Woman in the context of "Gender"

Environmental racism, ecological racism, or ecological apartheid is a form of racism leading to negative environmental outcomes such as landfills, incinerators, and hazardous waste disposal disproportionately impacting communities of color, violating substantive equality. Internationally, it is also associated with extractivism, which places the environmental burdens of mining, oil extraction, and industrial agriculture upon indigenous peoples and poorer nations largely inhabited by people of color.

Environmental racism is the disproportionate impact of environmental hazards, pollution, and ecological degradation experienced by marginalized communities, as well as those of people of color. Environmental racism is embedded in policy making- both domestically and internationally- and is a pertinent example of structural racism which consequently produces health hierarchies. It is imperative to also note the intersection of environmental racism with sexism: the vulnerabilities faced by marginalised women and gender minority groups as a result of existing health inequities are exacerbated by the consequences of environmental racism. In the United States, some communities are continuously polluted while the government gives little to no attention. According to Robert D. Bullard, father of environmental justice, environmental regulations are not equally benefiting all of society; people of color (African Americans, Latinos, Asians, Pacific Islanders, and Native Americans) are disproportionately harmed by industrial toxins in their jobs and their neighborhoods. Within this context, understanding the intersectionality of race, socio-economic status, and environmental injustice through its history and the disproportionate impact is a starting point for leaning towards equitable solutions for environmental justice for all segments of society. Exploring the historical roots, impacts of environmental racism, governmental actions, grassroots efforts, and possible remedies can serve as a foundation for addressing this issue effectively.

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually annually and in a single city or region. Some film festivals show films outdoors or online.

Films may be of recent date and, depending on the festival's focus, can include both international and domestic releases. Some film festivals focus on a specific format of film, such as documentary, or runtime, such as short film festivals, or genre, such as horror films, category of filmmakers, such as women, production country/region or subject matter.

Pregnancy is the time during which one or more offspring gestates inside a woman's uterus. A multiple pregnancy involves more than one offspring, such as with twins.

Conception usually occurs following vaginal intercourse, but can also occur through assisted reproductive technology procedures. A pregnancy may end in a live birth, a miscarriage, an induced abortion, or a stillbirth. Childbirth typically occurs around 40 weeks from the start of the last menstrual period (LMP), a span known as the gestational age; this is just over nine months. Counting by fertilization age, the length is about 38 weeks. Implantation occurs on average 8–9 days after fertilization. An embryo is the term for the developing offspring during the first seven weeks following implantation (i.e. ten weeks' gestational age), after which the term fetus is used until the birth of a baby.

Praxiteles (/prækˈsɪtɪliːz/; Greek: Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.

A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting (Gérôme) to comic opera (Saint-Saëns) to shadow play (Donnay).

Empress dowager (also dowager empress or empress mother; Chinese and Japanese: 皇太后; pinyin: huángtàihòu; rōmaji: Kōtaigō; Korean: 황태후 (皇太后); romaja: Hwang Tae Hu; Vietnamese: Hoàng Thái Hậu (皇太后)) is the English language translation of the title given to the mother or widow of a monarch, especially in regards to Chinese, Japanese, Korean, or Vietnamese monarchs in the Chinese cultural sphere. The term however, is applied well beyond just East Asia.

The title was also given occasionally to another woman of the same generation, while a woman from the previous generation was sometimes given the title of grand empress dowager (Chinese and Japanese: 太皇太后; pinyin: tàihúangtàihòu; rōmaji: Taikōtaigō; Korean: 태황태후 (太皇太后); romaja: Tae Hwang Tae Hu; Vietnamese: Thái Hoàng Thái Hậu (太皇太后)). An empress dowager wielded power over the harem and imperial family. Numerous empress dowagers held regency during the reign of underage emperors. Many of the most prominent empress dowagers also extended their control for long periods after the emperor was old enough to govern. This was a source of political turmoil according to the traditional view of Chinese history.