Bob Dylan in the context of "Contemporary folk music"

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⭐ Core Definition: Bob Dylan

Bob Dylan (legally Robert Dylan; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Described as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his 68-year career. With an estimated 125 million records sold worldwide, he is one of the best-selling musicians. Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.

Dylan was born in St. Louis County, Minnesota. He moved to New York City in 1961 to pursue a music career. His 1962 debut album, Bob Dylan, containing traditional folk and blues material, was followed by his breakthrough album, The Freewheelin' Bob Dylan (1963), which included "Girl from the North Country" and "A Hard Rain's a-Gonna Fall", adapting older folk songs. His songs "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. In 1965 and 1966, Dylan created controversy when he used electrically amplified rock instrumentation for his albums Bringing It All Back Home, Highway 61 Revisited (both 1965), and Blonde on Blonde (1966). His six-minute single "Like a Rolling Stone" (1965) expanded commercial and creative boundaries in popular music.

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👉 Bob Dylan in the context of Contemporary folk music

Contemporary folk music refers to a wide variety of genres that emerged in the mid-20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the United States and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.

While the Romantic nationalism of the first folk revival had its greatest influence on art music, the "second folk revival" of the later 20th century brought a new genre of popular music with artists marketed through concerts, recordings and broadcasting. One of the earliest figures in this revival was Woody Guthrie, who sang traditional songs in the 1930s and 1940s as well as composing his own. Other major performers who emerged from the 1940s to the early 1960s included Pete Seeger, Bob Dylan, Joan Baez, Peter, Paul and Mary, Phil Ochs and Tom Paxton. In the UK, the folk revival fostered a generation of musicians such as Fairport Convention, Richard Thompson, Donovan, Martin Carthy, and Pentangle, who achieved initial prominence in the 1960s. The folk revival spawned Canada's first folk wave of internationally successful artists such as Neil Young, Gordon Lightfoot, Leonard Cohen, Joni Mitchell, and Buffy Sainte-Marie.

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Bob Dylan in the context of Folk revival

The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Early folk music performers include Woody Guthrie, Lead Belly, Pete Seeger, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Mississippi John Hurt, Josh White, and Cisco Houston. Lead Belly recorded "Cotton Fields" and "Goodnight, Irene" and folk singer Odetta released folk albums.

New folk musicians such as Bob Dylan, Joan Baez, Judy Collins, Joni Mitchell, Phil Ochs, Peter Paul & Mary and many others recorded folk songs and new compositions in the folk style in the 1960s and 1970s. The revival also brought forward strains of American folk music that had in earlier times contributed to the development of country and western, bluegrass, blues, and rock and roll music.

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Bob Dylan in the context of Folk rock

Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where he was backed by an electric band, was also a pivotal moment in the development of the genre.

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Bob Dylan in the context of John Henry Hammond

John Henry Hammond Jr. (December 15, 1910 – July 10, 1987) was an American record producer, civil rights activist, and music critic active from the 1930s to the early 1980s. As a talent scout, Hammond became one of the most influential figures in 20th-century popular music. He is the father of blues musician John P. Hammond.

Hammond sparked or advanced numerous musical careers, including those of Bob Dylan, Bruce Springsteen, Benny Goodman, Harry James, Charlie Christian, Billie Holiday, Count Basie, Teddy Wilson, Big Joe Turner, Fletcher Henderson, Pete Seeger, Babatunde Olatunji, Aretha Franklin, George Benson, Freddie Green, Leonard Cohen, Arthur Russell, Jim Copp, Asha Puthli, Stevie Ray Vaughan, Mike Bloomfield and Sonny Burke. He is also largely responsible for the revival of delta blues artist Robert Johnson's music.

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Bob Dylan in the context of American poetry

American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Most of the early colonists' work was similar to contemporary English models of poetic form, diction, and theme. However, in the 19th century, an American idiom began to emerge. By the later part of that century, poets like Walt Whitman were winning an enthusiastic audience abroad and had joined the English-language avant-garde.

Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernist poets like Ezra Pound and T.S. Eliot (who was awarded the Nobel Prize in Literature in 1948) are often cited as creative and influential English-language poets of the first half of the 20th century. African American and women poets were published and read widely in the same period but were often somewhat prejudicially marginalized. By the 1960s, the Beat Movement and Black Mountain poets had developed new models for poetry and their contemporaries influenced the British Poetry Revival. Towards the end of the millennium, consideration of American poetry had diversified, as scholars placed an increased emphasis on poetry by women, African Americans, Hispanics, Chicanos, Native Americans, and other ethnic groups. Louise Glück and Bob Dylan have been awarded the Nobel Prize in Literature

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Bob Dylan in the context of Sound City Studios

Sound City Studios is a recording studio in Los Angeles, California, United States, known as one of the most successful in popular music. The complex opened in 1969 in the Van Nuys neighborhood of Los Angeles. The facility had previously been a production factory of the English musical instrument manufacturer Vox. Throughout the late twentieth century, the studio became known for its signature sound, especially in recording drums and live performances of rock bands.

Hundreds of rock artists spanning five decades have recorded at Sound City, including Grateful Dead, Johnny Cash, Neil Young, Fleetwood Mac, Elton John, U2, Tom Petty and the Heartbreakers, Bob Dylan, Guns N' Roses, Nirvana, Red Hot Chili Peppers, Metallica, Tool, Slayer, Rage Against the Machine, Death Cab for Cutie, and Fall Out Boy. Over one hundred albums recorded at Sound City have achieved gold and platinum certifications.

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Bob Dylan in the context of Woody Guthrie

Woodrow Wilson Guthrie (/ˈɡʌθri/; July 14, 1912 – October 3, 1967) was an American singer, songwriter, and composer widely considered one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism and has inspired many generations politically and musically with songs such as "This Land Is Your Land" and "Tear the Fascists Down".

Guthrie wrote hundreds of country, folk, and children's songs, along with ballads and improvised works. Dust Bowl Ballads, Guthrie's album of songs about the Dust Bowl period, was included on Mojo's list of 100 Records That Changed the World, and many of his recorded songs are archived in the Library of Congress. Songwriters who have acknowledged Guthrie as an influence include Steve Earle, Bob Dylan, Lou Reed, Phil Ochs, Johnny Cash, Bruce Springsteen, Donovan, Robert Hunter, Harry Chapin, John Mellencamp, Pete Seeger, Andy Irvine, Joe Strummer, Billy Bragg, Dropkick Murphys, Jerry Garcia, Bob Weir, Jeff Tweedy, Tom Paxton, Country Joe McDonald, Brian Fallon, Sean Bonnette, and Sixto Rodríguez. Guthrie frequently performed with the message "This machine kills fascists" displayed on his guitar.

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Bob Dylan in the context of Joan Baez

Joan Chandos Baez (/bz/, Spanish: [ˈbaes]; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums.

Baez is generally regarded as a folk singer, but her music has diversified since the counterculture era of the 1960s and encompasses genres such as folk rock, pop, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, Joan Baez, Joan Baez, Vol. 2 and Joan Baez in Concert, all achieved gold record status. Although a songwriter herself, Baez generally interprets others' work, having recorded many traditional songs and songs written by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Paul Simon, Stevie Wonder, Bob Marley, and many others. She was one of the first major artists to record songs by Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Her tumultuous relationship with Dylan later became the subject of songs by each of them and generated much public speculation. On her later albums she has found success interpreting the work of more recent songwriters, including Ryan Adams, Josh Ritter, Steve Earle, Natalie Merchant, and Joe Henry.

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