American realism in the context of "Winslow Homer"

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⭐ Core Definition: American realism

American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century. Whether a cultural portrayal or a scenic view of downtown New York City, American realist works attempted to define what was real.

In the U.S. at the beginning of the 20th century a new generation of painters, writers and journalists were coming of age. Many of the painters felt the influence of older U.S. artists such as Thomas Eakins, Mary Cassatt, John Singer Sargent, James McNeill Whistler, Winslow Homer, Childe Hassam, J. Alden Weir, Thomas Pollock Anshutz, and William Merritt Chase. However they were interested in creating new and more urbane works that reflected city life and a population that was more urban than rural in the U.S. as it entered the new century.

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In this Dossier

American realism in the context of Edward Hopper

Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in depicting modern American life and landscapes.

Born in Nyack, New York, to a middle-class family, Hopper's early interest in art was supported by his parents. He studied at the New York School of Art under William Merritt Chase and Robert Henri, where he developed a signature style characterized by its emphasis on solitude, light, and shadow.

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American realism in the context of George Bellows

George Wesley Bellows (August 12 or August 19, 1882 – January 8, 1925) was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, "the most acclaimed American artist of his generation".

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American realism in the context of Robert Henri

Robert Henri (/ˈhɛnr/; June 24, 1865 – July 12, 1929) was an American painter and teacher.

As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to European Modernism (1913), Henri was mindful that his own representational technique was being made to look dated by new movements such as Cubism, though he was still ready to champion avant-garde painters such as Henri Matisse and Max Weber.

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