Benefit performance in the context of "Raymonda"

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👉 Benefit performance in the context of Raymonda

Raymonda (Russian: Раймонда) is a grand ballet in three acts, four scenes with an apotheosis, originally choreographed by Marius Petipa to the music of Alexander Glazunov (his opus 57) and libretto by Lydia Pashkova. Raymonda was created especially for the benefit performance of the prima ballerina Pierina Legnani, and first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.

Today Raymonda is performed by many ballet companies throughout the world with choreography that is derived primarily from the Kirov Ballet's 1948 revival as staged by Konstantin Sergeyev. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the corps de ballet. The choreography as revised by Sergeyev remains the traditional text for most of the world's productions of Raymonda, among them Rudolf Nureyev's version for the Paris Opéra Ballet and Anna-Marie Holmes's version for American Ballet Theatre, respectively.

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Benefit performance in the context of La Bayadère

La Bayadère (lit.'the temple dancer'; Russian: Баядерка, romanizedBayaderka) is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by Sergei Khudekov [ru]. The ballet was staged for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II The Kingdom of the Shades, which is one of the most celebrated pieces in all of classical ballet.

Nearly all modern versions of La Bayadère are derived from Vladimir Ponomarev [ru] and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to the present day. Outside of the Soviet Union, Natalia Makarova staged the first full-length production of La Bayadère in 1980 for American Ballet Theatre, a version that is itself derived from Ponomarev and Chabukiani's production of 1947.

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Benefit performance in the context of Orphan's Benefit

Orphan's Benefit (sic; original title) is an American animated short film produced by Walt Disney Productions in black-and-white. It was first released in 1934 and was later remade in Technicolor in 1941 under the corrected title Orphans' Benefit. It was the 68th Mickey Mouse short film to be released, and the sixth of 1934. The cartoon features Mickey Mouse and his friends putting on a vaudeville-style benefit show for a group of unruly orphans. It contains a number of firsts for Disney, including the first time in which Mickey Mouse and Donald Duck appear together. It was also the cartoon which had the first story to be written that featured Donald Duck, though it was the second Donald Duck short to be produced and released, after The Wise Little Hen.

Orphans' Benefit features original music composed by Frank Churchill. The voice cast includes Walt Disney as Mickey, Clarence Nash as Donald, and Florence Gill as Clara Cluck. The original cartoon was directed by Burt Gillett and distributed by United Artists while the remake was directed by Riley Thomson and distributed by RKO Radio Pictures.

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