Années folles in the context of "Golden Twenties"

The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and internationally, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the années folles ('crazy years'), emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked.

The social and cultural features known as the Roaring Twenties began in leading metropolitan centers and spread widely in the aftermath of World War I. The spirit of the Roaring Twenties was marked by a general feeling of novelty associated with modernity and a break with tradition, through modern technology such as automobiles, moving pictures, and radio, bringing "modernity" to a large part of the population. Formal decorative frills were shed in favor of practicality in both daily life and architecture. At the same time, jazz and dancing rose in popularity, in opposition to the mood of World War I. As such, the period often is referred to as the Jazz Age.

The 1920s (pronounced "nineteen-twenties" often shortened to the "'20s" or the "Twenties") was a decade that began on January 1, 1920, and ended on December 31, 1929. Primarily known for the economic boom that occurred in the Western World following the end of World War I (1914–1918), the decade is frequently referred to as the "Roaring Twenties" or the "Jazz Age" in America and Western Europe, and the "Golden Twenties" in Germany, while French speakers refer to the period as the "Années folles" ('crazy years') to emphasize the decade's social, artistic, and cultural dynamism.

The devastating Wall Street crash in October 1929 is generally viewed as a harbinger of the end of 1920s prosperity in North America and Europe. In the Soviet Union, the New Economic Policy was created by the Bolsheviks in 1921, to be replaced by the first five-year plan in 1928. The 1920s saw the rise of radical political movements, with the Red Army triumphing against White movement forces in the Russian Civil War, and the emergence of far-right political movements in Europe. In 1922, the fascist leader Benito Mussolini seized power in Italy. Other dictators that emerged included Józef Piłsudski in Poland, and Peter and Alexander Karađorđević in Yugoslavia. First-wave feminism made advances, with women gaining the right to vote in the United States (1920), Albania (1920), Ireland (1921), and with suffrage being expanded in Britain to all women over 21 years old (1928).

An American in Paris is a jazz-influenced symphonic poem (or tone poem) for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles.

Gershwin scored the piece for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. He brought back four Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928, in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic. It was Damrosch who had commissioned Gershwin to write his Concerto in F following the earlier success of Rhapsody in Blue (1924). He completed the orchestration on November 18, less than four weeks before the work's premiere. He collaborated on the original program notes with critic and composer Deems Taylor.