War and Peace in the context of "Ten Novels and Their Authors"

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⭐ Core Definition: War and Peace

War and Peace (Russian: Война и мир, romanizedVoyna i mir; pre-reform Russian: Война и миръ; IPA: [vɐjˈna i ˈmʲir]) is a literary work by the Russian author Leo Tolstoy. Set during the Napoleonic Wars, the work comprises both a fictional narrative and chapters in which Tolstoy discusses history and philosophy. An early version was published serially beginning in 1865, after which the entire book was rewritten and published in 1869. It is regarded, with Anna Karenina, as Tolstoy's finest literary achievement, and it remains an internationally praised classic of world literature.

The book chronicles the French invasion of Russia and its aftermath during the Napoleonic era. It uses five interlocking narratives following different Russian aristocratic families to illustrate Napoleon's impact on Tsarist society. Portions of an earlier version, titled The Year 1805, were serialized in The Russian Messenger from 1865 to 1867 before the novel was published in its entirety in 1869.

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👉 War and Peace in the context of Ten Novels and Their Authors

Ten Novels and Their Authors (originally published as Great Novelists and Their Novels) is a 1948 work of literary criticism by William Somerset Maugham. Maugham collects together what he considers to have been the ten greatest novels and writes about the books and the authors. The ten novels are:

  1. The History of Tom Jones, a Foundling by Henry Fielding (1749)
  2. Pride and Prejudice by Jane Austen (1813)
  3. The Red and the Black by Stendhal (1830)
  4. Le Père Goriot by Honoré de Balzac (1835)
  5. David Copperfield by Charles Dickens (1849)
  6. Madame Bovary by Gustave Flaubert (1856)
  7. Moby-Dick by Herman Melville (1851)
  8. Wuthering Heights by Emily Brontë (1847)
  9. The Brothers Karamazov by Dostoevsky (1880)
  10. War and Peace by Tolstoy (1869)

This book was originally a series of magazine articles commissioned by Redbook.

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War and Peace in the context of Epic (genre)

Epic is a narrative genre characterised by its length, scope, and subject matter. The defining characteristics of the genre are mostly derived from its roots in ancient poetry (epic poems such as Homer's Iliad and Odyssey). An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games.

Epic poetry dates back millennia to works of literature predating Ancient Greece or the Hebrew Bible, such as the Epic of Gilgamesh. But critique and discourse has continuously arisen over this long period of time, with attempts to clarify what the core characteristics of the “epic” genre really are beginning only in the past two centuries as new mediums of storytelling emerged with developing technologies. Most significantly, the advent of the novel, such as classics like Tolstoy's War and Peace which began to be referred to as “epic novels”, caused critics to reconsider what can be called an “epic”. With this discussion, epic became a larger overarching genre under which many subgenres, such as epic poetry, epic novels, and epic films could fall under. However, the nebulous definitions assigned to even the long-standing ancient epics due to their ubiquitous presence across vastly differing cultures and traditions, are still a topic of discourse for today's literary academics, and have caused lingering difficulties in creating a definitive definition for the umbrella term of “epic” as a genre.

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War and Peace in the context of Leo Tolstoy

Count Lev Nikolayevich Tolstoy (/ˈtlstɔɪ, ˈtɒl-/; Russian: Лев Николаевич Толстой, IPA: [ˈlʲef nʲɪkɐˈla(j)ɪvʲɪtɕ tɐlˈstoj] ; 9 September [O.S. 28 August] 1828 – 20 November [O.S. 7 November] 1910), usually referred to in English as Leo Tolstoy, was a Russian writer. He is regarded as one of the greatest and most influential authors of all time.

Born to an aristocratic family, Tolstoy achieved acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood and Youth (1852–1856), and with Sevastopol Sketches (1855), based on his experiences in the Crimean War. His War and Peace (1869), Anna Karenina (1878), and Resurrection (1899), which is based on his "youthful sins," are often cited as pinnacles of realist fiction and three of the greatest novels ever written. His oeuvre includes short stories such as "Alyosha the Pot" (1911) and "After the Ball" (1911) and novellas such as Family Happiness (1859), The Death of Ivan Ilyich (1886), The Kreutzer Sonata (1889), The Devil (1911), and Hadji Murat (1912). He also wrote plays and essays concerning philosophical, moral and religious themes.

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War and Peace in the context of Non-fiction novel

The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, and uses the storytelling techniques of fiction. Sometimes they incorporate fictitious conversations. The non-fiction novel is an otherwise loosely defined and flexible genre. The genre is sometimes referred to using the slang term "faction", a portmanteau of the words fact and fiction. When written about non-fictional elements of the author's own life, the form is known as autofiction.

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War and Peace in the context of Sevastopol Sketches

The Sevastopol Sketches (pre-reform Russian: Севастопольскіе разсказы, romanizedSevastópolʹskiye razskázy; post-reform Russian: Севастопольские рассказы, romanizedSevastópolʹskiye rasskázy), translated into English as Sebastopol Sketches or Sebastopol Stories or Sevastopol Sketches or Stories, are three short stories by Leo Tolstoy published in 1855 to record his experiences during the previous year's siege of Sevastopol in Crimea. These brief "sketches" formed the basis of many episodes in Tolstoy's most famous novel, War and Peace.

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War and Peace in the context of Masonic ritual and symbolism

Masonic ritual is the scripted words and actions that are spoken or performed during the degree work in a Masonic lodge. Masonic symbolism is that which is used to illustrate the principles which Freemasonry espouses. Masonic ritual has appeared in a number of contexts within literature (for example: "The Man Who Would Be King", by Rudyard Kipling, and War and Peace, by Leo Tolstoy).

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