Anne of Denmark in the context of "Masque"

James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until his death in 1625. Though he long attempted to get both countries to adopt a closer political union, the kingdoms of Scotland and England remained sovereign states, with their own parliaments, judiciaries, and laws, ruled by James in personal union.

James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He acceded to the Scottish throne at the age of thirteen months, after his mother was forced to abdicate. Although his mother was a Catholic, James was raised as a Protestant. Four regents governed during his minority, which ended officially in 1578, though he did not gain full control of his government until 1583. In 1589, he married Anne of Denmark. Three of their children survived to adulthood: Henry Frederick, Elizabeth, and Charles. In 1603, James succeeded his cousin Elizabeth I, the last Tudor monarch of England and Ireland, who died childless. He reigned in all three kingdoms for 22 years, a period known as the Jacobean era, until his death in 1625. After the Union of the Crowns, he based himself in England from 1603, returning to Scotland only once, in 1617, and styled himself "King of Great Britain and Ireland". He advocated for a single parliament for England and Scotland. In his reign, the Plantation of Ulster and English colonisation of the Americas began.

Henry Frederick, Prince of Wales KG (19 February 1594 – 6 November 1612) was the eldest son and heir apparent of King James VI and I and Anne of Denmark. His name derives from his grandfathers: Henry Stuart, Lord Darnley; and Frederick II of Denmark. Prince Henry was widely seen as a bright and promising heir to the English, Irish, and Scottish thrones. However, at the age of 18, he predeceased his father, dying of typhoid fever. His younger brother, the future Charles I, succeeded him as heir apparent to the thrones.

Elizabeth Stuart (19 August 1596 – 13 February 1662) was Electress of the Palatinate and briefly Queen of Bohemia as the wife of Frederick V of the Palatinate. The couple's selection for the crown by the nobles of Bohemia was part of the political and religious turmoil that set off the Thirty Years' War. Since her husband's reign in Bohemia lasted over only one winter, she is called "The Winter Queen" (German: Die Winterkönigin, Czech: Zimní královna).

Princess Elizabeth was the only surviving daughter of James VI and I, King of Scotland, England, and Ireland, and his queen, Anne of Denmark; she was the elder sister of Charles I. Born in Scotland, she was named in honour of her father's cousin and predecessor on the English throne, Elizabeth I. During Elizabeth Stuart's childhood, unbeknownst to her, part of the failed Gunpowder Plot was a scheme to replace her father with her on the throne, and forcibly raise her as a Catholic.

Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Blackface became a global phenomenon as an outgrowth of theatrical practices of racial impersonation in theatres across the British Empire, where it was integral to the development of imperial racial politics. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theater, in works such as William Shakespeare's Othello and Anne of Denmark's personal performance in The Masque of Blackness.

However, some scholars see blackface as a specific practice limited to American culture that began in the minstrel show; a performance art that originated in the United States in the early 19th century and which contained its own performance practices unique to the American stage. Scholars taking this point of view see blackface as arising not from a European stage tradition but from the context of class warfare from within the United States, with the American white working poor inventing blackface as a means of expressing their anger over being disenfranchised economically, politically, and socially from middle and upper class White America.

A snood (/snuːd/) is a type of traditionally female headgear, with two types known. The long-gone Scottish snood was a circlet made of ribbon worn by young Scottish women as a symbol of chastity. In the 1590s, snoods were made using Florentine silk ribbon for the gentlewomen at the court of Anne of Denmark by Elizabeth Gibb.

The other type was intended to hold the hair in a cloth or net-like hat. In the most common form, the headgear resembles a close-fitting hood worn over the back of the head. It is similar to a hairnet, but snoods typically have a looser fit.