Jazz Age in the context of "1920s"

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⭐ Core Definition: Jazz Age

The Jazz Age was a period from 1920 to the early 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider cultural changes in this period, and its influence on popular culture continued long afterwards.

The Jazz Age is often referred to in conjunction with the Roaring Twenties, and overlapped in significant cross-cultural ways with the Prohibition Era. The movement was largely affected by the introduction of radios nationwide. During this time, the Jazz Age was intertwined with the developing youth culture. The movement would also help in introducing jazz culture to Europe. The Jazz Age ends before the Swing Era.

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👉 Jazz Age in the context of 1920s

The 1920s (pronounced "nineteen-twenties" often shortened to the "'20s" or the "Twenties") was a decade that began on January 1, 1920, and ended on December 31, 1929. Primarily known for the economic boom that occurred in the Western World following the end of World War I (1914–1918), the decade is frequently referred to as the "Roaring Twenties" or the "Jazz Age" in America and Western Europe, and the "Golden Twenties" in Germany, while French speakers refer to the period as the "Années folles" ('crazy years') to emphasize the decade's social, artistic, and cultural dynamism.

The devastating Wall Street crash in October 1929 is generally viewed as a harbinger of the end of 1920s prosperity in North America and Europe. In the Soviet Union, the New Economic Policy was created by the Bolsheviks in 1921, to be replaced by the first five-year plan in 1928. The 1920s saw the rise of radical political movements, with the Red Army triumphing against White movement forces in the Russian Civil War, and the emergence of far-right political movements in Europe. In 1922, the fascist leader Benito Mussolini seized power in Italy. Other dictators that emerged included Józef Piłsudski in Poland, and Peter and Alexander Karađorđević in Yugoslavia. First-wave feminism made advances, with women gaining the right to vote in the United States (1920), Albania (1920), Ireland (1921), and with suffrage being expanded in Britain to all women over 21 years old (1928).

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Jazz Age in the context of Jazz

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.

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Jazz Age in the context of Josephine Baker

Freda Josephine Baker (née McDonald; June 3, 1906 – April 12, 1975), naturalized as Joséphine Baker, was an American-born French dancer, singer, and actress. Her career was centered primarily in Europe, mostly in France. She was the first Black woman to star in a major motion picture, the 1927 French silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in its 1927 revue Un vent de folie caused a sensation in the city. Her costume, consisting only of a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties. Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the "Black Venus", the "Black Pearl", the "Bronze Venus", and the "Creole Goddess". Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She adopted 12 children which she referred to as the Rainbow Tribe and raised them in France.

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Jazz Age in the context of Roaring Twenties

The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and internationally, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the années folles ('crazy years'), emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked.

The social and cultural features known as the Roaring Twenties began in leading metropolitan centers and spread widely in the aftermath of World War I. The spirit of the Roaring Twenties was marked by a general feeling of novelty associated with modernity and a break with tradition, through modern technology such as automobiles, moving pictures, and radio, bringing "modernity" to a large part of the population. Formal decorative frills were shed in favor of practicality in both daily life and architecture. At the same time, jazz and dancing rose in popularity, in opposition to the mood of World War I. As such, the period often is referred to as the Jazz Age.

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Jazz Age in the context of F. Scott Fitzgerald

Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940), widely known as F. Scott Fitzgerald or simply Scott Fitzgerald, was an American novelist, essayist, and short story writer. He is best known for his novels depicting the flamboyance and excess of the Jazz Age, a term that he popularized in his short story collection Tales of the Jazz Age. He published four novels, four story collections, and 164 short stories. He achieved transient success and fortune in the 1920s, but did not receive critical acclaim until after his death. He is now widely regarded as one of the greatest American writers of the 20th century.

Fitzgerald was born into a middle-class family in Saint Paul, Minnesota, but he was raised primarily in New York state. He attended Princeton University where he befriended future literary critic Edmund Wilson. He had a failed romantic relationship with Chicago socialite Ginevra King and dropped out of Princeton in 1917 to join the Army during World War I. While stationed in Alabama, he met Zelda Sayre, a Southern debutante who belonged to Montgomery's exclusive country-club set. She initially rejected Fitzgerald's marriage proposal due to his lack of financial prospects, but she agreed to marry him after he published the commercially successful This Side of Paradise (1920). The novel became a cultural sensation and cemented his reputation as one of the eminent writers of the decade.

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Jazz Age in the context of The Great Gatsby

The Great Gatsby (/ɡætsb/ ) is a 1925 tragedy novel by American writer F. Scott Fitzgerald. Set in the Jazz Age on Long Island, near New York City, the novel depicts first-person narrator Nick Carraway's interactions with Jay Gatsby, a mysterious millionaire obsessed with reuniting with his former lover, Daisy Buchanan.

The novel was inspired by a youthful romance Fitzgerald had with socialite Ginevra King and the riotous parties he attended on Long Island's North Shore in 1922. Following a move to the French Riviera, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor Maxwell Perkins, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text but remained ambivalent about the book's title and considered several alternatives. Painter Francis Cugat's dust jacket art, named Celestial Eyes, greatly impressed Fitzgerald, and he incorporated its imagery into the novel.

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Jazz Age in the context of Années folles

The Années folles (French pronunciation: [ane fɔl], "crazy years" in French) was the decade of the 1920s in France. It was coined to describe the social, artistic, and cultural collaborations of the period. The same period is also referred to as the Roaring Twenties or the Jazz Age in the United States. In Germany, it is sometimes referred to as the Golden Twenties because of the economic boom that followed the hyperinflation in 1923 until the Wall Street crash of 1929.

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Jazz Age in the context of Rhapsody in Blue

Rhapsody in Blue is a 1924 musical composition for solo piano and jazz band by George Gershwin. Commissioned by bandleader Paul Whiteman, the work combines elements of classical music with jazz-influenced effects and premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times, including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.

The rhapsody is one of Gershwin's most recognizable creations and a key composition that defined the Jazz Age. Gershwin's piece inaugurated a new era in America's musical history, established his reputation as an eminent composer and became one of the most popular of all concert works. In the American Heritage magazine, Frederic D. Schwarz posits that the famous opening clarinet glissando has become as instantly recognizable to concert audiences as the opening of Beethoven's Fifth Symphony.

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