17th century in the context of "Spanish Golden Age"

An academic journal (or scholarly journal) is a periodical publication in which scholarship relating to a particular academic discipline is published. They serve as permanent and transparent forums for the dissemination, scrutiny, and discussion of research. Unlike professional magazines or trade magazines, the articles are mostly written by researchers rather than staff writers employed by the journal. They nearly universally require peer review for research articles or other scrutiny from contemporaries competent and established in their respective fields. Academic journals trace their origins back to the 17th century, with the Philosophical Transactions of the Royal Society being established in 1665 as the first scientific journal.

As of 2012, it is estimated that over 28,100 active academic journals are in publication, with scopes ranging from the general sciences, as seen in journals like Science and Nature, to highly specialized fields. These journals publish a variety of articles including original research, review articles, and perspectives. The advent of electronic publishing has made academic journals more accessible.

The King's Men was an acting company in England active in the 17th century. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. It was the company to which William Shakespeare (1564–1616) belonged for most of his career.

The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession.

China proper, also called Inner China or Han China, are terms used primarily in the Western world in reference to the traditional "core" regions of Chinese civilization centered around the Yellow River and Yangtze River valleys. There is no fixed definition for China proper as many administrative, cultural and territorial shifts have occurred throughout history. One definition refers to the original heartland regions of the Chinese civilization, the Central Plain (southern North China Plain around the lower Yellow River valley) as well as the historical Nine Provinces; another to the Eighteen Provinces inside Shanhai Pass designated by the Qing regime. In contrast, Outer China is a term usually includes the peripheral marchland regions such as Gobi Desert,, Tarim Basin, Northeast China, Dzungaria, Tibetan Plateau and Yungui Plateau, which were historically autonomous regions with unstable allegiance to the authority of Chinese monarchs.

The term was first used by the Europeans during the 17th century to distinguish the historical "Han lands" (Chinese: 漢地, i.e. regions long dominated by the majority Han Chinese population) from "frontier" regions of China where Han populations intermix with other indigenous ethnicities (e.g. Turkic peoples such as Uyghurs, Kazakhs and Uzbeks, Mongolic peoples, and Tibeto-Burmese peoples such as Tibetans, Yi and Bai) and newer foreign immigrants (e.g. Slavic colonists such as Russians and Ukrainian Cossacks), sometimes known as "Outer China". There was no direct translation for "China proper" in the Chinese language at the time due to differences in terminology used by the Qing regime to refer to the regions.

Kaohsiung, officially Kaohsiung City, is a special municipality located in southern Taiwan. It ranges from the coastal urban center to the rural Yushan Range with an area of 2,952 km (1,140 sq mi) making It the largest city in Taiwan by area. Kaohsiung City has a population of approximately 2.72 million people and is Taiwan's third most populous city and the largest city in southern Taiwan.

Founded in the 17th century as a small trading village named Tancoia, a name of uncertain origins, the city has since grown into the economic center of southern Taiwan, with key industries such as manufacturing, steel-making, oil refining, freight transport and shipbuilding. It is classified as a "Sufficiency" level global city by the Globalization and World Cities Research Network, with some of the most prominent infrastructures in Taiwan.

The Mallows Bay–Potomac River National Marine Sanctuary is a National Marine Sanctuary in the United States located in the Potomac River in Charles County, Maryland. It is best known for the "Ghost Fleet," 118 historic shipwrecks in Mallows Bay in the sanctuary's northeast corner which is the largest shipwreck fleet in the Western Hemisphere. They are among more than 200 shipwrecks in the sanctuary, some of which date as far back as the American Revolutionary War and others to the American Civil War.

In addition to shipwrecks, the sanctuary preserves historical sites related to Native Americans, some of them as much as 12,000 years old, as well as a lengthy span of United States history, including the American Revolutionary War, the American Civil War, steamboat and steamship activity during the Industrial Revolution, and what was once an important Potomac River fishing industry. It also protects sites dating as far back as the 17th century related to African-American history, as well as an ecologically and biologically important area of the Potomac River and its Maryland shoreline that supports many species of plants and animals.

Silesian, occasionally called Upper Silesian, is an ethnolect of the Lechitic group spoken in Upper Silesia. While having secured some international recognition as a language, there is a debate on whether Silesian is either a dialect of Polish or a distinct language, and if Silesians are either a regional ethnic group within the Polish nation or a distinct ethnic minority that historically emerged, but later diverged from, the Polish people. Some Silesians identify as a regional ethnic group within the Polish nation, while others view themselves as a distinct ethnic minority. Its vocabulary was significantly influenced by Central German due to the existence of numerous Silesian German speakers in the area prior to World War II and after. The first mentions of Silesian as a distinct lect date back to the 16th century, and the first literature with Silesian characteristics to the 17th century.

Linguistic distinctiveness of Silesian has long been a topic of discussion among Poland's linguists, especially after all of Upper Silesia was included within the Polish borders following World War II. Some regard it as one of the four major dialects of Polish, while others classify it as a separate regional language, distinct from Polish. The dispute over the status of Silesian is considered to be of purely political character. According to the official data from the 2021 Polish census, 467 145 people use Silesian on daily basis. Internationally, Silesian has been fully recognized as a language since 2007, when it was accorded the ISO 639-3 registration code szl.

Turquoise is a cyan color, based on the mineral of the same name. The word turquoise dates to the 17th century and is derived from the French turquois, meaning 'Turkish', because the mineral was first brought to Europe through Turkey from mines in the historical Khorasan province of Iran (Persia) and Afghanistan today. The first recorded use of turquoise as a color name in English was in 1573.

The X11 color named turquoise is displayed on the right.

Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.

Rubens, in particular, had a strong influence on seventeenth-century visual culture. His innovations helped define Antwerp as one of Europe's major artistic cities, especially for Counter-Reformation imagery, and his student Van Dyck was instrumental in establishing new directions in English portraiture. Other developments in Flemish Baroque painting are similar to those found in Dutch Golden Age painting, with artists specializing in such areas as history painting, portraiture, genre painting, landscape painting, and still life.