Zeitgeist in the context of "Prima scriptura"

New Age is a range of spiritual or religious practices and beliefs that rapidly grew in Western society during the early 1970s. Its highly eclectic and unsystematic structure makes a precise definition difficult. Although many scholars consider it a religious movement, its adherents typically see it as spiritual or as a unification of mind, body, and spirit, and rarely use the term New Age themselves. Scholars often call it the New Age movement, although others contest this term and suggest it is better seen as a milieu or zeitgeist.

As a form of Western esotericism, the New Age drew heavily upon esoteric traditions such as the occultism of the eighteenth and nineteenth centuries, including the work of Emanuel Swedenborg and Franz Mesmer, as well as Spiritualism, New Thought, and Theosophy. More immediately, it arose from mid-20th-century influences such as the UFO religions of the 1950s, the counterculture of the 1960s, and the Human Potential Movement. Its exact origins remain contested, but it became a major movement in the 1970s, at which time it was centered largely in the United Kingdom. It expanded widely in the 1980s and 1990s, in particular in the United States. By the start of the 21st century, the term New Age was increasingly rejected within this milieu, with some scholars arguing that the New Age phenomenon had ended.

Geist (German pronunciation: [ˈɡaɪst] ) is a German noun with a significant degree of importance in German philosophy. Geist can be roughly translated into three English meanings: ghost (as in the supernatural entity), spirit (as in the Holy Spirit), and mind or intellect. Some English translators resort to using "spirit/mind" or "spirit (mind)" to help convey the meaning of the term.

Geist is also a central concept in Georg Wilhelm Friedrich Hegel's 1807 The Phenomenology of Spirit (Phänomenologie des Geistes). Notable compounds, all associated with Hegel's view of world history of the late 18th century, include Weltgeist (German: [ˈvɛltˌɡaɪ̯st] , "world-spirit"), Volksgeist ("national spirit") and Zeitgeist ("spirit of the age").

Harold Clayton Lloyd Sr. (April 20, 1893 – March 8, 1971) was an American actor, comedian, and stunt performer who appeared in many silent comedy films.

One of the most influential film comedians of the silent era, Lloyd made nearly 200 comedy films, both silent and talkies, from 1914 to 1947. His bespectacled "glasses character" was a resourceful, ambitious go-getter who reflected the zeitgeist of the 1920s-era United States.

The Olivetti Valentine is a portable, manual typewriter manufactured and marketed by the Italian company, Olivetti, that combined the company's Lettera 32 internal typewriter mechanicals with signature red, glossy plastic bodywork and matching plastic case. Designed in 1968 by Olivetti's Austrian-born consultant, Ettore Sottsass (father of the Memphis Group), who was assisted by Perry A. King and Albert Leclerc, the typewriter was introduced in 1969 and was one of the earliest and most iconic plastic-bodied typewriters.

Despite being an expensive, functionally limited and somewhat technically mediocre product which failed to find success in the marketplace, the Valentine "subverted the status quo" of typewriter design, captured the zeitgeist of post-'68 counterculture, and ultimately became a celebrated international icon, largely on account of its expressive design.