Watercolor in the context of Paint

In visual arts, the support is the solid surface on which the work is painted, typically a canvas or a panel. Support is technically distinct from the overlaying ground. Sometimes "ground" is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.

The support for an oil painting can be either rigid or flexible, both providing certain opportunities and challenges for the artist. In order to get both the stability and the desired texture, painters for finished paintings usually use canvas that are pre-stretched on a solid frame or panel (so-called stretchers usually made of stretcher bars). These stretched canvas became popular in Venice in the 17th century. Since these supports are expensive, studies are frequently executed on pieces of canvas or paper. Canvas board, a piece of canvas mounted onto a paper board, provides another low-cost alternative for sketches.

Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones.

Monotyping produces a unique print, or monotype; most of the ink is removed during the initial pressing. Although subsequent reprintings (called ghost prints) are sometimes possible, they differ substantially from the original and are generally considered inferior. A print made by pressing a new print onto another surface, effectively making the print into a plate, is called a "cognate". Stencils, watercolor, solvents, brushes, and other tools are often used to embellish a monotype print. Monotypes can be spontaneously executed and with no previous sketch.

Carl Olof Larsson (Swedish pronunciation: [ˈkɑːɭ ˈlɑ̌ːʂɔn] ; 28 May 1853 – 22 January 1919) was a Swedish painter representative of the Arts and Crafts movement. His many paintings include oils, watercolors, and frescoes. He is principally known for his watercolors of idyllic family life. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large painting now displayed inside the Swedish National Museum of Fine Arts.

In visual arts, the ground (sometimes called a primer) is a prepared surface that covers the support of the picture (e.g., a canvas or a panel) and underlies the actual painting (the colors are overlaid onto the ground). Occasionally the term is also used in a broad sense to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.

The main purposes of the ground are to block chemical interactions between the paint and the support and to provide desired texture for painting or drawing.

The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto [it] in Florence in 1481, but he departed for Milan the following year, leaving merely more than the preparatory underdrawing in charcoal, ink and watercolor. It has been in the Uffizi Gallery in Florence since 1670.

Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: [ɡwaʃ]), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.

Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together.

James Abbott McNeill Whistler RBA (/ˈwɪslər/; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".

His signature for his paintings took the shape of a stylized butterfly with an added long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his aesthetic theories and his friendships with other leading artists and writers.

A picture book combines visual and verbal narratives in a book format, most often aimed at young children. With the narrative told primarily through text, they are distinct from comics, which do so primarily through sequential images.

The images in picture books can be produced in a range of media, such as oil paints, acrylics, watercolor, and pencil. Picture books often serve as educational resources, aiding with children's language development or understanding of the world.

Love's Messenger is an 1885 watercolor by Marie Spartali Stillman in which a dove has just carried a love letter to a woman standing in front of an open window. She wears a red rose, and has just put down her embroidery of a blind-folded Cupid.

The artist modestly described the painting in 1906:

What Our Lord Saw from the Cross (Ce que voyait Notre-Seigneur sur la Croix) is a c. 1890 watercolor painting by the French painter James Tissot. The work is unusual for its portrayal of the Crucifixion of Jesus from the perspective of Jesus on the cross, rather than featuring Christ at the center of the work. The scene shows witnesses, including Jesus' followers (the women and the disciple whom Jesus loved), participants, and bystanders; of Jesus' own body only the feet can be seen, at the bottom of the picture.

The painting is part of the series The Life of Jesus Christ, a series of 350 watercolors of events from the Gospels completed by Tissot. He prepared for these by extensive travels in the Middle East to study details of contemporary life, which he used in the paintings. Prints were also published of the compositions. The whole watercolor series, completed between 1886 and 1894, was acquired in 1900 by the Brooklyn Museum in New York.

Gerasimos Pitsamanos or Pitzamanos (Greek: Γεράσιμος Πιτσαμάνος or Πιτζαμάνος; 6 March 1787 – 5 December 1825) was a Greek architect and a portrait painter. Most of his known works are watercolors.

Hans Fredrik Gude (March 13, 1825 – August 17, 1903) was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.

Gude's artistic career was not one marked with drastic change and revolution, but was instead a steady progression that slowly reacted to general trends in the artistic world. Gude's early works are of idyllic, sun-drenched Norwegian landscapes which present a romantic, yet still realistic view of his country. Around 1860 Gude began painting seascapes and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with Adolph Tidemand in some of his painting, drawing the landscape himself and allowing Tidemand to paint the figures. Later Gude would work specifically on his figures while at Karlsruhe, and so began populating his paintings with them. Gude initially painted primarily with oils in a studio, basing his works on studies he had done earlier in the field. However, as Gude matured as a painter he began to paint en plein air and espoused the merits of doing so to his students. Gude would paint with watercolors later in life as well as gouache in an effort to keep his art constantly fresh and evolving, and although these were never as well received by the public as his oil paintings, his fellow artists greatly admired them.

Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or it may have its own unique characteristics not attainable with other media.

Water-based acrylic paints are used as latex house paints, as latex is the technical term for a suspension of polymer microparticles in water. Interior latex house paints tend to be a combination of binder (sometimes acrylic, vinyl, PVA, and others), filler, pigment, and water. Exterior latex house paints may also be a co-polymer blend, but the best exterior water-based paints are 100% acrylic, because of its elasticity and other factors. Vinyl, however, costs half of what 100% acrylic resins cost, and polyvinyl acetate (PVA) is even cheaper, so paint companies make many different combinations of them to match the market.

Charles Rochussen (Kralingen, 1 August 1814 – Rotterdam 22 September 1894) was a Dutch illustrator and printmaker.

Rochussen was the second son of the wealthy businessman and art collector Hendrik Rochussen (1779–1852), who was himself an amateur draftsman of some distinction and owned an extensive art and history library.

A handjob (also spelled hand job) is a manual sex act involving a person stimulating the penis or scrotum of another by using the hand. This is done to induce an erection for sexual pleasure, sexual arousal and may result in orgasm and ejaculation.

A handjob can be performed as either foreplay or as non-penetrative sex. It is analogous to fingering (manual stimulation of the vulva or vagina).Someone may give a handjob so as not to engage in penetrative sexual activity. Besides avoiding the risks associated with sexual penetration, such as sexually transmitted infections (STIs) or pregnancy from penile-vaginal sex, some people engage in non-penetrative sex to preserve virginity.

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.