Weird fiction in the context of "UFO religion"

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⭐ Core Definition: Weird fiction

Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European Gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.

Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the label of New Weird, which continues into the 21st century.

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Weird fiction in the context of Speculative fiction

Speculative fiction is an umbrella genre of fiction that encompasses all the subgenres that depart from realism, or strictly imitating everyday reality, instead presenting fantastical, supernatural, futuristic, or other highly imaginative realms or beings.

This catch-all genre includes, but is not limited to: fantasy, science fiction, science fantasy, superhero, paranormal and supernatural horror, alternate history, magical realism, slipstream, weird fiction, utopia and dystopia, apocalyptic and post-apocalyptic fiction. In other words, the genre presents individuals, events, or places beyond the ordinary real world.

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Weird fiction in the context of Thomas Ligotti

Thomas Ligotti (born July 9, 1953) is an American horror author, lay philosopher, and writer. His writings are rooted in several literary genres – most prominently weird fiction – and have been described by critics as works of philosophical horror, often formed into short stories and novellas in the tradition of gothic fiction. The worldview espoused by Ligotti in his fiction and non-fiction has been described as pessimistic and nihilistic. The Washington Post called him "the best kept secret in contemporary horror fiction."

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Weird fiction in the context of Ghost story

A ghost story is any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them. The "ghost" may appear of its own accord or be summoned by magic. Linked to the ghost is the idea of a "haunting", where a supernatural entity is tied to a place, object or person. Ghost stories are commonly examples of ghostlore.

Colloquially, the term "ghost story" can refer to any kind of scary story. In a narrower sense, the ghost story has been developed as a short story format, within genre fiction. It is a form of supernatural fiction and specifically of weird fiction, and is often a horror story.

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Weird fiction in the context of UFO religions

A UFO religion, also called a UFO cult or flying saucer cult or extraterrestrial religion, is any religion in which the existence of extraterrestrial (ET) entities and communication with them is a core belief. Typically, adherents of such religions believe the ETs to be interested in the welfare of humanity which either already is, or eventually will become, part of a pre-existing ET civilization. These religions have their roots in the tropes of early science fiction (especially space opera) and weird fiction writings, in ufology, and in the subculture of UFO sightings and alien abduction stories. Some historians consider the Aetherius Society, founded by George King, to be the first UFO religion, while others consider it to be "I AM" Activity.

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Weird fiction in the context of China Miéville

China Tom Miéville FRSL (/miˈvəl/ mee-AY-vəl, born 6 September 1972) is a British speculative fiction writer and literary critic. He often describes his work as "weird fiction", and is allied to the loosely associated movement of writers called New Weird.

Miéville has won multiple awards for his fiction, including the Arthur C. Clarke Award, British Fantasy Award, BSFA Award, Hugo Award, Locus Award, and World Fantasy Awards. He holds the record for the most Arthur C. Clarke Award wins (three). His novel Perdido Street Station was ranked by Locus as the 6th best fantasy novel published in the 20th century. During 2012–13, he was writer-in-residence at Roosevelt University in Chicago. He became a Fellow of the Royal Society of Literature in 2015.

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Weird fiction in the context of H. P. Lovecraft

Howard Phillips Lovecraft (US: /ˈlʌvkræft/; August 20, 1890 – March 15, 1937) was an American writer of weird, horror, fantasy, and science fiction. He is best known for his creation of the Cthulhu Mythos, but his legacy is also apparent in terms like "Lovecraftian horror" and an enduring fandom.

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. After his father's institutionalization in 1893, he lived affluently until his family's wealth dissipated after the death of his grandfather. Lovecraft then lived with his mother, in reduced financial security, until her institutionalization in 1919. He began to write essays for the United Amateur Press Association and in 1913 wrote a critical letter to a pulp magazine that ultimately led to his involvement in pulp fiction. He became active in the speculative fiction community and was published in several pulp magazines. Marrying Sonia Greene in 1924, Lovecraft moved to New York City and later became the center of a wider group of authors known as the "Lovecraft Circle". They introduced him to Weird Tales, which became his most prominent publisher. Lovecraft's time in New York took a toll on his mental state and financial conditions. He returned to Providence in 1926 and remained active as a writer for 11 years, until his death at the age of 46. It was during this final period that Lovecraft produced some of his most popular works, including The Call of Cthulhu, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time.

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Weird fiction in the context of New weird

The new weird is a literary genre that emerged in the 1990s through early 2000s with characteristics of weird fiction and other speculative fiction subgenres. M. John Harrison is credited with creating the term "New Weird" in the introduction to The Tain in 2002. The writers involved are mostly novelists who are considered to be part of the horror or speculative fiction genres but who often cross genre boundaries. Notable authors include K. J. Bishop, Paul Di Filippo, M. John Harrison, Jeffrey Ford, Storm Constantine, China Miéville, Alastair Reynolds, Justina Robson, Steph Swainston, Mary Gentle, Alistair Rennie, Michael Cisco, Jeff VanderMeer and Conrad Williams. The movement was further defined and cataloged in 2008 with the publication of The New Weird, an anthology edited by Ann and Jeff VanderMeer that compiled seminal stories and essays from the genre's proponents.

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