Walter Damrosch in the context of "An American in Paris"

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👉 Walter Damrosch in the context of An American in Paris

An American in Paris is a jazz-influenced symphonic poem (or tone poem) for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles.

Gershwin scored the piece for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. He brought back four Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928, in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic. It was Damrosch who had commissioned Gershwin to write his Concerto in F following the earlier success of Rhapsody in Blue (1924). He completed the orchestration on November 18, less than four weeks before the work's premiere. He collaborated on the original program notes with critic and composer Deems Taylor.

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Walter Damrosch in the context of Lotos Club

The Lotos Club is a private social club in New York City. Founded primarily by a young group of writers and critics in 1870 as a gentlemen's club, it began accepting women as members in 1977. Mark Twain, an early member, called it the "Ace of Clubs". The Club took its name from the poem "The Lotos-Eaters" by Alfred, Lord Tennyson, which was then very popular. Lotos was thought to convey an idea of rest and harmony. Two lines from the poem were selected for the Club motto:

The Lotos Club has always had a literary and artistic bent, with the result that it has accumulated a noted collection of American paintings. Its "State Dinners" (1893 menu at right below) are legendary fetes for scholars, artists and sculptors, collectors and connoisseurs, writers and journalists, and politicians and diplomats. Elaborate souvenir menus are produced for these dinners.

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