Zen Buddhism in the context of "John Cage"

The Hōjō clan (Japanese: 北条氏, Hepburn: Hōjō-shi) was a Japanese samurai family who controlled the hereditary title of shikken (regent) of the Kamakura shogunate between 1203 and 1333. Despite the title, in practice the family wielded actual political power in Japan during this period compared to both the Kamakura shoguns, or the Imperial Court in Kyoto, whose authority was largely symbolic. The Hōjō are known for fostering Zen Buddhism and for leading the successful opposition to the Mongol invasions of Japan. Resentment at Hōjō rule eventually culminated in the overthrow of the clan and the establishment of the Ashikaga shogunate.

Ashikaga Yoshimasa (足利 義政; January 20, 1436 – January 27, 1490) was the eighth shōgun of the Ashikaga shogunate who reigned from 1443 to 1473 during the Muromachi period of Japan. His actions led to the Ōnin War (1467–1477), which triggered the Sengoku period. His reign saw a cultural flourishing in the arts, the development of tea ceremony, Zen Buddhism and wabi-sabi aesthetics.

Japanese gardens (日本庭園, nihon teien) are traditional gardens whose designs are accompanied by Japanese aesthetics and philosophical ideas, avoid artificial ornamentation, and highlight the natural landscape. Plants and worn, aged materials are generally used by Japanese garden designers to suggest a natural landscape, and to express the fragility of existence as well as time's unstoppable advance. Ancient Japanese art inspired past garden designers. Water is an important feature of many gardens, as are rocks and often gravel. Despite there being many attractive Japanese flowering plants, herbaceous flowers generally play much less of a role in Japanese gardens than in the West, though seasonally flowering shrubs and trees are important, all the more dramatic because of the contrast with the usual predominant green. Evergreen plants are "the bones of the garden" in Japan. Though a natural-seeming appearance is the aim, Japanese gardeners often shape their plants, including trees, with great rigour.

Japanese literature on gardening goes back almost a thousand years, and several different styles of garden have developed, some with religious or philosophical implications. A characteristic of Japanese gardens is that they are designed to be seen from specific points. Some of the most significant different traditional styles of Japanese garden are the chisen-shoyū-teien ("lake-spring-boat excursion garden"), which was imported from China during the Heian period (794–1185). These were designed to be seen from small boats on the central lake. No original examples of these survive, but they were replaced by the "paradise garden" associated with Pure Land Buddhism, with a Buddha shrine on an island in the lake. Later large gardens are often in the kaiyū-shiki-teien, or promenade garden style, designed to be seen from a path circulating around the garden, with fixed stopping points for viewing. Specialized styles, often small sections in a larger garden, include the moss garden, the dry garden with gravel and rocks, associated with Zen Buddhism, the roji or teahouse garden, designed to be seen only from a short pathway, and the tsubo-niwa, a very small urban garden.

The kamikaze (Japanese: 神風, lit. 'divine wind') were two winds or storms that are said to have saved Japan from two Mongol fleets under Kublai Khan. These fleets attacked Japan in 1274 and again in 1281. Due to the growth of Zen Buddhism among Samurai at the time, these were the first events where the typhoons were described as "divine wind" as much by their timing as by their force. Since Man'yōshū, the word kamikaze has been used as a Makurakotoba of waka introducing Ise Grand Shrine.

The term "kamikaze" is the native Japanese kun'yomi reading of the characters, and the main reading of them that was used more throughout history was the on'yomi (Sinitic) "shinpu".

Chan (traditional Chinese: 禪; simplified Chinese: 禅; pinyin: Chán; abbr. of Chinese: 禪那; pinyin: chánnà), from Sanskrit dhyāna (meaning "meditation" or "meditative state"), is a Chinese school of Mahāyāna Buddhism. It developed in China from the 6th century CE onwards, becoming especially popular during the Tang and Song dynasties.

Chan is the originating tradition of Zen Buddhism (the Japanese pronunciation of the same character, which is the most commonly used English name for the school). Chan Buddhism spread from China south to Vietnam as Thiền and north to Korea as Seon, and, in the 13th century, east to Japan as Japanese Zen.

Seon or Sŏn Buddhism (Korean: 선; Hanja: 禪; Korean pronunciation: [sʌn]) is the Korean name for Chan Buddhism, a branch of Mahāyāna Buddhism commonly known in English as Zen Buddhism. Seon is the Sino-Korean pronunciation of Chan, (Chinese: 禪; pinyin: chán) an abbreviation of 禪那 (chánnà), which is a Chinese transliteration of the Sanskrit word of dhyāna ("meditation"). Seon Buddhism, represented chiefly by the Jogye and Taego orders, is the most common type of Buddhism found in Korea.

A main characteristic of Seon Buddhism is the use of the method of meditation, Ganhwa Seon. A Korean monk, Jinul accepted partially a meditative method of Chan Buddhism in 1205. In Chan Buddhism, hwadu (화두; 話頭) is a delivery of realising a natural state of the Awakening. Jinul addressed a doctrine of Sagyo Yiepseon (사교입선; 捨敎入禪) that monks should live an inborn life after learning and forgetting all creeds and theories. Within the doctrine of Jinul, hwadu is the witnessing of truthful meaning in everyday life.

Kechimyaku (血脈) is a Japanese term for a lineage chart in Zen Buddhism and some other Japanese schools, documenting the "bloodline" of succession of various masters or listing priests in a particular school. In Zen, the kechimyaku theoretically links a student to all previous generations back to the Buddha himself. In the Sōtō school of medieval Japan, it became commonplace for the kechimyaku to be administered to lay students for such rituals as the jukai ceremony. Traditionally, this document is administered at the time of Dharma transmission in Soto Zen, during a shiho ceremony. In the Jodo Shinshu sect, the kechimyaku is meant to demonstrate "spiritual descent", and not a blood heritage.

Bruce Lee (born Lee Jun-fan; November 27, 1940 – July 20, 1973) was a Hong Kong and American martial artist, actor, and filmmaker. He was the founder of Jeet Kune Do, a hybrid martial arts philosophy, which was formed from Lee's experiences in unarmed fighting and self-defense—as well as eclectic, Zen Buddhist and Taoist philosophies—as a new school of martial arts thought. With a film career spanning Hong Kong and the United States, Lee is regarded as the first global Chinese film star and one of the most influential martial artists in the history of cinema. Known for his roles in five feature-length martial arts films, Lee is credited with helping to popularize martial arts films in the 1970s and promoting Hong Kong action cinema.

Born in San Francisco and raised in British Hong Kong, Lee was introduced to the Hong Kong film industry as a child actor by his father Lee Hoi-chuen. His early martial arts experience included Wing Chun (trained under Ip Man), tai chi, boxing (winning a Hong Kong boxing tournament), and frequent street fighting (neighborhood and rooftop fights). In 1959, Lee moved to Seattle, where he enrolled at the University of Washington in 1961. It was during this time in the United States that he began considering making money by teaching martial arts, even though he aspired to have a career in acting. He opened his first martial arts school, operated out of his home in Seattle. After later adding a second school in Oakland, California, he once drew significant attention at the 1964 Long Beach International Karate Championships of California by making demonstrations and speaking. He subsequently moved to Los Angeles to teach, where his students included Chuck Norris, Sharon Tate, and Kareem Abdul-Jabbar.