Adam Mickiewicz in the context of "Slavic languages"

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

Romanticism in Poland, a literary, artistic and intellectual period in the evolution of Polish culture, began around 1820, coinciding with the publication of Adam Mickiewicz's first poems in 1822. It ended with the suppression of the January 1863 Uprising against the Russian Empire in 1864. The latter event ushered in a new era in Polish culture known as Positivism.

Polish Romanticism, unlike Romanticism in some other parts of Europe, was not limited to literary and artistic concerns. Due to specific Polish historical circumstances, notably the partitions of Poland, it was also an ideological, philosophical, and political movement that expressed the ideals and way of life of a Polish society subjected to foreign rule and to ethnic and religious discrimination.

The Three Bards (Polish: trzej wieszcze, IPA: [ˈtʂɛj ˈvjɛʂt͡ʂɛ]) are the national poets of Polish Romantic literature. The term is almost exclusively used to denote Adam Mickiewicz (1798–1855), Juliusz Słowacki (1809–1849) and Zygmunt Krasiński (1812–1859). Of the three, Mickiewicz is considered the most influential and Krasiński the least.

The Three Bards were thought not only to voice Polish national sentiments but to foresee their nation's future. They lived and worked in exile following the partitions of Poland, which had ended the existence of the independent Polish state. Their tragic poetical plays and epic poetry, written in the aftermath of the 1830 Uprising against Russian rule, revolved around the Polish struggle for independence from the three occupying foreign empires.

Dziady (Polish pronunciation: [ˈdʑadɨ] , 'Forefathers' Eve') is a poetic drama by the Polish poet Adam Mickiewicz. It is considered one of the greatest works of both Polish and European Romanticism. To George Sand and Georg Brandes, Dziady was a supreme realization of Romantic drama theory, to be ranked with such works as Goethe's Faust and Byron's Manfred.

The drama's title refers to Dziady, an ancient Slavic and Lithuanian feast commemorating the dead (the "forefathers"). The drama has four parts, the first of which was never finished. Parts I, II and IV were influenced by Gothic fiction and Byron's poetry. Part III joins historiosophical and individual visions of pain and annexation, especially under the 18th-century partitions of Poland. Part III was written ten years after the others and differs greatly from them. The first to have been composed is "Dziady, Part II", dedicated chiefly to the Dziady Slavic feast of commemoration of the dead which laid the foundations of the poem and is celebrated in what is now Belarus.

Pan Tadeusz (full title: Sir Thaddeus, or the Last Foray in Lithuania: A Nobility's Tale of the Years 1811–1812, in Twelve Books of Verse) is an epic poem by the Polish poet, writer, translator and philosopher Adam Mickiewicz. The book, written in Polish alexandrines, was first published by Aleksander Jełowicki on 28 June 1834 in Paris. It is deemed one of the last great epic poems in European literature.

Pan Tadeusz, Poland's national epic, is compulsory reading in Polish schools and has been translated into 33 languages. A film version, directed by Andrzej Wajda, was released in 1999. In 2014 Pan Tadeusz was incorporated into Poland's list in the UNESCO Memory of the World Programme.

Konrad Wallenrod is an 1828 narrative poem, in Polish, by Adam Mickiewicz, set in the 14th-century Grand Duchy of Lithuania.

Mickiewicz wrote it, while living in St. Petersburg, Russia, in protest against the late-18th-century partitions of the Polish–Lithuanian Commonwealth by the Russian Empire, the Kingdom of Prussia, and the Habsburg monarchy.