Andrew Lloyd Webber in the context of "The Phantom of the Opera (1986 musical)"

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👉 Andrew Lloyd Webber in the context of The Phantom of the Opera (1986 musical)

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a libretto by Lloyd Webber and Stilgoe. Based on the 1910 novel by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath the Paris Opera House.

The musical opened in London's West End in 1986 and on Broadway in New York in 1988, in a production directed by Harold Prince and starring English classical soprano Sarah Brightman (Lloyd Webber's then-wife) as Christine Daaé, screen and stage star Michael Crawford as the Phantom, and international stage performer Steve Barton as Raoul. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, with Crawford winning the Olivier and Tony for Best Actor in a Musical. A film adaptation, directed by Joel Schumacher, was released in 2004.

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Andrew Lloyd Webber in the context of The Phantom of the Opera (novel)

The Phantom of the Opera (French: Le Fantôme de l'Opéra, pronounced [lə fɑ̃tom lɔpeʁa]) is a Gothic horror novel by French author Gaston Leroux. It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and by an apocryphal tale concerning the use of a former ballet pupil's skeleton in an 1841 production of Carl Maria von Weber's Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.

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Andrew Lloyd Webber in the context of Gaston Leroux

Gaston Louis Alfred Leroux (French: [ɡastɔ̃ lwi alfʁɛd ləʁu]; 6 May 1868 – 15 April 1927) was a French journalist and author of detective fiction.

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (French: Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, notably the 1925 film starring Lon Chaney and Andrew Lloyd Webber's 1986 musical. His 1908 novel The Mystery of the Yellow Room is one of the most celebrated locked room mysteries.

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Andrew Lloyd Webber in the context of Erik (The Phantom of the Opera)

Erik (also known as the Phantom of the Opera, commonly referred to as the Phantom) is the titular central character of Gaston Leroux's Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera. The character has been adapted to alternative media several times, including in the 1925 film adaptation starring Lon Chaney, the 1943 remake starring Claude Rains, the 1962 remake starring Herbert Lom and Andrew Lloyd Webber's musical.

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Andrew Lloyd Webber in the context of Diegetic music

Diegetic music, also called source music, is music that is part of the fictional world portrayed in a narrative (such as a film, show, play, or video game) and is thus knowingly performed or heard by the characters. This is in contrast to non-diegetic music, which is incidental music or a score that is heard by the viewer but not the characters, or in musical theater, when characters are singing in a manner that they would not do in a realistic setting.

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Andrew Lloyd Webber in the context of Kennedy Center Honors

The Kennedy Center Honors are annual honors given to those in the performing arts for their lifetime of contributions to American culture. They have been presented annually since 1978, culminating each December in a gala celebrating five Honorees in the Kennedy Center Opera House in Washington, D.C. While the awards are primarily given to individuals, they have occasionally been given to duos or musical groups, as well as to one Broadway musical, one television show, and one performing arts venue.

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Andrew Lloyd Webber in the context of Jesus Christ Superstar

Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospel accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centred on Judas, who is dissatisfied with how Jesus steers his disciples. Contemporary attitudes, sensibilities, and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events; stage and film productions accordingly contain many intentional anachronisms.

Initially unable to get backing for a stage production, the composers released the score as a 1970 concept album, an immediate success which led to its Broadway stage debut in 1971. By 1980, the musical had grossed more than $237 million worldwide. Running over eight years in London between 1972 and 1980, the show held the record for longest-running West End musical until 1989 (overtaken by Cats).

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Andrew Lloyd Webber in the context of Patti LuPone

Patti Ann LuPone (born April 21, 1949) is an American actress and singer. After starting her professional career with The Acting Company in 1972, she soon gained acclaim for her leading performances on the Broadway and West End stage. Known for playing bold, resilient women in musical theater, she has received numerous accolades, including three Tony Awards, two Olivier Awards, and two Grammy Awards. She was inducted to the American Theater Hall of Fame in 2006.

She made her Broadway debut in Three Sisters in 1973. She went on to receive three Tony Awards: two for Best Actress in a Musical for her roles as Eva Perón in Tim Rice and Andrew Lloyd Webber's Evita (1980), and Rose in Gypsy (2008) and one for Best Featured Actress in a Musical for playing Joanne in the Stephen Sondheim revival Company (2022). She was Tony-nominated for The Robber Bridegroom (1975), Anything Goes (1988), Sweeney Todd: The Demon Barber of Fleet Street (2006), Women on the Verge of a Nervous Breakdown (2010), and War Paint (2017).

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Andrew Lloyd Webber in the context of As If We Never Said Goodbye

"As If We Never Said Goodbye" is a show tune from the musical Sunset Boulevard. It was written by Don Black, Christopher Hampton (with additional lyrics by Amy Powers), and Andrew Lloyd Webber. Ben Rimalower on Playbill calls it Andrew Lloyd Webber's greatest song.

In Sunset Boulevard, the main character, Norma Desmond, reveals her longing to return to the spotlight of fame.

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