New York Philharmonic in the context of "An American in Paris"

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⭐ Core Definition: New York Philharmonic

The New York Philharmonic is an American symphony orchestra based in New York City. Known officially as the Philharmonic-Symphony Society of New York, Inc., and globally known as the New York Philharmonic Orchestra (NYPO) or the New York Philharmonic-Symphony Orchestra, it is one of the leading American orchestras popularly called the "Big Five". The Philharmonic's home is David Geffen Hall, at New York's Lincoln Center for the Performing Arts.

Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its 14,000th concert was given in December 2004.

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👉 New York Philharmonic in the context of An American in Paris

An American in Paris is a jazz-influenced symphonic poem (or tone poem) for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles.

Gershwin scored the piece for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. He brought back four Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928, in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic. It was Damrosch who had commissioned Gershwin to write his Concerto in F following the earlier success of Rhapsody in Blue (1924). He completed the orchestration on November 18, less than four weeks before the work's premiere. He collaborated on the original program notes with critic and composer Deems Taylor.

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New York Philharmonic in the context of Gustav Mahler

Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ] ; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.

Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.

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New York Philharmonic in the context of Lincoln Center

Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a 16.3-acre (6.6-hectare) complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to five million visitors annually. It houses performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, the Chamber Music Society of Lincoln Center, and the Juilliard School.

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New York Philharmonic in the context of Mozart in the Jungle

Mozart in the Jungle is an American comedy-drama television series developed by Roman Coppola, Jason Schwartzman, Alex Timbers, and Paul Weitz for the video-on-demand service Amazon Prime Video. It received a production order in March 2014.

The story was inspired by Mozart in the Jungle: Sex, Drugs, and Classical Music, oboist Blair Tindall's 2005 memoir of her career in New York, playing various high-profile gigs with ensembles including the New York Philharmonic and the orchestras of numerous Broadway shows. The series stars Gael García Bernal as Rodrigo, a character based on conductor Gustavo Dudamel, alongside Lola Kirke, Malcolm McDowell, Saffron Burrows, Hannah Dunne, Peter Vack, and Bernadette Peters.

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