Puppet in the context of "Pulcinella"

⭐ In the context of Pulcinella, how does the character’s portrayal of a puppet typically change based on the social class he represents?

Ad spacer

⭐ Core Definition: Puppet

A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. Puppetry is an ancient form of theatre which dates back to the 5th century BC in ancient Greece.

There are many different varieties of puppets, and they are made from a wide range of materials, depending on their form and intended use. They range from very simple in construction and operation to very complex. The puppeteer uses movements of their hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, and then synchronizes the movements of the puppet's mouth with this spoken part. The actions, gestures and spoken parts acted out by the puppeteer with the puppet are typically used in storytelling.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Puppet in the context of Pulcinella

Pulcinella (Italian: [pultʃiˈnɛlla]; Neapolitan: Pulecenella) is a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude have helped maintain the character's popularity in various forms since his introduction to commedia dell'arte by Silvio Fiorillo [it] in 1620.

His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation and who fears no consequences. His main motivations are self-interest and self-preservation, yet Pulcinella tends to rescue other characters from trouble. He is said to be every character's savior, despite acting as a rebel and a delinquent.

↓ Explore More Topics
In this Dossier

Puppet in the context of Automaton

An automaton (/ɔːˈtɒmətən/ ; pl.: automata or automatons) is a relatively self-operating machine, or control mechanism designed to automatically follow a sequence of operations, or respond to predetermined instructions. Some automata, such as bellstrikers in mechanical clocks, are designed to give the illusion to the casual observer that they are operating under their own power or will, like a mechanical robot. The term has long been commonly associated with automated puppets that resemble moving humans or animals, built to impress and/or to entertain people.

Animatronics are a modern type of automata with electronics, often used for the portrayal of characters or creatures in films and in theme park attractions.

↑ Return to Menu

Puppet in the context of Punch and Judy

Punch and Judy is a traditional English puppet show featuring Mr Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically the anarchic Mr Punch and one other character who usually falls victim to the intentional violence of Punch's slapstick. First appearing in England in 1662, Punch and Judy was called by The Daily Telegraph "a staple of the British seaside scene". The various episodes of Punch comedy—often provoking shocked laughter—are dominated by the clowning of Mr Punch.

The show is performed by a single puppeteer inside the booth, known since Victorian times as a "professor" or "punchman", and assisted sometimes by a "bottler" who corrals the audience outside the booth, introduces the performance, and collects the money ("the bottle"). The bottler might also play accompanying music or sound effects on a drum or guitar, and engage in back chat with the puppets, sometimes repeating lines that may have been difficult for the audience to understand. In the Victorian era, the drum and pan pipes were the instruments of choice. Today, most professors work solo, since the need for a bottler became less important when street performing with the show gave way to paid engagements at private parties or public events. In modern shows the audience is encouraged to participate, calling out to the characters on the stage—typically shouting "He's behind you!"—to warn them of danger or clue them in to what is going on behind their backs.

↑ Return to Menu

Puppet in the context of Puppeteer

A puppeteer is a person who manipulates an inanimate object called a puppet to create the illusion that the puppet is alive. The puppet is often shaped like a human, animal, or legendary creature. The puppeteer may be visible to or hidden from the audience.

↑ Return to Menu

Puppet in the context of Stop motion animation

Stop motion (also known as stop frame animation or object animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or clay figures (claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation.

↑ Return to Menu

Puppet in the context of Ventriloquism

Ventriloquism or ventriloquy is an act of stagecraft in which a person (a ventriloquist) speaks in such a way that it seems like their voice is coming from a different location, usually through a puppet known as a "dummy". The act of ventriloquism is ventriloquizing, and in English it is commonly called the ability to "throw" one's voice.

↑ Return to Menu

Puppet in the context of Pinocchio

Pinocchio (/pɪˈnki/ pin-OH-kee-oh, Italian: [piˈnɔkkjo]) is a fictional character and the protagonist of the children's novel, The Adventures of Pinocchio (1883) by Italian writer Carlo Collodi of Florence, Tuscany. Pinocchio was carved by a poor man named Geppetto in a Tuscan village. He is created as a wooden puppet, but he dreams of becoming a real boy. He is known for his long nose, which grows when he lies.

Pinocchio is a cultural icon and one of the most reimagined characters in children's literature. His story has been adapted into many other media, notably the 1940 Disney film Pinocchio. Collodi often used the Italian Tuscan dialect in his book. The name Pinocchio is possibly derived from the rare Tuscan form pinocchio ('pine nut') or constructed from pino ('pine tree, pine wood') and occhio ('eye').

↑ Return to Menu

Puppet in the context of Animatronics

An animatronic is a puppet controlled electronically to move in a fluent way. Animatronics are the modern adaptation of the automaton and are often used for the portrayal of characters in films, video games, and theme park attractions.

Animatronics are a multidisciplinary field integrating puppetry, anatomy and mechatronics. Animatronic figures can be implemented with both computer and human control, including teleoperation. Motion actuators are often used to imitate muscle movements and create realistic motions. Figures are usually encased in body shells and flexible skins made of hard or soft plastic materials and finished with colors, hair, feathers and other components to make them more lifelike. Animatronics stem from a long tradition of mechanical automata powered by hydraulics, pneumatics and clockwork.

↑ Return to Menu