Lime plaster in the context of "ʿAin Ghazal statues"

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⭐ Core Definition: Lime plaster

Lime plaster is a type of plaster composed of sand, water, and lime, usually non-hydraulic hydrated lime (also known as slaked lime, high calcium lime or air lime). Ancient lime plaster often contained horse hair for reinforcement and pozzolan additives to reduce the working time.

Traditional non-hydraulic hydrated lime only sets through carbonatation when the plaster is kept moist and access of CO2 from the air is possible. It will not set when submersed in water. When a very thick layer or several layers are applied, the lime can remain soft for weeks.

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👉 Lime plaster in the context of ʿAin Ghazal statues

The ʿAin Ghazal statues are large-scale lime plaster and reed statues discovered at the archaeological site of ʿAin Ghazal in Amman, Jordan, dating back to approximately 9,000 years ago (made between 7200 BC and 6250 BCE), from the Pre-Pottery Neolithic C period. A total of 15 statues and 15 busts were discovered in 1983 and 1985 in two underground caches, created about 200 years apart.

The statues are among the earliest large-scale representations of the human form and represent remarkable specimens of prehistoric art from the Pre-Pottery Neolithic B or C period. Their purpose remains uncertain, with archaeologists believing they may have been buried just after production, having possibly been made with that intent.

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Lime plaster in the context of Plaster

Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. The term stucco refers to plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.

The most common types of plaster mainly contain either gypsum, lime, or cement, but all work in a similar way. The plaster is manufactured as a dry powder and is mixed with water to form a stiff but workable paste immediately before it is applied to the surface. The reaction with water liberates heat through crystallization and the hydrated plaster then hardens.

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Lime plaster in the context of Fresco

Fresco (pl.frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.

The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently buon fresco technology, the use of supplementary organic materials was widespread, if underrecognized.

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