Women's studies in the context of "Queer theory"

Interdisciplinarity or interdisciplinary studies involves the combination of multiple academic disciplines into one activity (e.g., a research project). It draws knowledge from several fields such as sociology, anthropology, psychology, economics, etc. It is related to an interdiscipline or an interdisciplinary field, which is an organizational unit that crosses traditional boundaries between academic disciplines or schools of thought, as new needs and professions emerge. Large engineering teams are usually interdisciplinary, as a power station or mobile phone or other project requires the melding of several specialties. However, the term "interdisciplinary" is sometimes confined to academic settings.

The term interdisciplinary is applied within education and training pedagogies to describe studies that use methods and insights of several established disciplines or traditional fields of study. Interdisciplinarity involves researchers, students, and teachers in the goals of connecting and integrating several academic schools of thought, professions, or technologies—along with their specific perspectives—in the pursuit of a common task. The epidemiology of HIV/AIDS or global warming requires understanding of diverse disciplines to solve complex problems. Interdisciplinary may be applied where the subject is felt to have been neglected or even misrepresented in the traditional disciplinary structure of research institutions, for example, women's studies or ethnic area studies. Interdisciplinarity can likewise be applied to complex subjects that can only be understood by combining the perspectives of two or more fields.

María Cristina Lugones (January 26, 1944 – July 14, 2020) was an Argentine feminist philosopher, activist, and Professor of Comparative Literature and of women's studies at Carleton College in Northfield, Minnesota and at Binghamton University in New York State. She identified as a U.S-based woman of color and theorized this category as a political identity forged through feminist coalitional work.

Lugones advanced Latino philosophy in theorizing various forms of resistance against multiple oppressions in Latin America, the US and elsewhere. She was known for her theory of multiple selves, her work on decolonial feminism, and for developing the concept of the "coloniality of gender," which posits that gender is a colonial imposition.

The Matrixial Gaze is a 1995 book by artist, psychoanalyst, clinical psychologist, writer and painter Bracha L. Ettinger. It is a work of feminist film theory that examines the gaze as described by Jacques Lacan, criticises it, and offers an original theory concerning feminine and female gaze. Beginning in 1985, Ettinger's artistic practice and her theoretical invention of a matrixial space (matricial space) articulated around her proposal of a feminine-maternal sphere of encounter that begins in the most archaic (pre-maternal-prenatal) humanised encounter-event, led her to publish a long series of academic articles starting 1992, articulating and developing for some decades what she has called the matrixial (matricial, matrixiel) theory of trans-subjectivity. The matrixial (matricial, matriciel, matrixiel) theory formulates Aesthetics and artistic creativity in terms of withnessing, compassion, wondering and 'fascinance', as well as Ethics of witnessing, responsibility, respect, compassion and care, and the passage from co-response-ability to responsibility and from com-passion to compassion. Bracha L. Ettinger invented a field of concepts that have influenced debates in contemporary art, psychoanalysis, women's studies, film studies, feminism, gender studies and cultural studies.

The personal is political, also termed The private is political, is a political argument used as a rallying slogan by student activist movements and second-wave feminism from the late 1960s. In the feminist movement of the 1960s and 1970s, it was seen as a challenge to the patriarchy, nuclear family and family values. The phrase was popularized by the publication of feminist activist Carol Hanisch's 1969 essay, "The Personal Is Political." The phrase and idea have been repeatedly described as a defining characterization of second-wave feminism, radical feminism, women's studies, or feminism in general. It has also been used by some female artists as the underlying philosophy for their art practice.