Anachronism in the context of "Jesus Christ Superstar"

Play Trivia Questions online!

or

Skip to study material about Anachronism in the context of "Jesus Christ Superstar"

Ad spacer

⭐ Core Definition: Anachronism

An anachronism (from the Greek ἀνά ana, 'against' and χρόνος khronos, 'time') is a chronological inconsistency in some arrangement, especially a juxtaposition of people, events, objects, language terms and customs from different time periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else associated with a particular period that is placed outside its proper temporal domain.

An anachronism may be either intentional or unintentional. Intentional anachronisms may be introduced into a literary or artistic work to help a contemporary audience engage more readily with a historical period. Anachronism can also be used intentionally for purposes of rhetoric, propaganda, comedy, or shock. Unintentional anachronisms may occur when a writer, artist, or performer is unaware of differences in technology, terminology and language, customs and attitudes, or even fashions between different historical periods and eras.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Anachronism in the context of Jesus Christ Superstar

Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospel accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centred on Judas, who is dissatisfied with how Jesus steers his disciples. Contemporary attitudes, sensibilities, and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events; stage and film productions accordingly contain many intentional anachronisms.

Initially unable to get backing for a stage production, the composers released the score as a 1970 concept album, an immediate success which led to its Broadway stage debut in 1971. By 1980, the musical had grossed more than $237 million worldwide. Running over eight years in London between 1972 and 1980, the show held the record for longest-running West End musical until 1989 (overtaken by Cats).

↓ Explore More Topics
In this Dossier

Anachronism in the context of Serbian Grand Principality

The Grand Principality of Serbia (Serbian: Великожупанска Србија / Velikožupanska Srbija), also known by the anachronistic exonym Rascia (Serbian: Рашка / Raška), was a medieval Serbian state that existed from the second half of the 11th century up until 1217, when it was transformed into the Kingdom of Serbia. After the Grand Principality of Serbia emerged, it gradually expanded during the 12th century, encompassing various neighbouring regions, including territories of Raška (Serbian Cyrillic: Рашка; Latin: Rascia), modern Montenegro, Herzegovina, and southern Dalmatia. It was founded by Grand Prince Vukan, who initially served as the regional governor of the principality (c. 1082), appointed by King Constantine Bodin. During the Byzantine–Serbian wars (c. 1090), Vukan gained prominence and became a self-governing ruler in the inner Serbian regions. He founded the Vukanović dynasty, which ruled the grand principality. Through diplomatic ties with the Kingdom of Hungary, Vukan's successors managed to retain their self-governance, while also recognizing the supreme overlordship of the Byzantine Empire, up to 1180. Grand Prince Stefan Nemanja (r. 1166–1196) gained full independence and united almost all Serbian lands. His son, Grand Prince Stefan was crowned King of Serbia in 1217, while his younger son Saint Sava became the first Archbishop of Serbs, in 1219.

↑ Return to Menu

Anachronism in the context of Salvator Mundi (Leonardo)

Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's, which sold the work in 2017, stated that most leading scholars consider it an original work by da Vinci, but this attribution has been disputed by some leading specialists, some of whom propose that he only contributed certain elements; others believe that the extensive restoration prevents a definitive attribution.

The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making a gesture of blessing with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the celestial sphere of the heavens. Approximately thirty copies and variations of the work by pupils and followers of Leonardo have been identified; two are considered to have been produced during Leonardo's lifetime. Two preparatory chalk and ink drawings of the drapery by Leonardo are held in the British Royal Collection.

↑ Return to Menu

Anachronism in the context of Vritra

Vritra (Sanskrit: वृत्र, lit.'enveloper', IAST: Vṛtrá, Sanskrit pronunciation: [ʋr̩.ˈtrɐ]) is a danava in Hinduism. He serves as the personification of drought, and is an adversary of the king of the devas, Indra. As a danava, he belongs to the race of the asuras. Vritra is also known in the Vedas as Ahi (Sanskrit: अहि, lit.'snake' IAST: ahi Sanskrit pronunciation: [ɐ.hi]). He appears as a human-like serpent blocking the course of the Rigvedic rivers, and is slain by Indra with his newly forged vajra.

↑ Return to Menu

Anachronism in the context of Grand Turk

Grand Turk is an island in the Turks and Caicos Islands, a British Overseas Territory, tropical islands in the Lucayan Archipelago of the Atlantic Ocean and northern West Indies. It is the largest island in the Turks Islands (the smaller of the two archipelagos that make up the island territory) at 18 km (6.9 sq mi). Grand Turk contains the territory's capital, Cockburn Town, and the JAGS McCartney International Airport. The island is the administrative, historic, cultural and financial centre of the territory and has the second-largest population of the islands at approximately 4,831 people in 2012.

The name comes from a species of cactus on the island, the Turk's cap cactus (Melocactus intortus), which has a distinctive cap, reminiscent of an Ottoman fez. In addition, this interpretation of the name received a reaction in the Turkish press on the grounds that it was anachronism. Fez began to be used by the Ottoman Turks in the 19th century, and the "Turk" in the island's name dates back to very old times.

↑ Return to Menu