American folk music in the context of "Woody Guthrie"

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⭐ Core Definition: American folk music

The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, vernacular music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."

American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later developed in the United States, including rock and roll, rhythm and blues, and jazz. A lot of this music was created during hardships that told the story of the history.

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👉 American folk music in the context of Woody Guthrie

Woodrow Wilson Guthrie (/ˈɡʌθri/; July 14, 1912 – October 3, 1967) was an American singer, songwriter, and composer widely considered one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism and has inspired many generations politically and musically with songs such as "This Land Is Your Land" and "Tear the Fascists Down".

Guthrie wrote hundreds of country, folk, and children's songs, along with ballads and improvised works. Dust Bowl Ballads, Guthrie's album of songs about the Dust Bowl period, was included on Mojo's list of 100 Records That Changed the World, and many of his recorded songs are archived in the Library of Congress. Songwriters who have acknowledged Guthrie as an influence include Steve Earle, Bob Dylan, Lou Reed, Phil Ochs, Johnny Cash, Bruce Springsteen, Donovan, Robert Hunter, Harry Chapin, John Mellencamp, Pete Seeger, Andy Irvine, Joe Strummer, Billy Bragg, Dropkick Murphys, Jerry Garcia, Bob Weir, Jeff Tweedy, Tom Paxton, Country Joe McDonald, Brian Fallon, Sean Bonnette, and Sixto Rodríguez. Guthrie frequently performed with the message "This machine kills fascists" displayed on his guitar.

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American folk music in the context of Music of the United Kingdom

Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, industrial music, and drum 'n' bass.

In the 20th century, influences from the music of the United States, including blues, jazz, and rock and roll, were adopted in the United Kingdom. The "British Invasion"—spearheaded by Liverpool band the Beatles, often regarded as the most influential band of all time—saw British rock bands become highly influential around the world in the 1960s and 1970s. Pop music, a term which originated in Britain in the mid-1950s as a description for "rock and roll and the new youth music styles that it influenced", was developed by British artists like Black Sabbath, the Beatles and the Rolling Stones, whom among other British musicians led rock and roll's transition into rock music.

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American folk music in the context of Folk revival

The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Early folk music performers include Woody Guthrie, Lead Belly, Pete Seeger, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Mississippi John Hurt, Josh White, and Cisco Houston. Lead Belly recorded "Cotton Fields" and "Goodnight, Irene" and folk singer Odetta released folk albums.

New folk musicians such as Bob Dylan, Joan Baez, Judy Collins, Joni Mitchell, Phil Ochs, Peter Paul & Mary and many others recorded folk songs and new compositions in the folk style in the 1960s and 1970s. The revival also brought forward strains of American folk music that had in earlier times contributed to the development of country and western, bluegrass, blues, and rock and roll music.

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American folk music in the context of Folk rock

Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where he was backed by an electric band, was also a pivotal moment in the development of the genre.

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American folk music in the context of Country music

Country music, also known as country and western or simply country, is a music genre known for its ballads and dance tunes, identifiable by both traditional lyrics and harmonies accompanied by banjos, fiddles, harmonicas, and many types of guitar; either acoustic, electric, steel, or resonator guitars. Once called hillbilly music, the term country music was popularized in the 1940s.

It originated in the Southern United States, and spread throughout the Piedmont area of United States, from Louisiana along the Appalachian Mountains to New York. The music is believed to be derived from British folk music, brought to the United States during early waves of immigration. Rooted in American folk music, such as old-time and Southern Appalachian music, many traditions blended to form country music. In particular, this included cowboy and vaquero Western music and African-American traditional folk songs and spirituals. Mexican, Irish, and Gospel music have had a formative influence on the genre, as have the Polynesian Hawaiian music and the Southwestern styles of New Mexico and Tejano, as well as gospel music, blues modes from blues music.

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American folk music in the context of Henry Cowell

Henry Dixon Cowell (/ˈkəl/; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher, teacher and the husband of Sidney Robertson Cowell. Earning a reputation as an extremely controversial performer and eccentric composer, Cowell became a leading figure of American avant-garde music for the first half of the 20th century — his writings and music serving as a great influence to similar artists at the time, including Lou Harrison, George Antheil, and John Cage, among others. He is considered one of America's most important and influential composers.

Cowell was mostly self-taught and developed a unique musical language, often blending folk melodies, dissonant counterpoint, unconventional orchestration, and themes of Irish paganism. He was an early proponent and innovator of many modernist compositional techniques and sensibilities, many for the piano, including the string piano, prepared piano, tone clusters, and graphic notation. The Tides of Manaunaun, originally a theatrical prelude, is the best-known and most widely-performed of Cowell's tone cluster pieces for piano.

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American folk music in the context of Music of Ireland


Irish music is music that has been created in various genres on the island of Ireland.

The indigenous music of the island is termed Irish traditional music (or Irish folk music). It has remained vibrant through the 20th and into the 21st century, despite globalising cultural forces. In spite of emigration and mass exposure to music from Britain and the United States, Ireland's traditional music has kept many of its elements and has itself influenced other forms of music, such as country and roots music in the United States, which in turn have had some influence on modern rock music. Irish folk music has occasionally been fused with punk rock, electronic rock and other genres. Some of these fusion artists have attained mainstream success, at home and abroad.

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American folk music in the context of Oscar Brand

Oscar Brand (February 7, 1920 – September 30, 2016) was a Canadian-born American folk singer-songwriter, radio and TV host, and author. In his career, spanning 70 years, he composed at least 300 songs and released nearly 100 albums, among them Canadian and American patriotic songs. Brand's music ran the gamut from novelty songs to serious social commentary and spanned a number of genres. Brand also wrote a number of short stories.

For 70 years, he was the host of a weekly folk music show on WNYC Radio in New York City, which is credited as the longest running radio show with only one host in broadcasting history. In Canada, he was host of the televised folk concert series, Let's Sing Out!, which ran from 1963 to 1967, first on the CTV network, then on CBC, featuring Canadian and U.S. folk stars of the day. He also hosted shorter-lived CTV series while Let's Sing Out! was on CBC, according to Broadcasting-History.ca

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