Poem in the context of "Adam Mickiewicz"

The Theogony (Ancient Greek: Θεογονία, romanized: Theogonía, lit. 'the genealogy or birth of the gods') is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the epic dialect of Ancient Greek and contains 1,022 lines. It is one of the most important sources for the understanding of early Greek cosmology.

A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.

An example of the ${\displaystyle \mathrm {ABAB} }$ rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:

A line is a unit of writing into which a poem or play is divided: literally, a single row of text. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line.

The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.

A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word rhyme has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme.

A quatrain is a type of stanza, or a complete poem, consisting of four lines.

Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages.

The Georgics (/ˈdʒɔːrdʒɪks/ JOR-jiks; Latin: Georgica [ɡeˈoːrɡɪka]) is a poem by Latin poet Virgil, likely published in 29 BCE. As the name suggests (from the Greek word γεωργικά, geōrgiká, i.e. "agricultural [things]"), the subject of the poem is agriculture; but far from being an example of peaceful rural poetry, it is a work characterized by tensions in both theme and purpose.

The Georgics is considered Virgil's second major work, following his Eclogues and preceding the Aeneid. The poem draws on a variety of prior sources and has influenced many later authors from antiquity to the present.

An idyll (/ˈaɪdɪl/, UK also /ˈɪdɪl/; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια).

Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina. Goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethe's production—an idyll.

Apollonius of Rhodes (Ancient Greek: Ἀπολλώνιος Ῥόδιος Apollṓnios Rhódios; Latin: Apollonius Rhodius; fl. first half of 3rd century BC) was an ancient Greek author, best known for the Argonautica, an epic poem about Jason and the Argonauts and their quest for the Golden Fleece. The poem is one of the few extant examples of the epic genre and it was both innovative and influential, providing Ptolemaic Egypt with a "cultural mnemonic" or national "archive of images", and offering the Latin poets Virgil and Gaius Valerius Flaccus a model for their own epics. His other poems, which survive only in small fragments, concerned the beginnings or foundations of cities, such as Alexandria and Cnidus places of interest to the Ptolemies, whom he served as a scholar and librarian at the Library of Alexandria. A literary dispute with Callimachus, another Alexandrian librarian/poet, is a topic much discussed by modern scholars since it is thought to give some insight into their poetry, although there is very little evidence that there ever was such a dispute between the two men. In fact, almost nothing at all is known about Apollonius and even his connection with Rhodes is a matter for speculation. Once considered a mere imitator of Homer, and therefore a failure as a poet, his reputation has been enhanced by recent studies, with an emphasis on the special characteristics of Hellenistic poets as scholarly heirs of a long literary tradition writing at a unique time in history.

The servant songs (also called the servant poems or the Songs of the Suffering Servant) are four songs in the Book of Isaiah in the Hebrew Bible, which include Isaiah 42:1–4; Isaiah 49:1–6; Isaiah 50:4–11; and Isaiah 52:13–53:12. The songs are four poems written about a certain "servant of YHWH" (Hebrew: עבד יהוה, ‘eḇeḏ Yahweh). Yahweh calls the servant to lead the nations, but the servant is horribly abused by them. In the end, he is rewarded.

Some scholars regard Isaiah 61:1–3 as a fifth servant song, although the word "servant" (Hebrew: עבד, ‘eḇeḏ) is not mentioned in the passage. This fifth song is largely disregarded by modern scholars; without it, all four fall within Deutero-Isaiah, the middle part of the book, which some believe to be the work of an anonymous 6th-century BCE author writing during the Babylonian Exile. The five songs were first identified by Bernhard Duhm in his 1892 commentary on Isaiah.