Angelica Kauffman in the context of "Luigi Schiavonetti"

Stipple engraving is a technique used to create tone in an intaglio print by distributing a pattern of dots of various sizes and densities across the image. The pattern is created on the printing plate either in engraving by gouging out the dots with a burin, or through an etching process. Stippling was used as an adjunct to conventional line engraving and etching for over two centuries, before being developed as a distinct technique in the mid-18th century.

The technique allows for subtle tonal variations and is especially suitable for reproducing chalk drawings.

Sappho Inspired by Love is an oil painting on canvas of 1775 by Angelica Kauffman, now in the John and Mable Ringling Museum of Art in Florida, having been in John Ringling's collection.

Sappho is shown holding a parchment inscribed "ἔλθε μοι καὶ νῦν, χαλέπαν δὲ λῦσον ἐκ μερίμναν" ('So come again and save me from unbearable pain'), the beginning of the last verse of her Ode to Aphrodite in ancient Greek from Joseph Addison's 1735 edition of the work.

Maria Carolina of Austria (Maria Carolina Louise Josepha Johanna Antonia; 13 August 1752 – 8 September 1814) was Queen of Naples and Sicily as the wife of King Ferdinand IV and III, who later became King of the Two Sicilies. As de facto ruler of her husband's kingdoms, Maria Carolina oversaw the promulgation of many reforms, including the revocation of the ban on Freemasonry, the enlargement of the navy under her favorite, Sir John Acton, and the expulsion of Spanish influence. She was a proponent of enlightened absolutism until the advent of the French Revolution, when, in order to prevent its ideas gaining currency, she made Naples a police state.

Born an archduchess of Austria, the thirteenth child of Empress Maria Theresa and Holy Roman Emperor Francis I, Maria Carolina married Ferdinand as part of an Austrian alliance with Spain, of which Ferdinand's father was king. Following the birth of a male heir in 1775, Maria Carolina was admitted to the Privy Council. She dominated the Council until 1812, when she was sent back to Vienna. Like her mother, Maria Carolina arranged politically advantageous marriages for her children. Maria Carolina promoted Naples as a centre of the arts, patronising painters Jacob Philipp Hackert and Angelica Kauffman, and academics Gaetano Filangieri, Domenico Cirillo and Giuseppe Maria Galanti.

Mary Moser RA (27 October 1744 – 2 May 1819) was an English painter who was one of the most celebrated female artists in 18th-century Britain. One of only two female founding members of the Royal Academy in 1768 (along with Angelica Kauffman), Moser painted portraits but is particularly noted for her depictions of flowers.

The Royal Academicians in General Assembly is a 1795 oil painting by the English artist Henry Singleton. It depicts the assembled members of the British Royal Academy of Arts in the Council Chamber at Somerset House in London, then the headquarters of the academy. They are judging the various works of art produced by students of the academy. In his diary Joseph Farington noted disagreements amongst the Academicians about their respective placings in the picture. It includes many members who did not actually attend meetings including the two founding female members Angelica Kauffman and Mary Moser.

On the wall on the right is a self-portrait of the first president of the Royal Academy Joshua Reynolds who had died in 1792. Two subsequent presidents are shown in the crowd, his successor the American-born Benjamin West and the young Thomas Lawrence, then an associate of the Royal Academy. West sits on the Presidential throne while to his right in a yellow waistcoat is the architect William Chambers who had designed the building at Somerset House. The noted portraitist William Beechey is included, although he wasn't elected for another three years. There are a number of casts of sculptures on display behind the artists, including the Apollo Belvedere, Borghese Gladiator, Laocoön and His Sons, and Venus de' Medici. The paintings include portraits of George III and Queen Charlotte by Reynolds, Christ Blessing Little Children by West, Spring by Mary Moser, The Tribute Money by John Singleton Copley and Samson and Delilah by John Francis Rigaud.