Woody Guthrie in the context of "Phil Ochs"

Contemporary folk music refers to a wide variety of genres that emerged in the mid-20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the United States and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.

While the Romantic nationalism of the first folk revival had its greatest influence on art music, the "second folk revival" of the later 20th century brought a new genre of popular music with artists marketed through concerts, recordings and broadcasting. One of the earliest figures in this revival was Woody Guthrie, who sang traditional songs in the 1930s and 1940s as well as composing his own. Other major performers who emerged from the 1940s to the early 1960s included Pete Seeger, Bob Dylan, Joan Baez, Peter, Paul and Mary, Phil Ochs and Tom Paxton. In the UK, the folk revival fostered a generation of musicians such as Fairport Convention, Richard Thompson, Donovan, Martin Carthy, and Pentangle, who achieved initial prominence in the 1960s. The folk revival spawned Canada's first folk wave of internationally successful artists such as Neil Young, Gordon Lightfoot, Leonard Cohen, Joni Mitchell, and Buffy Sainte-Marie.

The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Early folk music performers include Woody Guthrie, Lead Belly, Pete Seeger, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Mississippi John Hurt, Josh White, and Cisco Houston. Lead Belly recorded "Cotton Fields" and "Goodnight, Irene" and folk singer Odetta released folk albums.

New folk musicians such as Bob Dylan, Joan Baez, Judy Collins, Joni Mitchell, Phil Ochs, Peter Paul & Mary and many others recorded folk songs and new compositions in the folk style in the 1960s and 1970s. The revival also brought forward strains of American folk music that had in earlier times contributed to the development of country and western, bluegrass, blues, and rock and roll music.

The Dust Bowl was a period of severe dust storms that greatly damaged the ecology and agriculture of the American and Canadian prairies during the 1930s. The phenomenon was caused by a combination of natural factors (severe drought) and human-made factors: a failure to apply dryland farming methods to prevent wind erosion, most notably the destruction of the natural topsoil by settlers in the region. The drought came in three waves: 1934, 1936, and 1939–1940, but some regions of the High Plains experienced drought conditions for as long as eight years. It exacerbated an already existing agricultural recession.

The Dust Bowl has been the subject of many cultural works, including John Steinbeck's 1939 novel The Grapes of Wrath; the Dust Bowl Ballads of Woody Guthrie; and Dorothea Lange's photographs depicting the conditions of migrants, particularly Migrant Mother, taken in 1936.

A concept album is a musical album whose tracks hold a larger purpose or meaning collectively than they do individually. This is typically achieved through a single central narrative or theme, which can be instrumental, compositional, or lyrical. Alternatively, the term may signify an album that lacks any explicit musical or lyrical motif, but is considered to be of "uniform excellence". Music critics remain divided on the precise definition of a concept album.

The format originates with folk singer Woody Guthrie's Dust Bowl Ballads (1940) and was subsequently popularized by traditional pop singer Frank Sinatra's 1940s–50s string of albums, though the term is most closely associated with rock music. In the 1960s, various rock bands released several well-regarded concept albums, eventually leading to the birth of the rock opera.

Joan Chandos Baez (/baɪz/, Spanish: [ˈbaes]; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums.

Baez is generally regarded as a folk singer, but her music has diversified since the counterculture era of the 1960s and encompasses genres such as folk rock, pop, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, Joan Baez, Joan Baez, Vol. 2 and Joan Baez in Concert, all achieved gold record status. Although a songwriter herself, Baez generally interprets others' work, having recorded many traditional songs and songs written by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Paul Simon, Stevie Wonder, Bob Marley, and many others. She was one of the first major artists to record songs by Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Her tumultuous relationship with Dylan later became the subject of songs by each of them and generated much public speculation. On her later albums she has found success interpreting the work of more recent songwriters, including Ryan Adams, Josh Ritter, Steve Earle, Natalie Merchant, and Joe Henry.

Gilbert Vandine "Cisco" Houston (August 18, 1918 – April 29, 1961) was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of traveling and recording together.

Houston was a regular recording artist for Moses Asch's Folkways recording studio. He performed with folk/blues musicians Lead Belly, Sonny Terry, the Almanac Singers, Cynthia Gooding and others.

Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.

Dust Bowl Ballads was originally released as eleven songs on two simultaneously released three-disc set albums of 78 rpm records titled Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2. The twelve sides in total had one song each except for the double-sided "Tom Joad" which was too long to be pressed on a single side of a 78. However, two of the thirteen songs recorded on the sessions, "Pretty Boy Floyd" and "Dust Bowl Blues" were left out due to length. All of the tracks were recorded at Victor studios in Camden, New Jersey on April 26, 1940, except "Dust Cain't Kill Me" and "Dust Pneumonia Blues" which were recorded on May 3. In 1950, and in 1964 during the American folk music revival, reissues were released in LP format by Folkways Records after RCA refused Guthrie's request to re-issue the album. RCA Victor also re-released the album in 1964 but with the two previously unreleased tracks included, and in 2000 this was reissued by Buddha Records with an additional previously unreleased alternate version of one song. The complete Dust Bowl Ballads remains available on compact disc through Smithsonian Folkways.