Vergil in the context of "Pseudo-Probus"

The Western classical tradition is the reception of classical Greco-Roman antiquity by later cultures, especially the post-classical West, involving texts, imagery, objects, ideas, institutions, monuments, architecture, cultural artifacts, rituals, practices, and sayings. Philosophy, political thought, and mythology are three major examples of how classical culture survives and continues to have influence. The West is one of a number of world cultures regarded as having a classical tradition, including the Indian, Chinese, and Islamic traditions.

The study of the classical tradition differs from classical philology, which seeks to recover "the meanings that ancient texts had in their original contexts." It examines both later efforts to uncover the realities of the Greco-Roman world and "creative misunderstandings" that reinterpret ancient values, ideas and aesthetic models for contemporary use. The classicist and translator Charles Martindale has defined the reception of classical antiquity as "a two-way process ... in which the present and the past are in dialogue with each other."

Augustan literature is a period of Latin literature written during the reign of Augustus (27 BC–AD 14), the first Roman emperor. In literary histories of the first part of the 20th century and earlier, Augustan literature was regarded along with that of the Late Republic as constituting the Golden Age of Latin literature, a period of stylistic classicism.

Most of the literature periodized as "Augustan" was in fact written by men—Vergil, Horace, Propertius, Livy—whose careers were established during the triumviral years, before Octavian assumed the title Augustus. Strictly speaking, Ovid is the poet whose work is most thoroughly embedded in the Augustan regime.

The Carmen saeculare ("Song of the ages") is a Latin hymn written by Horace and commissioned by Augustus. It was sung by a choir of girls and boys at the secular games in 17 BC. It is written in Sapphic meter and follows the themes of the poets of the day, in particular Vergil.

The poem is a prayer dedicated to Diana and Apollo, and secondarily to Jupiter and Juno. It asks for their protection of Rome and its laws, as well as their favor in granting descendants to the Roman people. For Horace, prosperity and wealth returned to the city after Augustus took power and established peace. Making references to Aeneas and Romulus, he celebrates the reign of Augustus, which brought in a new era and ensured the future of Rome.

Asclepiades of Tragilus (Greek: Ἀσκληπιάδης) was an ancient Greek literary critic and mythographer of the 4th century BC, and a student of the Athenian orator Isocrates. His works do not survive, but he is known to have written the Tragodoumena (Τραγῳδούμενα, "The Subjects of Tragedy"), in which he discussed the treatment of myths in Greek tragedy. The Tragodoumena is sometimes considered the first systematic mythography. Asclepiades summarized the plots of myths as dramatized in tragedy, and provided details and variants. He is one of the authors (= FGrHist 12) whose fragments were collected in Felix Jacoby's Die Fragmente der griechischen Historiker. He is cited twice in the work traditionally known as the Library of Apollodorus.

A gloss on Vergil's phrase Idaeis cyparissis ("cypresses of Ida") mentions that Asclepiades preserved a Celtic version of the myth of Cyparissus, in which a female Cyparissa is the daughter of a Celtic king named Boreas.