Yokel in the context of "Pulcinella"

⭐ In the context of Pulcinella, a Yokel is considered…

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⭐ Core Definition: Yokel

Yokel is one of several derogatory terms referring to the stereotype of unsophisticated country people. The term is of uncertain etymology and is only attested from the early 19th century on. It is considered a type of discrimination against people from rural environments.

Yokels are depicted as straightforward, simple, naïve, and easily deceived, failing to see through false pretenses. They are also depicted as talking about bucolic topics such as cows, sheep, goats, wheat, alfalfa, fields, crops, and tractors to the exclusion of all else. Broadly, they are portrayed as unaware of or uninterested in the rest of the modern world as it remains outside their own surroundings.

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👉 Yokel in the context of Pulcinella

Pulcinella (Italian: [pultʃiˈnɛlla]; Neapolitan: Pulecenella) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude have helped maintain the character's popularity in various forms since his introduction to commedia dell'arte by Silvio Fiorillo [it] in 1620.

His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation and who fears no consequences. His main motivations are self-interest and self-preservation, yet Pulcinella tends to rescue other characters from trouble. He is said to be every character's savior, despite acting as a rebel and a delinquent.

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