Statue in the context of "Colossus of Rhodes"

⭐ In the context of the Colossus of Rhodes, the statue’s construction was primarily intended to celebrate what historical event?

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⭐ Core Definition: Statue

A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a statuette or figurine, whilst those that are more than twice life-size are regarded as colossal statues.

Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, Statue of Unity, is 182 metres (597 ft) tall and is located near the Narmada dam in Gujarat, India.

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👉 Statue in the context of Colossus of Rhodes

The Colossus of Rhodes (Ancient Greek: ὁ Κολοσσὸς Ῥόδιος, romanizedho Kolossòs Rhódios; Modern Greek: Κολοσσός της Ρόδου, romanizedKolossós tis Ródou) was a statue of the Greek sun god Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. One of the Seven Wonders of the Ancient World, it was constructed to celebrate the successful defence of Rhodes against an attack by Demetrius I of Macedon, who had besieged it for a year with a large army and navy.

According to most contemporary descriptions, the Colossus stood approximately 70 cubits, or 33 metres (108 feet) high – approximately two-thirds of the height of the modern Statue of Liberty from feet to crown – making it the tallest statue in the ancient world. It collapsed during the earthquake of 226 BC, although parts of it were preserved. In accordance with the Oracle of Delphi, the Rhodians did not rebuild it. John Malalas wrote that Hadrian in his reign re-erected the Colossus, but he was mistaken. According to the Suda, the Rhodians were called Colossaeans (Κολοσσαεῖς), because they erected the statue on the island.

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Statue in the context of Great Sphinx of Giza

The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the head of a human and the body of a lion.

The monument was sculpted from the limestone bedrock of the Eocene-aged Mokattam Formation and faces east on the Giza Plateau, on the west bank of the Nile in Giza, Egypt. The oldest known monumental sculpture in Egypt, the Sphinx is part of the Memphite Necropolis and is a UNESCO World Heritage Site.

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Statue in the context of Venus of Dolní Věstonice

The Venus of Dolní Věstonice (Czech: Věstonická venuše) is a Venus figurine, a ceramic statuette of a nude female figure dated to 31,000–27,000 years ago (Gravettian industry). It was found at the Paleolithic site Dolní Věstonice in the Moravian basin south of Brno, in the base of Děvín Mountain in what is today the Czech Republic. This figurine and a few others from locations nearby are the oldest known ceramic articles in the world.

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Statue in the context of Great Sphinx

The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the head of a human and the body of a lion. The monument was sculpted from the limestone bedrock of the Eocene-aged Mokattam Formation and faces east on the Giza Plateau, on the west bank of the Nile in Giza, Egypt. The oldest known monumental sculpture in Egypt, the Sphinx is part of the Memphite Necropolis and is a UNESCO World Heritage Site.

Archaeological evidence suggests the Sphinx was created by Egyptians of the Old Kingdom during the reign of Khufu (c. 2590–2566 BC) or Khafre (c. 2558–2532 BC). Scholars and Egyptologists believe the face of the Sphinx was carved to represent either the pharaoh Khufu or one of his sons, pharaohs Djedefre and Khafre, but a consensus has not been reached and the person(s) in whose likeness the Sphinx was carved remains in dispute.

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Statue in the context of Bust (sculpture)

A bust is a sculpted or cast representation of the upper part of the human body, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood.

As a format that allows the most distinctive characteristics of an individual to be depicted with much less work, and therefore expense, and occupying far less space than a full-length statue, the bust has been since ancient times a popular style of life-size portrait sculpture.

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Statue in the context of Memorial

A memorial is an object or place which serves as a focus for the memory or the commemoration of something, usually an influential, deceased person or a historical, tragic event. Popular forms of memorials include landmark objects such as homes or other sites, or works of art such as sculptures, statues, fountains or parks. Larger memorials may be known as monuments.

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Statue in the context of ʿAin Ghazal statues

The ʿAin Ghazal statues are large-scale lime plaster and reed statues discovered at the archaeological site of ʿAin Ghazal in Amman, Jordan, dating back to approximately 9,000 years ago (made between 7200 BC and 6250 BCE), from the Pre-Pottery Neolithic C period. A total of 15 statues and 15 busts were discovered in 1983 and 1985 in two underground caches, created about 200 years apart.

The statues are among the earliest large-scale representations of the human form and represent remarkable specimens of prehistoric art from the Pre-Pottery Neolithic B or C period. Their purpose remains uncertain, with archaeologists believing they may have been buried just after production, having possibly been made with that intent.

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Statue in the context of Roman triumphal column

A victory column, or monumental column or triumphal column, is a monument in the form of a column, erected in memory of a heroic commemoration, including victorious battle, war, or revolution. The column typically stands on a base and is crowned with a victory symbol, such as a statue. The statue may represent the goddess Victoria; in Germany, the female embodiment of the nation, Germania; in the United States either the female embodiment of the nation Liberty or Columbia; in the United Kingdom, the female embodiment Britannia, an eagle, or a naval war hero depicted as a helmeted woman, wielding a trident, shield and olive branch.

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