Ancient world in the context of "Stele"

Paganism (from Latin paganus 'rural, rustic', later 'civilian') is a term first used in the fourth century by early Christians for people in the Roman Empire who practiced polytheism, or ethnic religions other than Christianity, Judaism, and Samaritanism. In the time of the Roman Empire, individuals fell into the pagan class either because they were increasingly rural and provincial relative to the Christian population, or because they were not milites Christi (soldiers of Christ). Alternative terms used in Christian texts were hellene, gentile, and heathen. Ritual sacrifice was an integral part of ancient Greco-Roman religion and was regarded as an indication of whether a person was pagan or Christian. Paganism has broadly connoted the "religion of the peasantry".

During and after the Middle Ages, the term paganism was applied to any non-Christian religion, and the term presumed a belief in false gods. The origin of the application of the term "pagan" to polytheism is debated. In the 19th century, paganism was adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. In the 20th century, it came to be applied as a self-descriptor by practitioners of modern paganism, modern pagan movements and polytheistic reconstructionists. Modern pagan traditions often incorporate beliefs or practices, such as nature worship, that are different from those of the largest world religions.

The Colossus of Rhodes (Ancient Greek: ὁ Κολοσσὸς Ῥόδιος, romanized: ho Kolossòs Rhódios; Modern Greek: Κολοσσός της Ρόδου, romanized: Kolossós tis Ródou) was a statue of the Greek sun god Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. One of the Seven Wonders of the Ancient World, it was constructed to celebrate the successful defence of Rhodes against an attack by Demetrius I of Macedon, who had besieged it for a year with a large army and navy.

According to most contemporary descriptions, the Colossus stood approximately 70 cubits, or 33 metres (108 feet) high – approximately two-thirds of the height of the modern Statue of Liberty from feet to crown – making it the tallest statue in the ancient world. It collapsed during the earthquake of 226 BC, although parts of it were preserved. In accordance with the Oracle of Delphi, the Rhodians did not rebuild it. John Malalas wrote that Hadrian in his reign re-erected the Colossus, but he was mistaken. According to the Suda, the Rhodians were called Colossaeans (Κολοσσαεῖς), because they erected the statue on the island.

Isidore of Seville (Latin: Isidorus Hispalensis; c. 560 – 4 April 636) was a Hispano-Roman scholar, theologian and archbishop of Seville. He is widely regarded, in the words of the 19th-century historian Charles Forbes René de Montalembert, as "the last scholar of the ancient world".

At a time of disintegration of classical culture, aristocratic violence, and widespread illiteracy, Isidore was involved in the conversion of the Arian Visigothic kings to Catholicism, both assisting his brother Leander of Seville and continuing after Leander's death. He was influential in the inner circle of Sisebut, Visigothic king of Hispania. Like Leander, he played a prominent role in the Councils of Toledo and Seville.

Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world prior to the early medieval period (before approximately 500 CE). It follows the music of prehistoric societies and precedes the emergence of medieval music during the post-classical era.

Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome. Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation, and the dominance of text in musical settings.

The history of economic thought is the study of the philosophies of the different thinkers and theories in the subjects that later became political economy and economics, from the ancient world to the present day.

This field encompasses many disparate schools of economic thought. Ancient Greek writers such as the philosopher Aristotle examined ideas about the art of wealth acquisition, and questioned whether property is best left in private or public hands. In the Middle Ages, Thomas Aquinas argued that it was a moral obligation of businesses to sell goods at a just price.

Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use the Arabic alphabet or the alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts, architecture, and decoration. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi (خط عربي), literally meaning "line", "design", or "construction".

The development of Islamic calligraphy is strongly tied to the Qur'an, as chapters and verses from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden in the Qur'an, Islamic traditions have often limited figural representation in Islamic religious texts in order to avoid idolatry. Some scholars argue that Kufic script was developed by the late 7th century in Kufa, Iraq, from which it takes its name. This early style later evolved into several forms, including floral, foliated, plaited or interlaced, bordered, and square Kufic. In the ancient world, though, artists sometimes circumvented aniconic prohibitions by creating intricate calligraphic compositions that formed shapes and figures using tiny script. Calligraphy was a valued art form, and was regarded as both an aesthetic and moral pursuit. An ancient Arabic proverb illustrates this point by emphatically stating that "purity of writing is purity of the soul."