Winslow Homer in the context of "American realism"

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⭐ Core Definition: Winslow Homer

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.

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👉 Winslow Homer in the context of American realism

American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century. Whether a cultural portrayal or a scenic view of downtown New York City, American realist works attempted to define what was real.

In the U.S. at the beginning of the 20th century a new generation of painters, writers and journalists were coming of age. Many of the painters felt the influence of older U.S. artists such as Thomas Eakins, Mary Cassatt, John Singer Sargent, James McNeill Whistler, Winslow Homer, Childe Hassam, J. Alden Weir, Thomas Pollock Anshutz, and William Merritt Chase. However they were interested in creating new and more urbane works that reflected city life and a population that was more urban than rural in the U.S. as it entered the new century.

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Winslow Homer in the context of Rootstock

A rootstock is part of a plant, often an underground part, from which new above-ground growth can be produced. It could also be described as a stem with a well developed root system, to which a bud from another plant is grafted. It can refer to a rhizome or underground stem. In grafting, it refers to a plant, sometimes just a stump, which already has an established, healthy root system, onto which a cutting or a bud from another plant is grafted. In some cases, such as vines of grapes and other berries, cuttings may be used for rootstocks, the roots being established in nursery conditions before planting them out.

The plant part grafted onto the rootstock is usually called the scion, which has the properties the propagator desires above ground, including the photosynthetic activity and the fruit or decorative properties. The rootstock is selected for its interaction with the soil, providing the roots and the stem to support the new plant, obtaining the necessary soil water and minerals, and resisting the relevant pests and diseases. After a few weeks, the tissues of the two parts will have grown together, eventually forming a single plant. After some years, it may be difficult to detect the site of the graft although the product always contains the components of two genetically different plants.

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Winslow Homer in the context of Equanimity

Equanimity is a state of psychological stability and composure which is undisturbed by the experience of or exposure to emotions, pain, or other phenomena that may otherwise cause a loss of mental balance. The virtue and value of equanimity is extolled and advocated by a number of major religions and ancient philosophies.

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Winslow Homer in the context of Seascape

A seascape is a photograph, painting, or other work of art which depicts the sea, in other words an example of marine art. The word originated as a formation from landscape, which was first used for images of land in art. By a similar development, "seascape" has also come to mean actual perceptions of the sea itself. It is applied in planning contexts to geographical locations possessing a good view of the sea. Seascape aesthetics receive legal protection in terms of biodiversity/ health of the seas (the OSPAR Convention, and in terms of the visual bio-cultural seascape (European Landscape Convention).

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Winslow Homer in the context of Tearing

Tearing is the act of breaking apart a material by force, without the aid of a cutting tool. A tear in a piece of paper, fabric, or some other similar object may be the result of the intentional effort with one's bare hands, or be accidental. Unlike a cut, which is generally on a straight or patterned line controlled by a tool such as scissors, a tear is generally uneven and, for the most part, unplanned. An exception is a tear along a perforated line, as found on a roll of toilet paper or paper towels, which has been previously partially cut, so the effort of tearing will probably produce a straight line.

Materials vary in their susceptibility to tearing. Some materials may be quite resistant to tearing when they are in their full form, but when a small cut or tear is made, the material becomes compromised, and the effort needed to continue tearing along that line becomes less.

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