The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909–2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The first cut of the film was previewed in Los Angeles on January 26, 1925. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. In 1953, the film entered the public domain in the United States because the film's distributor Universal Pictures did not renew its copyright registration in the 28th year after publication.
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👉 The Phantom of the Opera (1925 film) in the context of Gaston Leroux
Gaston Louis Alfred Leroux (French: [ɡastɔ̃ lwi alfʁɛd ləʁu]; 6 May 1868 – 15 April 1927) was a French journalist and author of detective fiction.
In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (French: Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, notably the 1925 film starring Lon Chaney and Andrew Lloyd Webber's 1986 musical. His 1908 novel The Mystery of the Yellow Room is one of the most celebrated locked room mysteries.
- ⭐ Core Definition: The Phantom of the Opera (1925 film)
- 👉 The Phantom of the Opera (1925 film) in the context of Gaston Leroux
- The Phantom of the Opera (1925 film) in the context of The Phantom of the Opera (novel)
- The Phantom of the Opera (1925 film) in the context of Erik (The Phantom of the Opera)
- The Phantom of the Opera (1925 film) in the context of Lon Chaney
- The Phantom of the Opera (1925 film) in the context of The Phantom of the Opera (1943 film)
The Phantom of the Opera (1925 film) in the context of The Phantom of the Opera (novel)
The Phantom of the Opera (French: Le Fantôme de l'Opéra, pronounced [lə fɑ̃tom də lɔpeʁa]) is a Gothic horror novel by French author Gaston Leroux. It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and by an apocryphal tale concerning the use of a former ballet pupil's skeleton in an 1841 production of Carl Maria von Weber's Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.
The Phantom of the Opera (1925 film) in the context of Erik (The Phantom of the Opera)
Erik (also known as the Phantom of the Opera, commonly referred to as the Phantom) is the titular central character of Gaston Leroux's Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera. The character has been adapted to alternative media several times, including in the 1925 film adaptation starring Lon Chaney, the 1943 remake starring Claude Rains, the 1962 remake starring Herbert Lom and Andrew Lloyd Webber's musical.
The Phantom of the Opera (1925 film) in the context of Lon Chaney
Leonidas Frank "Lon" Chaney (April 1, 1883 – August 26, 1930) was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".
The Phantom of the Opera (1925 film) in the context of The Phantom of the Opera (1943 film)
Phantom of the Opera is a 1943 American romantic horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel The Phantom of the Opera and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains. It was composed by Edward Ward.
The first adaptation of the source material to be filmed entirely in Technicolor, Phantom of the Opera was even more freely adapted than Universal's silent picture. The film reused Universal's elaborate replica of the Opéra Garnier interior, which had originally been created for the 1925 film. Despite mixed contemporary reviews, the film was a box office success. It is also the only classic Universal horror film to win an Oscar, for Art Direction and Cinematography. Over the years it has received a more positive reception from modern critics.