Alexander Glazunov in the context of "Raymonda"

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⭐ Core Definition: Alexander Glazunov

Alexander Konstantinovich Glazunov (10 August [O.S. 29 July] 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich.

Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younger composers such as Prokofiev and Shostakovich eventually considered his music old-fashioned, while also admitting he remained a composer with an imposing reputation, and a stabilizing influence in a time of transition and turmoil.

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👉 Alexander Glazunov in the context of Raymonda

Raymonda (Russian: Раймонда) is a grand ballet in three acts, four scenes with an apotheosis, originally choreographed by Marius Petipa to the music of Alexander Glazunov (his opus 57) and libretto by Lydia Pashkova. Raymonda was created especially for the benefit performance of the prima ballerina Pierina Legnani, and first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Today Raymonda is performed by many ballet companies throughout the world with choreography that is derived primarily from the Kirov Ballet's 1948 revival as staged by Konstantin Sergeyev. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the corps de ballet. The choreography as revised by Sergeyev remains the traditional text for most of the world's productions of Raymonda, among them Rudolf Nureyev's version for the Paris Opéra Ballet and Anna-Marie Holmes's version for American Ballet Theatre, respectively.

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Alexander Glazunov in the context of Scherzo in A-flat major (Borodin)

Alexander Borodin's Scherzo in A-flat major is a lively piece written in 1885, while Borodin was in Belgium for an early performance of his then incomplete opera Prince Igor. It was originally written for solo piano, but in 1889 Alexander Glazunov orchestrated it, along with the Petite Suite. Borodin dedicated the piece to Théodore Jadoul, who made a four-hand piano arrangement of it.

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Alexander Glazunov in the context of Prince Igor

Prince Igor (Russian: Князь Игорь, romanizedKnyaz Igor, listen) is an opera in four acts with a prologue, written and composed by Alexander Borodin.

The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.

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Alexander Glazunov in the context of Petite Suite (Borodin)

The Petite Suite is a suite of seven piano pieces, written by Alexander Borodin, and acknowledged as his major work for the piano. It was published in 1885, although some of the pieces had been written as far back as the late 1870s. After Borodin's death, Alexander Glazunov orchestrated the work, and added his orchestration of another of Borodin's pieces as an eighth number.

The suite was dedicated to the Belgian Countess Louise de Mercy-Argenteau, who had been instrumental in having Borodin's First Symphony performed in Verviers and Liège. She had also arranged for French translations of some of his songs and excerpts from Prince Igor; and had initiated the sponsorship of Camille Saint-Saëns and Louis-Albert Bourgault-Ducoudray for Borodin's membership of the French Society of Authors, Composers and Editors.

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Alexander Glazunov in the context of The Seasons (ballet)

The Seasons (Russian: Времена года, Vremena goda; also French: Les Saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899, and first performed by the Imperial Ballet on 26 February [O.S. 13 February] 1900 in St. Petersburg, Russia.

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