Literate in the context of "Ancient music"

A natural language or ordinary language is any spoken language or signed language used organically in a human community, first emerging without conscious premeditation and subject to: replication across generations of people in the community, regional expansion or contraction, and gradual internal and structural changes. The vast majority of languages in the world are natural languages. As a category, natural language includes both standard dialects (ones with high social prestige) as well as nonstandard or vernacular dialects. Even an official language with a regulating academy such as Standard French, overseen by the Académie Française, is still classified as a natural language (e.g. in the field of natural language processing), as its prescriptive aspects do not make it regulated enough to be considered a constructed or controlled natural language. Linguists broadly consider writing to be a static visual representation of a particular natural language, though, in many cases in highly literate modern societies, writing itself can also be considered natural language.

Excluded from the definition of natural language are: artificial and constructed languages, such as those developed for works of fiction; languages of formal logic, such as those in computer programming; and non-human communication systems in nature, such as whale vocalizations or honey bees' waggle dance. The academic consensus is that particular key features prevent animal communication systems from being classified as languages at all. Certain human communication or linguistic systems with no native speakers, as sometimes used in cross-cultural contexts, are also not natural languages.

Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none has achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs.

The music of prehistoric cultures is first firmly dated to c. 38,000 BC of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple flutes and percussion instruments. However, such evidence indicates that music existed to some extent in prehistoric societies such as the Xia dynasty and the Indus Valley civilisation. Upon the development of writing, the music of literate civilizations—ancient music—was present in the major Chinese, Egyptian, Greek, Indian, Persian, Mesopotamian, and Middle Eastern societies. It is difficult to make many generalizations about ancient music as a whole, but from what is known it was often characterized by monophony and improvisation. In ancient song forms, the texts were closely aligned with music, and though the oldest extant musical notation survives from this period, many texts survive without their accompanying music, such as the Rigveda and the Shijing Classic of Poetry. The eventual emergence of the Silk Road and increasing contact between cultures led to the transmission and exchange of musical ideas, practices, and instruments. Such interaction led to the Tang dynasty's music being heavily influenced by Central Asian traditions, while the Tang dynasty's music, the Japanese gagaku and Korean court music each influenced each other.

Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within music archaeology.

Findings from Paleolithic archaeology sites suggest that prehistoric people used carving and piercing tools to create instruments. Archeologists have found Paleolithic flutes carved from bones in which lateral holes have been pierced. The disputed Divje Babe flute, a perforated cave bear femur, is at least 40,000 years old. Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley civilization archaeological sites.