as in chapbook form throughout the Early Modern period.

The stories are largely concerned with the main character Reynard, an anthropomorphic red fox and trickster figure. His adventures usually involve his deceiving other anthropomorphic animals for his own advantage, or trying to avoid their retaliatory efforts. His main enemy and victim across the cycle is his uncle, the wolf, Isengrim (or Ysengrim).

The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread. However depictions using three anthropomorphic figures appear occasionally in most periods of art.

The Father and the Son are usually differentiated by age, and later by dress, but this too is not always the case. The usual depiction of the Father as an older man with a white beard may derive from the biblical Ancient of Days, which is often cited in defense of this sometimes controversial representation. However, in Eastern Orthodoxy the Ancient of Days is usually understood to be God the Son, not God the Father—early Byzantine images show Christ as the Ancient of Days, but this iconography became rare. When the Father is depicted in art, he is sometimes shown with a halo shaped like an equilateral triangle, instead of a circle. The Son is often shown at the Father's right hand. He may be represented by a symbol—typically the Lamb or a cross—or on a crucifix, so that the Father is the only human figure shown at full size. In early medieval art, the Father may be represented by a hand appearing from a cloud in a blessing gesture, for example in scenes of the Baptism of Christ. Later, in the West, the "Throne of Mercy" (or "Throne of Grace") became a common depiction. In this style, the Father (sometimes seated on a throne) is shown supporting either a crucifix or, later, a slumped crucified Son, similar to the Pietà (this type is distinguished in German as the Not Gottes) in his outstretched arms, while the Dove hovers above or in between them. This subject continued to be popular until the 18th century at least.

Foundation figures were ritualistic works of art from the Early Dynastic period that were used in the construction of ancient Mesopotamian temples. Foundation pegs first appeared in ancient Sumer around the third millennium BCE. Stylized as anthropomorphic nails, foundation figures were symbolically used to mark the grounds of a temple. These nails/pegs were either hammered around the foundation of the temple, along with an inscribed tablet, or they were buried in clay boxes under the foundation of the temple. Typically, the pegs were created to represent either the deity that the temple was honoring, or the king that orchestrated the construction of the temple. Many of the pegs discovered stand about a foot tall and show a clear attention to detail. It is believed that foundation figures were used for solely ritualistic purposes. This is because they were not meant to be seen by the public, yet still show a high level of detail and aesthetic thought.

An animal tale or beast fable generally consists of a short story or poem in which animals talk. They may exhibit other anthropomorphic qualities as well, such as living in a human-like society. It is a traditional form of allegorical writing.

Animal tales can be understood in universal terms of how animal species relate to each other (for example, predators wishing to eat prey), rather than human groups in a specific society. Thus, readers are able to understand characters' motives, even if they do not come from the same cultural background as the author. Animal tales can be appreciated in times and locations far removed from their origins.

Bugs Bunny is a cartoon character created in the late 1930s at Warner Bros. Cartoons (originally Leon Schlesinger Productions) and voiced originally by Mel Blanc. Bugs is best known for his featured roles in the Looney Tunes and Merrie Melodies series of animated short films, produced by Warner Bros. Early iterations of the character first appeared in Ben Hardaway's Porky's Hare Hunt (1938) and subsequent shorts before Bugs's definitive character traits debuted in Tex Avery's A Wild Hare (1940). Bob Givens, Chuck Jones, and Robert McKimson are credited for defining Bugs's visual design.

Bugs is an anthropomorphic gray-and-white rabbit or hare who is characterized by his flippant, insouciant personality, his Brooklyn accent, and his catchphrase "Eh... What's up, doc?". He is typically portrayed as a trickster, outwitting foes like Elmer Fudd and Yosemite Sam as well as various authority figures and criminals. He develops a friendly rivalry with Daffy Duck. Through his popularity during the golden age of American animation, Bugs became an American cultural icon and Warner Bros.' official mascot.

Huey, Dewey, and Louie Duck are triplet cartoon characters created by storyboard artist and screenwriter Carl Barks for The Walt Disney Company from an idea proposed by cartoonist Al Taliaferro. They are the nephews of Donald Duck and the grand-nephews of Scrooge McDuck. Like their maternal uncles, the brothers are domestic anthropomorphic white ducks with yellow-orange bills and feet. The boys are sometimes distinguished by the color of their shirts and baseball caps (with Huey wearing red clothing, Dewey wearing blue clothing, and Louie wearing green clothing). They appeared in many Donald Duck animated shorts, as well as in the television show DuckTales and its reboot, but the comics remain their primary medium.

While the boys were originally created as troublemakers to provoke Donald's famous easily triggered temper, in later appearances, beginning especially in the comic books stories by Carl Barks, they are shown growing to be heroes in their own right and valuable assets to him and Uncle Scrooge on their adventures. All three of the triplets are members of a fictional scouting organization called the Junior Woodchucks.